Sammy Carlson - Mammoth Baby

03:40 min • 18/12/2013

Sammy starts off the season with some early season hot laps in Mammoth Shot and edited by Drew Lederer Shot on GoPro Hero 3+

Park

Athletes

Sammy Carlson

Locations

Mammoth Mountain

Sammy Carlson

Profile and significance

Sammy Carlson is a U.S.-born, Revelstoke-based freeski icon whose career bridges park innovation and backcountry mastery. Raised near Mount Hood and forged by endless laps at Timberline, he first stormed the contest scene with technical slopestyle runs and history-making tricks—most famously the first switch triple rodeo (2010)—before pivoting to film and deep-snow freestyle. The hardware is undeniable: X Games Slopestyle gold in 2011, three straight X Games Real Ski Backcountry golds from 2013 to 2015 (with a Fan Favorite sweep in 2015), and a FIS World Championships slopestyle silver at Deer Valley in 2011. Over the same arc he became the face of rider-led backcountry projects, headlining “The Sammy C Project” with Teton Gravity Research and later releasing “Over Time,” “GROWN,” and “ECHO,” statement pieces that codified a surf-informed, pillow-stacking style.

Today his name signals two things at once: innovations that changed what’s possible—switch takeoffs in real mountains, buttered doubles on natural rolls—and a movement language that any progressing skier can study. You can see the blueprint clearly in his clips: calm entries, patient pop, early grab definition, landings that read centered and inevitable. That clarity, plus a rare stack of medals across Slopestyle, Big Air, and Real Ski, makes Carlson one of the most influential freeskiers of his era.

Competitive arc and key venues

Carlson’s competitive résumé traces freeskiing’s evolution. He broke through in the late 2000s with X Games Slopestyle silvers (2007, 2009), added bronzes (2010 slopestyle, 2011 big air), and sealed the park chapter with Slopestyle gold at Aspen. Then he proved that film-grade creativity could be judged: Real Ski Backcountry golds in 2013, 2014, and 2015, where his precision on natural features outpointed the field and his 2015 Fan Favorite vote showed how strongly the audience responded. In parallel he collected World Championships silver in slopestyle at Deer Valley, confirming that his method traveled from edits to the start gate.

The places tied to his name explain the skiing as well as any podium. Timberline on Mount Hood delivered repetition and switch comfort, the raw materials for a first-in-history switch triple rodeo and years of technical slopestyle. Aspen Snowmass provided the broadcast-stage pressure where he took Slopestyle gold and later showcased creative takes on features under floodlights. Basing in British Columbia anchored the second act: the storm cycles and terrain above Revelstoke Mountain Resort turned into a classroom for pillow lines, wind, and speed management that define his Real Ski and film segments. Spring trips to Mammoth Mountain added XL build cadence and wind reads that sharpen big-feature timing when he wanted to return to jumps at scale.

How they ski: what to watch for

Carlson skis with economy and definition. Into a lip—sculpted or natural—he stays tall and neutral, sets rotation late, and locks the grab before 180 degrees so the trick breathes and the axis reads cleanly. On natural takeoffs he starts butters from the ankles and hips instead of an upper-body lean, which is why his nose-butter doubles feel suspended rather than forced. In pillows and cutbanks he favors lines that preserve speed, entering features square and exiting with shoulders aligned so momentum survives for the next move. Landings show soft ankles and hips stacked over feet; even on consequential terrain, recoveries look unnecessary because edge pressure is organized early.

On rails—less frequent in recent years but still visible—the same grammar holds: square entries, long-enough presses and backslides to be unmistakable, and quiet surface swaps that keep the base flat through kinks. Whether the backdrop is a contest jump, a Real Ski kicker in the trees, or a spine, the takeaways are consistent and teachable.

Resilience, filming, and influence

Film seasons are the backbone of Carlson’s legacy. “The Sammy C Project” reframed him from contest winner to backcountry author, pairing booters and technical lines with the same patient setups that worked in slopestyle. “Over Time” (with CK9 Studios) extended the language—pillow stacks, fall-line airs, switch takeoffs in places that once looked too chaotic—while “GROWN” and “ECHO” kept the focus on honest speed and compositions that show approach, slope angle, and body organization. That visual honesty is why riders and coaches still pause his footage for breakdowns; the shots teach as much as they impress.

His influence also runs through product and events. With Armada he shaped the Whitewalker series (116/121), pow-focused twins that reward buttered takeoffs and centered landings without folding at speed. Apparel with Quiksilver and long-standing support from Oakley and Monster Energy helped fuel a career built as much on films as on podiums. The through-line is intent: rather than chase every start list, he picked formats that rewarded touch and storytelling, then used films to raise the ceiling on what “slopestyle in the backcountry” could look like.

