B-Dog - Pass The Bone (feat. Edjoy & Philou Poirier)

Profile and significance

Édouard “Edjoy” Therriault is a Canadian freeski park specialist from Lorraine, Québec (born 2003) who blends competition-grade difficulty with unmistakable style. He won junior world gold in slopestyle in 2019, stepped onto the senior stage with big air silver at the 2021 World Championships in Aspen, and earned his first World Cup podium in slopestyle at Font-Romeu in January 2022 before adding World Cup big air silver at Beijing’s Shougang venue in December 2023. An Olympian at Beijing 2022, he announced in June 2025 that he would step away from World Cup slopestyle/big air to pursue creative paths—street missions, short films, and style-led events. That arc makes Therriault one of the rare riders whose résumé checks the boxes (Worlds medal, multiple World Cup podiums, Olympic experience) while still pushing the culture forward with film-first ideas.

Competitive arc and key venues

Therriault’s results ramped fast. After the 2019 junior world title, he took silver at the 2021 World Championships in big air with a composed, high-value trick set. In January 2022 he claimed slopestyle bronze at Font-Romeu, his first World Cup podium, confirming that his style translates to the FIS format. The following season brought a signature scaffolding result: silver at Big Air Shougang (Beijing, December 2023), where he put down a left triple cork 1980 and a switch double bio 1800 with grabs held long enough to read cleanly on broadcast. Along the way, he appeared at X Games Aspen and kept timing sharp at western U.S. park hubs like Mammoth Mountain. In city-based big air, the downtown atmosphere of Chur’s season-opening festival became a recurring stage, while Font-Romeu’s Pyrenean slopestyle course provided early-season flow. After 2024–25, he pivoted from gates and bibs toward creative projects without abandoning the technical baseline that took him to the sport’s top tiers.

How they ski: what to watch for

Edjoy’s calling card is clarity at full difficulty. Approaches are drawn with intent; takeoff marks are precise; grabs stay locked through the axis so judges and viewers can track the trick’s phases. Expect both switch and forward doubles (and the occasional triple) where the tweak, hold, and exit timing do as much work as the spin count. On rails and side features he favors readable combos—presses into swaps, redirect landings, and measured spin-offs—so the whole obstacle tells a story. It’s why his clips are rewatchable: you can study speed choice, set, grab, and spot, then see the same structure scale from medium jumps to world-stage features.

Resilience, filming, and influence

Therriault’s media footprint grew as fast as his results. Between World Cup blocks you saw him in creative edits and sessions—“Pass the Bone” with B-Dog and Philou Poirier; a street-leaning short with Zaakto; and fall street missions with the Capeesh crew—each showing the same methodical approach found in his contest runs. In June 2025 he made the shift official, stepping away from World Cup slopestyle and big air to explore new creative lanes. For fans and developing riders, that decision underlines a broader point: competition polish and film culture aren’t mutually exclusive. He’s become a touchstone for taking podium-level fundamentals and expressing them in edits, rail jams, and style-driven gatherings without losing technical teeth.

Geography that built the toolkit

Québec’s park culture gave Edjoy repetition and community, from early laps to pre-season training blocks. Stoneham’s jump lines helped lock speed control and axis management; trips west to Mammoth and Copper stretched jump length and deck size; and European travel added variety—Chur’s downtown scaffolding jump for early-season big air, and Font-Romeu’s slopestyle venue for line-building at pace. Beijing’s permanent Big Air Shougang is where his late-2023 silver proved that his approach scales to the largest industrial structures in the sport. That map—dense reps at home, big-feature rehearsals out west, and fast-moving European events—explains the composure you see when the lights are on.

Equipment and partners: practical takeaways

Therriault rides skis from Atomic and appears on the Monster Energy roster, with strong Québec scene ties to D-Structure and apparel collaborations via Capeesh Supply. For skiers looking to apply lessons rather than copy logos, think systems. Keep edges tuned for icy in-runs yet slightly softened at contact points to prevent bites during off-axis sets; pick a mount point that preserves switch stability while leaving tail for butters and presses; and aim for a binding/boot feel that’s identical across training and event skis. On scaffolding jumps and hard-pack parks, consistency beats maximal stiffness—predictable flex and familiar swing weight help you hold grabs long enough for judges (and cameras) to see them.

Why fans and progressing skiers care

Edjoy bridges contest gravitas and film creativity. Fans get replay-friendly tricks—clean sets, long grabs, and authoritative stomps—plus edits that favor story and spot use. Progressing riders get a roadmap: build two dependable, high-value jump directions (forward and switch) with locked grabs; rehearse them in different wind/speed bands; then expand variety for finals or filming without sacrificing readability. His career to date shows that style and clarity can carry you from junior titles to world medals—and still leave room to pivot into projects that move freeski culture forward.

