SAMMY CARLSON || GROWN

The wait is over – GROWN is here. This project has been a labor of love. I’m excited to share GROWN with you. Featuring an epic two-part Alaska segment filmed entirely at Black Ops Valdez, GROWN showcases some of my most unforgettable lines and years of Growth in the mountains. I hope this film gets you fired up for the season ahead and reminds you why we do what we do. Thanks for watching, and for being part of the journey. Hit play, sit back, and enjoy the ride. Have a good winter! -Sammy https://www.instagram.com/sammycarlson1 ------------------------------------------------------------------------------------------------------------------------------- Supported By QUIKSILVER https://www.quiksilver.com MONSTER ENERGY https://www.monsterenergy.com ARMADA https://www.armadaskis.com OAKLEY https://www.oakley.com BLACK OPS VALDEZ https://blackopsvaldez.com Film Credits Produced by https://www.instagram.com/23north.mov Principal Cinematography by https://www.instagram.com/brodyjonescinema FPV by https://www.instagram.com/kaddyfpv Edited by https://www.instagram.com/_chod3y https://www.instagram.com/rollinghillspost Colored by https://www.instagram.com/rollinghillspost Titles & Animations by https://www.instagram.com/keegancallahan Music by Metallica - https://www.metallica.com Follow Us https://www.instagram.com/quiksilver https://www.instagram.com/monsterenergy https://www.instagram.com/armadaskis https://www.instagram.com/oakleyskiing https://www.instagram.com/blackopsvaldez Most Popular Videos https://youtu.be/xaIy7MoGP2o?si=NT-NyABuogMIBWDy https://youtu.be/OFOQlcnfj48?si=MUvMc1bfirhQ3npD https://youtu.be/D_gd-O-SlAQ?si=7DrMYSeDYfpDkIOJ

Sammy Carlson

Profile and significance

Sammy Carlson is a U.S.-born, Revelstoke-based freeski icon whose career bridges park innovation and backcountry mastery. Raised near Mount Hood and forged by endless laps at Timberline, he first stormed the contest scene with technical slopestyle runs and history-making tricks—most famously the first switch triple rodeo (2010)—before pivoting to film and deep-snow freestyle. The hardware is undeniable: X Games Slopestyle gold in 2011, three straight X Games Real Ski Backcountry golds from 2013 to 2015 (with a Fan Favorite sweep in 2015), and a FIS World Championships slopestyle silver at Deer Valley in 2011. Over the same arc he became the face of rider-led backcountry projects, headlining “The Sammy C Project” with Teton Gravity Research and later releasing “Over Time,” “GROWN,” and “ECHO,” statement pieces that codified a surf-informed, pillow-stacking style.

Today his name signals two things at once: innovations that changed what’s possible—switch takeoffs in real mountains, buttered doubles on natural rolls—and a movement language that any progressing skier can study. You can see the blueprint clearly in his clips: calm entries, patient pop, early grab definition, landings that read centered and inevitable. That clarity, plus a rare stack of medals across Slopestyle, Big Air, and Real Ski, makes Carlson one of the most influential freeskiers of his era.



Competitive arc and key venues

Carlson’s competitive résumé traces freeskiing’s evolution. He broke through in the late 2000s with X Games Slopestyle silvers (2007, 2009), added bronzes (2010 slopestyle, 2011 big air), and sealed the park chapter with Slopestyle gold at Aspen. Then he proved that film-grade creativity could be judged: Real Ski Backcountry golds in 2013, 2014, and 2015, where his precision on natural features outpointed the field and his 2015 Fan Favorite vote showed how strongly the audience responded. In parallel he collected World Championships silver in slopestyle at Deer Valley, confirming that his method traveled from edits to the start gate.