Geography that built the toolkit

Place explains the method. Mount Hood’s Timberline allowed nearly year-round repetition, perfect for codifying switch approaches, late sets, and clean grabs. Aspen’s stage at Aspen Snowmass added long decks, TV timing, and wind management under lights. The interior of British Columbia—anchored around Revelstoke—layered storm snow, pillows, and complex terrain where speed choice matters more than spin count. When spring jump blocks called for XL timing, Mammoth provided consistent shapes and the headwinds/tailwinds that decide whether a trick reads cleanly. Trace that map and you can see fingerprints in every clip: local-hill repetition, broadcast composure, and deep-snow decision-making that holds up at half speed.

Equipment and partners: practical takeaways

Carlson’s current toolkit reflects his skiing. The Armada Whitewalker series gives a balanced, press-friendly platform that still tracks when you need to carry speed into a second feature; the 121 shines on storm days, the 116 covers most of the season. Outerwear and support from Quiksilver, optics from Oakley, and energy backing from Monster Energy round out a program built for film blocks and selective starts.

For progressing skiers, the hardware lessons mirror the footage. Choose a true twin with medium flex that you can press without folding, a mount close enough to center for neutral switch landings, and a tune that detunes contact points just enough to reduce hookiness while keeping reliable bite on the lip. Keep binding ramp angles neutral so you aren’t tipped into the backseat. More important than any single product is the process his parts model: film laps, compare shoulder alignment and hip-to-ankle stack against a short checklist, and repeat until calm entries, patient pop, early grab definition, and square-shoulder exits become automatic.

Why fans and progressing skiers care

Fans care about Sammy Carlson because his skiing ages well. The clips prize timing, organization, and line design over noise, whether the camera is on a pillow stack in Revelstoke, a sunset jump at Mount Hood, or an Aspen feature built for prime time. Progressing skiers care because the same choices are teachable on normal resorts and real snowpacks: organize early, let the trick breathe, and land on edges you already prepared. Add the résumé—X Games Slopestyle gold, three Real Ski Backcountry golds with a Fan Favorite sweep, and a World Championships silver—and you get both proof and a path. In an era that demands creativity and craft, Carlson remains a reliable reference for how to make freeskiing look inevitable.

Mammoth Mountain

Overview and significance

Mammoth Mountain is the Eastern Sierra’s flagship and one of North America’s most influential freestyle venues, pairing a vast high-alpine footprint with a park-and-pipe program that has set industry standards for more than two decades. The resort’s official figures list 3,500+ acres, 25 lifts and a 3,100 ft vertical rise to an 11,053 ft summit, which helps extend the season into late spring in most years. That scale supports a daily rhythm where storm-chasing, groomer mileage and park progression all coexist, and it underpins Mammoth’s recurring role as a host for U.S. Grand Prix World Cups, Nor-Am Cups and the U.S. Revolution Tour. If you are building a California itinerary around modern freeskiing, Mammoth is the anchor. For context within our own network, see skipowd.tv/location/mammoth-mountain/ and the statewide overview at skipowd.tv/location/california/.

The mountain’s identity is equal parts dependable logistics and credible terrain. Multiple base areas funnel efficiently onto upper chairs and gondolas; treeline zones stay workable on whiteout days; and when the sky clears, long ridge lines and bowls hold chalk and soft snow by aspect. Overlay Unbound’s contest-grade setups and a hike-to freestyle zone on the backside, and you get a venue that converts time on snow into rapid progression for park riders and freeriders alike.

Terrain, snow, and seasons

Mammoth skis big, but it’s the way the terrain layers that matters. From Main Lodge, high-speed chairs and the summit gondola stack long fall lines, wind-buffed ridges and scooped bowls that ride well after storms. Canyon and Eagle add rolling groomers, side hits and quick access to mid-mountain benches that hold visibility and speed when clouds sit low. The backside opens to broader alpine panels and, when coverage allows, hike-to freestyle terrain in The Hemlocks—steep, natural features that the shape crew enhances with hand-built takeoffs during peak cycles.

Snowfall is both deep and durable by California standards thanks to elevation and exposure. During active periods you can expect dense, shapeable snow that smooths landings and lets lips rebuild quickly; between systems, leeward faces set into supportive chalk while north and east aspects preserve winter surfaces. The resort’s published norms include roughly 400 inches of annual snowfall and a typical season from November into May or June, with 300 sunny days a year also in the marketing mix. The net effect for freeskiers is reliable surface quality across a long window, with storm weeks for soft progression and blue spells for speed and filming.

