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02:35 min • 08/08/2025

mt hood summer video filmed and edited by ecook skiing by ferdinand dahl additional film-woody www.capeesh.supply

Park

Athletes

Ferdinand Dahl

Locations

Mt. Hood

Ferdinand Dahl

Profile and significance

Ferdinand “Ferdi” Dahl is a Norwegian freeski original whose blend of contest pedigree and culture-building has made him one of the most influential park and street skiers of his generation. Born in 1998 and raised around Oslo, he broke through on the biggest stages with multiple medals at the X Games—slopestyle bronze in 2019, slopestyle silver in 2021, and slopestyle bronze again in 2023—while stacking nine FIS World Cup podiums and two Olympic appearances, including an eighth place in slopestyle at PyeongChang 2018. Those results alone would secure his status. But Dahl’s impact extends further: he co-founded the rider-led Jib League series that reframed what a freeski “contest” could be, and he channels his design sensibility into the apparel label Capeesh Supply. The result is a rare dual footprint—elite competitor and thoughtful scene shaper—whose skiing reads clearly at full speed and whose projects elevate the wider culture.

Today, Dahl’s priorities span performance and stewardship. You’ll still see him under stadium lights at Buttermilk in Aspen during X Games week or dropping mid-winter edits from Europe and North America. You’ll also see him building spaces for others to shine, whether that’s hosting a jam-style Jib League stop with fellow founders James “Woodsy” Woods and Øystein Bråten, or releasing small-batch garments that carry Capeesh’s playful, skaterly aesthetic. He skis for Vishnu Freeski and rides with Monster Energy, a sponsor mix that mirrors his commitment to rider-run creativity and broadcast-level execution.

Competitive arc and key venues

Dahl’s contest résumé maps the modern freeski ladder. Early Europa Cup and World Cup starts led to a breakout Olympic debut at the PyeongChang 2018 Games, staged at Korea’s Phoenix Park, where he placed eighth in men’s slopestyle. World Cup consistency followed, culminating in nine podiums and back-to-back seasons ranked among the very best in slopestyle overall. In Aspen, the X Games medals arrived across four winters, validating a trick vocabulary and run composition that judges reward and fans replay.

Venue context explains why his skiing travels so well. Buttermilk rewards multi-feature flow and line design under heavy camera pressure; Phoenix Park’s Olympic stage compresses everything into immaculate takeoffs and unforgiving landings; Austria’s in-city Nordkette Skyline Park demands cadence on dense rail panels; Sweden’s Kläppen serves long spring laps where measured speed and early commitments separate a good run from a great one. As Dahl pivoted some focus toward film and rider-led events, he didn’t abandon competition; he reframed it. Jib League’s jam format—skier voting, style-forward criteria—moved the needle while keeping the difficulty and clarity that defined his World Cup and X Games success.

How they ski: what to watch for

Dahl’s skiing is a case study in readable difficulty. On rails, approaches are squared early, body position stays stacked, and lock-ins look decisive rather than dramatic. Surface swaps resolve cleanly; presses have shape instead of wobble; exits protect momentum into the next setup. On jumps, he favors measured spin speed and deep, functional grabs—safety, tail, or blunt held long enough to stabilize the axis. That early grab timing keeps shoulders quiet and landings centered, so the outrun breathes instead of becoming a last-second save. Directional variety—forward and switch, left and right—shows up without breaking cadence because every choice serves the line.

Two tells help you “read” a Dahl run in real time. First, spacing. He leaves room between moves, so each trick creates setup for the next one rather than stealing from it. Second, grab discipline. The hand finds the ski early and stays there long enough to influence rotation, not just decorate the frame. That’s why even his bigger spins look calm, and why editors can present his clips at normal speed without resorting to slow-motion rescue.

Resilience, filming, and influence

Longevity at the top level requires adaptation. After years of traveling the World Cup and major-event circuit, Dahl broadened his canvas: spring projects in the Alps, on-camera head-to-heads in SLVSH games, and the co-creation of Jib League with Woods and Bråten. The through-line is composure. Whether the setting is a single-hit scaffolding jump, a multi-feature slopestyle course, or a dense rail garden at Nordkette, he protects speed, commits to control inputs early, and finishes tricks with enough time to ride away clean. That reliability earns trust—from judges tallying slopestyle scores, from peers voting in jam formats, and from filmmakers who want clips that hold up after ten replays.