The places tied to his name explain the skiing as well as any podium. Timberline on Mount Hood delivered repetition and switch comfort, the raw materials for a first-in-history switch triple rodeo and years of technical slopestyle. Aspen Snowmass provided the broadcast-stage pressure where he took Slopestyle gold and later showcased creative takes on features under floodlights. Basing in British Columbia anchored the second act: the storm cycles and terrain above Revelstoke Mountain Resort turned into a classroom for pillow lines, wind, and speed management that define his Real Ski and film segments. Spring trips to Mammoth Mountain added XL build cadence and wind reads that sharpen big-feature timing when he wanted to return to jumps at scale.



How they ski: what to watch for

Carlson skis with economy and definition. Into a lip—sculpted or natural—he stays tall and neutral, sets rotation late, and locks the grab before 180 degrees so the trick breathes and the axis reads cleanly. On natural takeoffs he starts butters from the ankles and hips instead of an upper-body lean, which is why his nose-butter doubles feel suspended rather than forced. In pillows and cutbanks he favors lines that preserve speed, entering features square and exiting with shoulders aligned so momentum survives for the next move. Landings show soft ankles and hips stacked over feet; even on consequential terrain, recoveries look unnecessary because edge pressure is organized early.

On rails—less frequent in recent years but still visible—the same grammar holds: square entries, long-enough presses and backslides to be unmistakable, and quiet surface swaps that keep the base flat through kinks. Whether the backdrop is a contest jump, a Real Ski kicker in the trees, or a spine, the takeaways are consistent and teachable.



Resilience, filming, and influence

Film seasons are the backbone of Carlson’s legacy. “The Sammy C Project” reframed him from contest winner to backcountry author, pairing booters and technical lines with the same patient setups that worked in slopestyle. “Over Time” (with CK9 Studios) extended the language—pillow stacks, fall-line airs, switch takeoffs in places that once looked too chaotic—while “GROWN” and “ECHO” kept the focus on honest speed and compositions that show approach, slope angle, and body organization. That visual honesty is why riders and coaches still pause his footage for breakdowns; the shots teach as much as they impress.

His influence also runs through product and events. With Armada he shaped the Whitewalker series (116/121), pow-focused twins that reward buttered takeoffs and centered landings without folding at speed. Apparel with Quiksilver and long-standing support from Oakley and Monster Energy helped fuel a career built as much on films as on podiums. The through-line is intent: rather than chase every start list, he picked formats that rewarded touch and storytelling, then used films to raise the ceiling on what “slopestyle in the backcountry” could look like.



Geography that built the toolkit

Place explains the method. Mount Hood’s Timberline allowed nearly year-round repetition, perfect for codifying switch approaches, late sets, and clean grabs. Aspen’s stage at Aspen Snowmass added long decks, TV timing, and wind management under lights. The interior of British Columbia—anchored around Revelstoke—layered storm snow, pillows, and complex terrain where speed choice matters more than spin count. When spring jump blocks called for XL timing, Mammoth provided consistent shapes and the headwinds/tailwinds that decide whether a trick reads cleanly. Trace that map and you can see fingerprints in every clip: local-hill repetition, broadcast composure, and deep-snow decision-making that holds up at half speed.



Equipment and partners: practical takeaways

Carlson’s current toolkit reflects his skiing. The Armada Whitewalker series gives a balanced, press-friendly platform that still tracks when you need to carry speed into a second feature; the 121 shines on storm days, the 116 covers most of the season. Outerwear and support from Quiksilver, optics from Oakley, and energy backing from Monster Energy round out a program built for film blocks and selective starts.

For progressing skiers, the hardware lessons mirror the footage. Choose a true twin with medium flex that you can press without folding, a mount close enough to center for neutral switch landings, and a tune that detunes contact points just enough to reduce hookiness while keeping reliable bite on the lip. Keep binding ramp angles neutral so you aren’t tipped into the backseat. More important than any single product is the process his parts model: film laps, compare shoulder alignment and hip-to-ankle stack against a short checklist, and repeat until calm entries, patient pop, early grab definition, and square-shoulder exits become automatic.