Park infrastructure and events

Mammoth’s Unbound Terrain Parks remain a benchmark: the official brief cites 10 parks, 2 halfpipes, 100+ jibs and up to 40–50 jumps on more than 100 acres when fully built. Main Park is the pro-stage lap with a 22-foot superpipe and large jump lines accessed via Unbound Express; South Park offers long, flowing lines and a secondary pipe; Forest Trail and the playground parks at each base give beginners and intermediates a clean ladder for repetition. The Unbound park map and daily status updates are the control tower for which lines are open and how they’re riding.

Event pedigree is current and deep. Mammoth regularly hosts the U.S. Revolution Tour with freeski halfpipe, slopestyle and big air competitions staged in Unbound’s Main Park and the 22-foot pipe, and the mountain has closed World Cup calendars with Toyota U.S. Grand Prix stops in recent seasons. Nor-Am Cup starts appear frequently on the FIS calendar, and spring also brings Far West alpine series finals on the race network. The through-line is that Unbound builds to competition standards while keeping public flow workable—one of the reasons teams and film crews treat Mammoth as a repeat training base.

Access, logistics, and on-mountain flow

US-395 is the spine of any Eastern Sierra trip. In winter, chain controls and full closures are possible during major storms, so plan around Caltrans’ live tools and road information pages before you roll. Once you are in Mammoth Lakes, the free town and mountain shuttles simplify car-free days; the Red and Green lines connect Main, Canyon and Eagle pods on frequent winter schedules, with additional routes and evening service linking The Village and lodging zones. If you’re mixing days with June Mountain, note that Mammoth lift tickets are valid at June the same day (beginner tickets excluded), which makes pivoting for wind or crowds low-friction.

Flow tips are simple. On storm mornings, prioritize treeline off Canyon and Eagle to keep visibility and speed honest; as ceilings rise, step to the summit panels and backside bowls. For park volume, build a two- or three-feature circuit in Forest Trail or South Park to check speed and pop, then move to Main Park and the superpipe when temperatures stabilize and lips are crisp. When The Hemlocks are in condition and open, treat it like big-mountain freestyle: watch wind loading, manage group spacing and expect ungroomed landings.

Local culture, safety, and etiquette

Mammoth’s scene blends high-output park laps with serious mountain management. Inside the ropes, respect closures and staged openings—wind and snow transport can change hazard quickly on the ridges, and patrol will hold lines until they are safe. Beyond the ski area boundary or on touring days, start with the daily bulletin from the Eastern Sierra Avalanche Center, travel with beacon, shovel and probe, and move with partners who know companion rescue. Tree wells are a recurring risk in deep cycles, especially below storm snow in glades; keep partners visible and communicate during powder laps.

Park etiquette is non-negotiable: inspect features, call your drop, hold a predictable line and clear landings and knuckles immediately. Give the shape crew and winch cats space during rebuilds; they adjust lips and takeoffs to protect speed, not to slow the session. Altitude also matters here. With a base around 7,953 ft and a summit at 11,053 ft, hydrate, manage sun exposure and pace early days if you are new to high elevation.

Best time to go and how to plan

For cold surfaces, stable jump speed and frequent refreshes, target mid-January through early March. That window typically yields the most repeatable park laps and forgiving landings. March into April adds longer light and classic spring cycles—corn on solar aspects by late morning and preserved winter on shaded, higher faces—while Unbound keeps rotating rebuilds so rail lines and jumps stay fresh. Build a flexible plan each morning: check the mountain’s lift and trail report for wind holds and staged terrain openings, confirm Unbound’s line status, then pick sectors by aspect and visibility.

Transit and tickets reward a little homework. If you intend to mix Mammoth and June, structure days by weather and crowds and use the same-day ticket validation to pivot midday if needed. If you are aiming for event weeks, book early and expect footprint changes around Main Park and the pipe during training blocks. For car-free trips, align lodging with shuttle stops on the Red and Green lines so uploads are simple even on busy days; if you drive, monitor Caltrans QuickMap for chain controls and rolling closures on US-395 during storm cycles. Mammoth’s official winter trail map and Unbound page are the daily baseline for what’s spinning and how to lap efficiently.

Why freeskiers care

Because Mammoth turns a long, high-quality season into repeatable progression. You get a massive, weather-resilient mountain with tree zones for storm days and chalky ridges for bluebirds, plus Unbound’s tiered park system and a superpipe that mirror competition standards. You can add big-mountain freestyle in The Hemlocks when conditions align, pivot to June on the same ticket if wind or crowds push you to change plans, and rely on a shuttle network that keeps the day moving. The combination—credible terrain, contest-grade shaping, and frictionless logistics—explains why Mammoth remains a global reference point for skiers who want to learn fast, film well, and ride real mountains all season long.

Sammy Carlson - Mammoth Baby

Athletes

Locations

Sammy Carlson

Mammoth Mountain

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