Influence shows up far beyond podium photos. Jib League’s format centers skiers as voters and storytellers, and its stops have become required viewing for anyone who cares how style and difficulty can coexist. Capeesh, meanwhile, exports the same ethos via apparel drops and creative videos—small teams, rider agency, humor intact. Add in years of high-profile clips and a deep library of World Cup runs archived at Olympics.com, and you have a body of work that doubles as instruction: honest speed, early commitments, centered landings.

Geography that built the toolkit

Place is the skeleton of Dahl’s skiing. Oslo’s compact hills and firm winter snow built edge honesty and quick decision-making; repeated laps discipline the feet and hands. The Alps supplied longer radii and faster in-runs, especially at Nordkette, where dense features reward timing and rail economy. Spring blocks at Kläppen layered in rhythm on creative setups and medium-to-large booters, and the annual pilgrimage to Buttermilk honed broadcast composure. On the Olympic stage at Phoenix Park, he proved those habits survive the brightest lights. Stitch those environments together and you get a toolkit that travels: protect momentum, manage spin speed with the grab, and keep the run’s shape intact from first rail to last landing.

Equipment and partners: practical takeaways

Dahl’s current setup mirrors his philosophy. With Vishnu Freeski he rides a park-capable platform with balanced swing weight and reinforced edges that tolerate repeated rail contact without unpredictable flex. Energy and event support from Monster Energy keeps the spotlight on projects that showcase skier agency, while Capeesh Supply lets him translate taste into design. If you’re looking to borrow from his gear decisions, the lesson is category fit over model names: choose a symmetrical or near-symmetrical park ski, mount it so butters and presses feel natural without compromising takeoff stability, keep bases fast so cadence survives cold or salt, and tune edges to hold on steel yet soften contact points to avoid surprise bites on swaps. Equipment won’t replace timing, but the right platform makes good timing repeatable across long filming days and pressure-heavy finals.

Equally practical is how he structures a season. Early repetitions on consistent parks sharpen approach mechanics; jam-style events test composure under variable pace and crowd energy; and marquee weeks at places like Buttermilk demand the full package—rail clarity, directional variety on jumps, and airtight landings. That rhythm is a template ambitious riders can copy on the path from local edits to international relevance.

Why fans and progressing skiers care

Ferdinand Dahl matters because he turns elite difficulty into clarity and then uses his platform to grow the culture around it. He owns multiple X Games medals, deep World Cup credentials, and Olympic finals experience, yet he’s just as committed to rider-run spaces like Jib League and to creative output through Capeesh. The skiing itself is easy to follow at normal speed because the mechanics are honest: early grab commitment, measured spin speed, and landings that preserve momentum for the next move. For viewers, that means segments worth replaying; for developing skiers, it offers a concrete checklist—square the approach, use the grab as a control input, finish the trick early, and let the line breathe. That combination of results, readability, and stewardship is why Ferdi sits at the center of freeski culture today, whether the backdrop is an Olympic venue, a televised course in Colorado, or a rail garden above Innsbruck.

Mt. Hood

Overview and significance

Mt. Hood is Oregon’s year-round freeski engine and one of the most influential mountains in North America for progression. Three distinct resorts ring the volcano: Timberline on the south side with its famous Palmer Snowfield and the longest continuous lift-served vertical in the U.S. from Palmer to Government Camp; Mt. Hood Meadows on the southeast flank with the state’s largest single resort footprint; and Mt. Hood Skibowl near Government Camp, home to one of the biggest night-ski operations on the continent. The combination is rare: deep Pacific storm cycles in winter, a purpose-built park scene that stretches into late spring, and lift-served summer laps that attract national teams, film crews, and camp kids alike. For a quick internal overview, see our page at skipowd.tv/location/mt-hood/.

Hood’s significance goes beyond volume. Timberline’s summer scene keeps skills sharp when most mountains are green, Meadows supplies consequential bowls and gullies that ride well between storms, and Skibowl offers steep fall-line plus plentiful night hours. That multi-season, multi-venue rhythm is why so many crews schedule at least one Hood block every year—storm-chase in January, film corn lines in April, and return for park laps in June.