Why fans and progressing skiers care

Fans care about Sammy Carlson because his skiing ages well. The clips prize timing, organization, and line design over noise, whether the camera is on a pillow stack in Revelstoke, a sunset jump at Mount Hood, or an Aspen feature built for prime time. Progressing skiers care because the same choices are teachable on normal resorts and real snowpacks: organize early, let the trick breathe, and land on edges you already prepared. Add the résumé—X Games Slopestyle gold, three Real Ski Backcountry golds with a Fan Favorite sweep, and a World Championships silver—and you get both proof and a path. In an era that demands creativity and craft, Carlson remains a reliable reference for how to make freeskiing look inevitable.

Alaska

Overview and significance

Alaska is the world’s archetype for big-mountain skiing—a place where steep, glaciated faces and ocean-fed snowpacks create the freeride lines that fill film segments and athlete highlight reels. From the Chugach above Girdwood and Valdez to the spine fields near Haines and Juneau, the state’s mountains have shaped modern freeskiing’s idea of scale, exposure, and flow. Lift-served laps center on Alyeska Resort in Girdwood, while helicopter and touring programs unlock vast terrain across coastal and interior ranges. For freeski culture, Alaska is more than a destination—it’s a rite of passage. The Freeride World Tour’s return to Haines in 2026 underscores that status, bringing the sport’s best back onto Alaska’s dramatic, technical spines. On skipowd.tv, the state already stands as a cornerstone location; see the growing archive at Alaska for a sense of how often the cameras point north.



Terrain, snow, and seasons

Coastal Alaska sits under a maritime snow climate that tends to lay down deep, cohesive snow with fewer but larger storm events than many continental regions. In the Chugach near Girdwood and Valdez, that translates to thick storm slabs, powerful wind transport, and, when conditions align, confidence-inspiring powder that sticks to angles most skiers only dream about riding. The hallmark features are long fall-line panels, fluted ribs, and knife-edge spines broken by hanging ramps and glaciated benches. Interior and northern zones trend colder and drier, with clearer spells between systems, but the classic heli windows along Prince William Sound and the northern Inside Passage are what many visitors plan around.

At the lift-served core, Alyeska’s metrics tell a clear story: roughly 2,500 feet of vertical rise, seven lifts including a 40-passenger aerial tram, and a long-standing reputation for “steep and deep.” The resort reports well over six hundred inches of annual snowfall at upper elevations in strong winters, and its high-speed chairs and tram make quick work of laps when visibility and control work cooperate. Spring brings larger corn cycles on south aspects and longer, stable windows on northerly faces; midwinter serves most of the cold powder. Above and beyond the ropes, the Thompson Pass area outside Valdez is one of the snowiest road corridors in the state, and the Haines backcountry presents a concentration of spine walls that ride as cleanly as they look when the snowpack bonds.



Park infrastructure and events

Alaska is not a classic terrain-park destination; the draw is big-mountain riding. That said, Alyeska typically builds small to medium parks for progression, and in-season it supports night laps on illuminated terrain where features like Pump Station 3 and the Refinery Park open when conditions and staffing permit. Girdwood’s club scene contributes to athlete pipelines through organized freeride and alpine programs, keeping local stoke high through the dark months. Historically, Alaska has hosted major freeride moments—from Valdez’s extreme competitions of the 1990s to multiple Haines stops on the sport’s top tour—and the planned 2026 return of the Freeride World Tour reaffirms the state’s position on the global stage. In Valdez, rider-run outfits such as Black Ops Valdez appear frequently in film credits and video parts, reflecting how guiding culture and media production interlock here.



Access, logistics, and on-mountain flow

Most trips route through Anchorage’s Ted Stevens International Airport for Girdwood and the broader Chugach. From there, it’s an easy, scenic forty-mile drive along the All-American Road–designated Seward Highway to reach the resort base. Alyeska’s “Getting Here” guidance confirms the short highway transfer and common transit options if you’re not renting a vehicle; see Alyeska Resort for details. For heli venues, Haines is accessed via Juneau by air and ferry combinations, or overland via the Haines Highway through Canada, while Valdez has a regional airport and road access over Thompson Pass when conditions allow.