Quick reference (places)

• Chur Big Air Festival
• Beijing — Big Air Shougang
• Mammoth Mountain
• Stoneham Mountain Resort
• Font-Romeu Pyrénées 2000

Principal sponsors

• Atomic — skis
• Monster Energy — athlete support
• Capeesh Supply — apparel/creative projects
• D-Structure — Québec retail/scene partner

Philip Casabon, known to skiers around the world as B-Dog, is a Canadian freeski legend from Shawinigan, Québec, whose influence on street and park skiing spans more than a decade of groundbreaking video parts, signature products and era-defining style. He emerged in the late 2000s and early 2010s as a rider who could make complex tricks look effortless, pairing technical precision with a relaxed body language that reads clearly on camera and in person. While many athletes built careers around podiums, Casabon built a catalog around originality and storytelling, proving that progression in freeskiing is measured not just by spin counts, but by ideas, rhythm and the way a skier uses terrain. Casabon’s breakthrough years were intertwined with a creative partnership with Henrik Harlaut under the B&E banner, culminating in invitational events that showcased style, flow and unconventional features. Those projects amplified a philosophy that still guides his skiing today. Lines are designed like sentences with a beginning, middle and end. Approach speed is chosen to preserve cadence rather than to force difficulty. Takeoffs are decisive and axes are set early so rotations remain readable and landings ride away clean. The result is footage that ages well and remains instructive for younger riders studying how to combine rails, walls, gaps and banks into coherent sequences. The contest world eventually embraced video-based formats, and Casabon became a benchmark there as well. In X Games Real Ski he delivered all-urban segments that balanced heavy enders with subtle touches: nose and tail presses that carry real weight, surface swaps performed on imperfect steel, redirected spins that treat walls and banks as extensions of the rail line. Those edits demonstrated mastery of spot selection, logistics and risk management under tight timelines. They also highlighted a symbiosis with filmer and editor Brady Perron, whose eye for pacing and framing magnified Casabon’s skating-inspired approach to edges, balance and transitions. Equipment is a central part of Casabon’s story. His signature park and street skis became known for playful flex in the tips and tails, supportive underfoot platforms and shapes that feel neutral on unknown landing angles. He is meticulous about mount points that keep swing weight balanced without sacrificing landing stability, and he is vocal about edge durability, torsional support and base speed on contaminated snow. In boots, he gravitated to progressive designs that preserve ankle articulation and rebound for presses and quick recentering after surface changes. This product literacy turns gear into a creative partner rather than an afterthought, and it informs a steady stream of feedback to designers who translate rider needs into shapes and constructions that withstand urban abuse. Casabon’s training habits reveal why the style looks so effortless. Off snow he emphasizes hip and ankle mobility, single-leg strength for efficient pop on short run-ins, and trunk stability to manage off-axis rotations without letting the upper body flail. Trampoline and air-awareness sessions break big tricks into components, rehearsing set mechanics, grab timing and spotting before full-scale attempts. On snow he builds lines from low-consequence moves, scaling them patiently into heavy features once speed, angles and snow texture are predictable. That incremental method reduces injuries and preserves longevity in a discipline where impact tolerance is often mistaken for progress. Storytelling is another thread that runs through his career. Casabon treats each project like an album rather than a single, choosing music, color and pacing that serve the skiing. He shows the process in behind-the-scenes moments: shoveling and salting to control speed, testing inruns at dawn when light is flat but traffic is light, cleaning spots and restoring environments out of respect for neighborhoods. This transparency sets a standard for urban filming etiquette and keeps doors open for future crews. It also explains why his films are rewatchable; they offer both the satisfaction of heavy tricks and the narrative of how those tricks were made possible. Community impact rounds out his profile. Casabon mentors younger riders by translating complex technique into simple cues: align early on the inrun, commit to a clean set, keep shoulders calm through impact, and ride away with purpose. He is honest about fear management, using visualization and measured increments to turn nerves into information rather than noise. In camps and informal sessions he shares the small adjustments that create big gains, from binding ramp angle to edge bevels that keep rails viable on cold mornings. As freeskiing continues to evolve, Casabon remains a reference point for authenticity. He releases tightly curated video parts, appears at select events, and collaborates with brands in ways that preserve the integrity of his style while pushing product design forward. His legacy is not confined to medals or one winter’s highlight reel. It lives in a generation of skiers who learned that creativity can be systematic, that style is a skill built on fundamentals, and that a line that reads beautifully will always matter. For fans and aspiring riders, Philip Casabon stands as proof that street skiing can be both refined and raw, both disciplined and free, and that the most enduring progression happens when craft, culture and community move together.

Philippe “Philou” Poirier is a Quebec freeskiing pioneer, born in 1977 in Tremblant, known as one of Canada’s earliest slopestyle trailblazers. He made a mark by winning the U.S. Freeskiing Open Big Air in 1999 and was inducted into the Laurentian Ski Hall of Fame in 2017. Renowned for daring rotations (like the McTwist 900 in quarterpipe) and a groundbreaking presence in ski films. To many, he remains an iconic figure from the formative years of modern freestyle skiing.