Terrain, snow, and seasons

This is a maritime mountain. Winter storms roll in from the Pacific, stack dense-but-shapeable snow, and leave behind supportive, wind-buffed chalk on ridges when skies clear. Meadows lists roughly 2,150 acres and about 2,777 feet of lift-served vertical with terrain that ranges from groomed cruisers to hike-to chutes in Heather Canyon; the resort’s live map and reports keep the daily picture current. Timberline’s published stats highlight 1,685 acres and a marquee 4,540-foot continuous vertical from the top of Palmer to the base at Government Camp, a line that links high-elevation snowfields to long, rolling lower-mountain pistes. Skibowl skis smaller but steeper, with classic tree shots and direct fall lines that reward timing. January and February deliver the coldest, most repeatable surfaces; March and April bring frequent blue windows and spring corn on solar aspects while shaded faces up high stay wintry.

Summer is the differentiator. When coverage and temperatures allow, Timberline spins Magic Mile and Palmer for morning sessions on lifted summer snow—the only lift-access of its kind in North America. The public can lap groomers and a dedicated public park while teams and camps work reserved lanes nearby. Expect early starts, salted in-runs, and quick laps in a compact venue that’s engineered for repetition. By midday, softer landings replace morning crispness; hydration, glacier-specific wax, and careful speed reads become part of the routine.

Park infrastructure and events

Timberline runs multiple terrain parks through the core season and transitions into a dedicated summer park program. The resort’s park hub outlines the year-round approach—rotating rail gardens, progressive jump lines, and spring builds that “level up” as the snowpack deepens, followed by a summer setup on Palmer that includes a public park and a Freestyle Training Center lane system with airbags and tow access when in operation. U.S. Ski & Snowboard has used Timberline as an official training site and continues to stage summer camps here for alpine, moguls, slopestyle, and halfpipe athletes as conditions and schedules allow.

Meadows complements that with a multi-zone park program that, in typical winters, includes beginner-friendly sets like the Zoo, intermediate/advanced flow in Forest Park, and—when temperatures and coverage line up—an 18-foot superpipe and banked features near the front side. Skibowl focuses on night mileage and natural features; you’ll find smaller park elements at times, but its calling card is lit terrain across multiple lifts, which keeps trick work and rail reps going long after sunset. The through-line across all three areas is practical shaping for predictable speed and safe landings rather than occasional spectacle.

Access, logistics, and on-mountain flow

From Portland (PDX), the standard drive is U.S. 26 to Government Camp, then branch to your venue: the Timberline Highway (OR 173) to the lodge, the well-signed turn to Meadows via OR 35, or the direct approach to Skibowl. If you’d rather skip mountain parking or chain-ups, the year-round Mt. Hood Express bus links the town of Sandy with Government Camp and Timberline, with extra runs in winter. For road status and traction rules, Oregon’s TripCheck and the Chain Law page are the authoritative sources; winter weather can change rapidly between the lowlands and passes.

Daily flow hinges on visibility and wind. In storms, Meadows’ treeline benches and lower bowls keep speed honest; at Timberline, work the protected mid-mountain before stepping higher; at Skibowl, lap lit terrain where sightlines and traffic are predictable. After a front clears, hunt leeward chalk on ridges and panels, then build jump sessions as temperatures stabilize—crisp lips in the morning, forgiving landings later. In summer, set an early alarm; the best park laps and race training happen before surface softening and wind pick up. Public park hours are shorter than winter days—plan efficiently and hydrate.

Local culture, safety, and etiquette

Hood’s resorts operate on U.S. Forest Service land under special-use permits, with clear in-bounds rules and serious terrain just beyond rope lines. If you’re stepping outside marked runs at Meadows or Skibowl, or touring near Timberline, treat it like backcountry: carry beacon, shovel, and probe; travel with partners who know rescue; and read the regional bulletin from the Northwest Avalanche Center before you go. Glaciated terrain above lift-served zones can hide crevasses; respect closures on Palmer and never cross boundary ropes to “just take a look.” Inside the parks, follow Park Smart: inspect first, call your drop, hold a predictable line, and clear landings and knuckles immediately so laps keep moving.