On the hill at Alyeska, the tram and high-speed quads are your backbone for storm-day tree skiing and, when patrol drops ropes up high, for steep north-facing panels. Weather and avalanche control drive openings; set expectations accordingly and build flexibility into your itinerary. On heli programs, plan for down days and have a backup like resort laps, touring on the Turnagain Arm sidecountry with a guide, or avalanche coursework. The logistics rhythm is simple: watch the forecast, be ready to mobilize when ceilings lift, and stay patient when winds and precip pin operations down.



Local culture, safety, and etiquette

Alaska’s winter community blends hard-earned local knowledge with a welcoming, small-town cadence. Respect for avalanche work, land use rules, and weather realities is non-negotiable. Before any backcountry day, check regional bulletins from the Alaska Avalanche Information Center and the dedicated Hatcher Pass Avalanche Center, and remember that hazard varies dramatically with elevation, aspect, and wind. Glaciated terrain adds crevasse and serac exposure; rope travel, glacier partners, and guide supervision are essential where blue ice and bridges complicate route finding. In heli zones like Haines, permitted areas, seasonal operating windows, and community noise considerations are codified by the borough; consult current updates via official channels such as the Haines Borough’s heliski pages to understand where and when commercial skiing is allowed.

Etiquette follows a few clear lines. Give ski patrol wide berth during control, respect closures, and yield to locals working lines they’ve waited on all season. In guided contexts, speak up about comfort levels, stay tight on radios and transitions, and treat pilots’ and guides’ calls as final. Wildlife considerations—especially along Turnagain Arm and coastal inlets—also matter; don’t crowd animals from roadsides or flight paths, and leave-no-trace at pullouts and skin tracks.



Best time to go and how to plan

For heli-skiing, the prime window is late winter into spring—February through April—when daylight expands, storm cadence eases, and aviation conditions are more cooperative. The state tourism board’s overview of ski options aligns with that reality and highlights core heli hubs in Valdez, Cordova, Girdwood, Haines, and Juneau. Lift-served travelers will find Alyeska spinning from early winter into April, with night operations scheduled in peak season during many winters. If parks are part of your plan, track resort updates to know when features are live.

Build redundancy into travel logistics. Book cancellable stays for the front and back end of heli weeks, carry a rental car reservation you can drop if weather strands you, and pack for true maritime winter: durable shells, high-loft midlayers for static time on ridgelines, multiple glove systems, and goggles for flat light and storm snow. If touring, formal avalanche education and rescue practice are baseline. Before driving any of the main corridors, check current road conditions and avalanche advisories; coastal highways like the Seward and Richardson can close during major cycles. If your trip centers on Girdwood, base yourself near the tram to make the most of short weather windows and quick rope drops.



Why freeskiers care

Alaska is where freeride dreams meet the physics of real snow. The angles, the scale, and the clean panels deliver a sensation you can’t simulate elsewhere: long, top-to-bottom lines on terrain that rewards composure and precise speed control. Alyeska gives you a reliable, lift-served anchor with serious snowfall and enough pitch to feel the state’s character under your feet. Haines and Valdez provide the spines and ramps that define the aesthetic of modern big-mountain skiing, and the Freeride World Tour’s Haines stop puts that terrain back under the sport’s brightest lights. Whether you’re linking tram laps under the northern lights, stepping into glaciated zones with a rope and a guide, or finally ticking off that first spine run, Alaska sets the bar. Start by studying Alaska segments on skipowd.tv, then build a plan anchored to Alyeska Resort, validated by avalanche centers, and, if your skills and budget align, capped with a heli window. This is the reference point for big-mountain freeskiing, and it belongs on every dedicated rider’s map.