Night culture matters here. Skibowl’s expansive lighting extends productive hours, but cold maritime air can glaze surfaces quickly after sunset; detune appropriately, keep edges sharp, and bias rail mileage until speeds feel consistent. On road days, build buffer time and consider transit; carrying chains or traction tires is often required during winter conditions, and real-time adjustments via TripCheck will save you headaches. On busy weekends, the easiest days are often car-free ones that start on the Mt. Hood Express or with an early train-to-rental-to-bus sequence from Portland.

Best time to go and how to plan

For pow consistency and durable park lips, aim for mid-January through late February. Those weeks typically deliver frequent refreshes, cold mornings, and predictable speed windows in the afternoon. March and April add bluebird spells and a classic corn cycle on solar aspects, especially at Meadows; Timberline’s spring rebuilds turn the lower mountain into a freestyle playground before the summer move to Palmer. If you’re targeting the summer scene, plan for early-morning lift spins, separate public and private lanes, and a compact schedule that rewards repetition. The public park is designed for learning and filming without getting in the way of team training, and it rides best before noon when salted takeoffs are crisp.

Each day, start with your venue’s status page for wind holds, lift links, and park notes, then pick a sector by aspect and visibility. Build sessions around a two- or three-feature circuit to dial speed before stepping into full lines. If you’d like to avoid driving altogether, lock in a bus seat on the Mt. Hood Express during peak weekends. For mixed crews, consider a two-mountain strategy: storm-day rails and night laps at Skibowl or lower Meadows, then high-alpine panels at Meadows or upper Timberline when skies clear.

Why freeskiers care

Because Mt. Hood combines a credible winter with a world-unique summer. You can stack powder laps and night sessions when storms are firing, then return months later to refine jump timing and rail work on Palmer’s salted snow under lift access. Timberline’s year-round parks and lanes, Meadows’ big-mountain flavor, and Skibowl’s after-dark mileage add up to a complete progression ecosystem, all within striking distance of Portland. If your goal is to learn fast, film clean, and keep momentum from January through July, Hood is a cornerstone destination.

Brand overview and significance

Capeesh (often seen online as “capeesh fashion house” or Capeesh Supply) is an independent ski apparel and streetwear label created in 2020 by Norwegian freeskier Ferdinand “Ferdi” Dahl and two childhood friends. Born out of park and street skiing rather than a traditional outerwear company structure, the brand is positioned as a rider-led fashion house: part technical outerwear builder, part creative studio, and part community project for skiers who live in baggy pants and belts all winter long.

Instead of chasing mass-market volume, Capeesh works in tight seasonal collections with a clear visual identity: oversized silhouettes, exaggerated cuffs, bold plaids and washed tones, plus visible stitching and details that nod to workwear and vintage snowboard gear. Early on, the woven belt line became a calling card, showing up in park edits and on lift lines well before the outerwear range expanded. By the time insulated jackets and shell pants arrived, the brand already had a recognizable look that slotted straight into the modern freeski aesthetic.

Within the freeski ecosystem, Capeesh sits in the same cultural lane as other rider-founded outerwear labels, but with its own twist: a heavy emphasis on tailoring, cut, and styling as much as on pure tech numbers. Their pieces appear in influential edits, SLVSH games, and Jib League sessions, which means many skiers encounter the brand first on screen, then start spotting it on-hill. For Skipowd.tv viewers, Capeesh is best understood as a small but influential fashion house that treats freeskiing as both sport and style language.

Product lines and key technologies

Even though the brand is compact, Capeesh offers a full ecosystem of on-hill and off-hill pieces. The outerwear line centers on loose-fit jackets like the Revamp and Bombshell, plus insulated silhouettes such as the Big Puffy. These jackets typically use polyester shells with around 10K waterproof and 10K breathable ratings, PFC-free water-repellent treatments, fully taped or critically taped seams, and YKK zippers. Select insulated models use premium synthetic fills like Primaloft Gold around the torso for warmth without excessive bulk, keeping the profile baggy in look but practical in function.

Pants—names like Pantaloni, Fancy Pant and various Deconstructed iterations—follow the same design philosophy. They pair 10K/10K-rated polyester shells with fleece and mesh linings, long inseams, and wide legs that stack naturally over boots. Many models integrate venting, magnet-secured pockets, and the brand’s signature interchangeable Velcro patch system, letting riders swap logo patches or graphics without changing the pant itself. That patch ecosystem extends across some jackets too, making the kit feel modular and collectible.

Beyond outerwear, Capeesh keeps a deep bench of layering and lifestyle pieces: hoodies, “hoodiys,” quarter-zips, crewnecks, long sleeves, tees and ribbed beanies. These are generally cotton or cotton-blend basics sized to match the outerwear’s oversized cut, so a rider can build a fully coordinated look. Accessories—most notably the woven belts—carry low-profile buckles, often magnetic Fidlock closures, and colorways that tie back into the seasonal jackets and pants. Together, the collection functions as a small but cohesive wardrobe rather than a disconnected set of products.

Ride feel: who it’s for (terrains & use-cases)

On snow, Capeesh outerwear is built for park laps, resort jibbing and street missions first, with all-mountain usage as a solid secondary role. The 10K/10K fabric spec and DWR treatment are dialed toward typical resort conditions—cold, dry days, intermittent snow, and the occasional storm session—rather than multi-day backcountry objectives or the wettest coastal climates. In practice, that means you can expect to stay dry through long park days, rail sessions, and normal chairlift cycles, especially when you manage layers correctly underneath.

Fit is a major part of the “ride feel.” Pants run long and wide so they drape over highbacks and ski boots, giving that modern, stacked silhouette that many park skiers want, while still allowing full range of motion for butters, nose blocks and big spins. Jackets are cut loose with dropped shoulders and generous hem lengths that cover you on hand drags and low rail tricks without riding up. The overall experience is best suited to skiers who value style and freedom of movement over ultra-minimalist, race-inspired cuts.

For riders who split their time between resort park, side hits, and occasional tree laps, Capeesh outerwear slots in as an everyday kit that looks right in rail gardens, plaza-style parks, and nighttime sessions under the lights. Those charging high-speed alpine lines in harsh weather or doing full-day touring may prefer higher-spec shells, but a surprising number of all-mountain skiers still choose Capeesh for the blend of comfort, warmth, and expressive silhouette.

Team presence, competitions, and reputation

Capeesh’s credibility is tied directly to its founder. Ferdinand Dahl is not only a designer and co-owner; he is a multi-time X Games medalist and Olympic slopestyle finalist whose skiing has shaped the current era of park and street riding. When he wears Capeesh at major events or in parts, it sends a clear signal about the brand’s authenticity. Viewers spot the pants and belts in footage from Jib League stops and in SLVSH games filmed at locations like Grandvalira, where Dahl’s runs help define the visual identity of the sessions.

The wider “team” is less about a conventional, heavily marketed roster and more about a recurring cast of filmers and skiers appearing across Capeesh edits, the brand’s inspiration page, and collaborative projects. Many of these riders have main hardware sponsors from big ski and energy drink brands, but choose Capeesh for outerwear or belts, reinforcing the label’s status as a culture-first choice rather than a purely commercial one. It’s common to see the gear alongside other core brands in international competition recaps and independent movies.

In community discussions, Capeesh generates strong opinions—exactly what you’d expect from a design-forward brand. Some skiers praise the quality and fit, calling out improved construction over earlier micro-brands, while others debate the aesthetics and the premium price point. That friction is part of its reputation: Capeesh is not trying to please everyone; it is building a distinct look for skiers who want their outerwear to communicate identity as clearly as their trick selection.

Geography and hubs (heritage, testing, venues)

Capeesh is registered in Norway, and that Scandinavian backdrop is visible across its imagery and edits—urban rails, floodlit parks, and long winter nights where outerwear doubles as everyday clothing. Much of the early brand story took shape in and around Norwegian resort parks and street spots, where cold, dry snow and consistent night-skiing conditions influence how riders layer up and how garments must resist abrasion from concrete, metal and icy landings.

As the line has grown, Capeesh has expanded its footprint beyond Norway. International shipping is baked into the online store with dedicated flows for Europe and North America, and the brand partners with core freeski retailers abroad. In Québec, for example, the gear appears on the shelves of D-Structure, a freeski specialist whose own presence on Skipowd.tv and long-running community role make it a natural match for a rider-led clothing house. That shop connection also offers North American customers a more local way to see and size pieces.

On film, Capeesh frequently shows up at destination parks and event venues. One recurring backdrop is Sunset Park Henrik Harlaut by night in Andorra’s Grandvalira area, where SLVSH Cup Grandvalira sessions create high-visibility moments under stadium-style lighting. These settings are not just scenic; they are proving grounds for how the garments move, vent and layer when riders are repeatedly hiking features, filming clips, and skiing into the evening.

Construction, durability, and sustainability

Capeesh’s construction story blends technical function with an explicit commitment to “sustainable and ethical practices” across sourcing, manufacturing and shipping, as outlined in the brand’s own informational pages. In practical terms, that shows up in choices like polyester shells with PFC-free water-repellent treatments, Primaloft Gold insulation in select jackets, and the use of proven hardware such as YKK zippers and magnetic pocket or belt closures designed for long-term reliability.

Pants and jackets lean on 10K/10K membranes, fleece and mesh linings, and careful seam work to balance comfort, warmth and durability. Reinforced cuffs help protect against edge cuts; vent zips and mesh-backed openings are placed to dump excess heat during hikes or street sessions without compromising weather protection. The interchangeable patch system, meanwhile, has an unexpected sustainability angle: by allowing riders to refresh the look of a garment season after season with new patches instead of new pants, it encourages longer product life.

Quality control is supported by collaboration with trusted retailers and ongoing feedback from a demanding core audience. Because many Capeesh customers are filming, hiking, and lapping rails almost daily, any failure in stitching, waterproofing or trims surfaces quickly in the community. The brand’s continued growth in that space suggests that its construction choices are holding up under real-world abuse—though like any 10K/10K street-influenced kit, its strengths lie more in day-to-day resort and park use than in high-altitude expedition contexts.

How to choose within the lineup

Choosing the right Capeesh setup starts with being honest about your climate, how you ski, and how baggy you want your silhouette to be. If you ride cold, dry resorts with lots of park time, insulated jackets like the Big Puffy or similarly warm silhouettes will keep you comfortable through long chairlift rides and night laps. In milder conditions or if you run hot, lighter insulated or shell-style pieces such as the Revamp series pair better with midlayers underneath, giving more control over temperature.

For pants, think about stack and volume. Pantaloni and Fancy Pant styles emphasize the full baggy look, especially when sized up, and work well for riders who value maximum range of motion and a draped profile over their boots. The Deconstructed variants add visual interest through paneling and seam details, and may offer slightly different pocket layouts or patch locations. Riders spending more time in the streets or on harsh rails should prioritize models with reinforced cuffs and consider pairing them with base layers or long thermals for warmth.

Accessories tie the kit together. The brand’s woven belts are a functional upgrade if you like to wear pants low but still need security on big spins and drops; the magnetic buckles are quick to open and close with gloves on. Hoodies, quarter-zips and tees can be chosen based on how they sit under your jacket—many skiers prefer slightly shorter tops under very long jackets to keep movement clean. In all cases, reference the brand’s size charts carefully; Capeesh pieces are intentionally roomy, so many riders stay true to size and still get a relaxed, modern fit.

Why riders care

Riders gravitate toward Capeesh because it feels like an extension of the scene rather than a distant corporation. The person designing and wearing the clothes is the same one stacking clips at high-level events and in influential edits, and that credibility matters in a culture where authenticity is constantly scrutinized. The gear itself walks a line between technical outerwear and fashion: waterproof and warm enough for real winters, yet expressive in cut and detail so it looks as intentional in the city as it does in the park.

For Skipowd.tv users scrolling edits and then heading out for their own laps, Capeesh offers a tangible way to plug into that world—belts that hold up through a full season, pants that match the way modern freeskiing moves, and jackets that photograph well without sacrificing basic functionality. It is not the only path a skier can take, and it won’t suit every budget or taste, but for those who see skiing as a blend of style, community and progression, this small Norwegian fashion house has become one of the clearest visual signatures on snow.

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