GAME 5 || Mikkel BK vs. Felix Klein || SLVSH CUP GRANDVALIRA '25

15:20 min • 14/03/2025

Grandvalira Sunset Park Peretol and Monster Energy are proud to present Slvsh Cup Grandvalira 2025! GAME 5 between Mikkel BK and Felix Klein Follow us on instagram and check the hashtag #SlvshCupGrandvalira for release dates and game info. https://www.instagram.com/theslvsh/ Follow Mikkel and Felix https://www.instagram.com/mikkelbk/ https://www.instagram.com/greyhound_540/ Check out Grandvalira and Sunset Park: https://www.instagram.com/grandvalira/ https://www.instagram.com/sunsetparkperetol/ Unleash your beast: https://www.instagram.com/monsterenergy/ SLVSH MERCH : https://www.abstractmall.com/collections/slvsh Beats by : @msn.wav. https://www.instagram.com/msn.wav/ Make sure to check him out!

Battle

Felix Klein

Profile and significance

Felix Klein is a New Zealand–raised, UK-born freeskier whose rise has come through film-first projects, invitational sessions, and selective contests rather than the traditional World Cup medal pipeline. A rider-voted winner of Level 1’s SuperUnknown 21 in 2024, he crystallized his reputation as a modern park skier who blends creativity with clean, readable execution. Klein’s work with the Boom Club collective, appearances in high-profile sessions, and a featured role in the Red Bull TV film “Saisho” alongside Nico and Miguel Porteous have made him a reference point for how today’s freeskiers can build impact through segments, style, and smart event choices.

What sets Klein apart is how camera-literate his skiing is. Tricks are selected for silhouette and flow as much as degree, with grabs held long enough to change how a spin reads on screen. That approach, proven during the SuperUnknown week and subsequent projects, explains why he is increasingly visible in brand work and athlete-driven edits that value clarity over chaos.

Competitive arc and key venues

Klein’s competitive footprint is selective but telling. The rider-vote win at SuperUnknown 21 in Mammoth validated him among peers on one of freeskiing’s most influential stages, while SLVSH Cup Grandvalira matchups—including a game versus Olympic champion Nico Porteous—demonstrated composure under head-to-head pressure. Rather than chasing a full calendar of World Cups, he has focused on curated weeks where the course, format, and filming opportunities align with his strengths.

Certain venues keep reappearing in his story. Mammoth Unbound’s parks at Mammoth Mountain provide standardized speed and large, consistent jump lanes that favor his late-initiation style. In the southern hemisphere, Cardrona’s winter build at Cardrona Alpine Resort and the night-park at Peretol inside Grandvalira serve as laboratories for repetition, rail linking, and session-driven filming. Appearances at Swiss hubs like LAAX add spring mileage and scaffold-style features that translate cleanly to brand shoots and edit weeks.

How they ski: what to watch for

Klein skis with a tall, calm approach into takeoff, minimal arm noise, and a late rotation initiation that protects axis definition. On jumps, he prefers mirrored spin families and early grab contact—safety, tail, or blunt variations held long enough that the trick’s silhouette is unmistakable from the chair or on replay. Rail sections favor linkable lines over one-off hammers: deep feet on long pads, swaps that conserve speed, and exits that set up the next feature rather than forcing a reset. The visual reads as “unhurried difficulty”—runs escalate in value without ever looking frantic.

Two cues help viewers evaluate his best hits. First, watch his tips stay quiet at the lip as rotation starts late; this timing leaves bandwidth to pin the grab and keep shoulders level. Second, note how landings are ridden out with speed preserved, not scrubbed, so the closer can carry more risk without compromising form.

Resilience, filming, and influence

The path Klein chose—segments, sessions, selective contest starts—requires different resilience than a bib-every-week schedule. Travel, variable builds, and the pressure to deliver clips on short weather windows all demand consistency. His SuperUnknown win confirmed that consistency in front of cameras and peers; his spot in Red Bull’s “Saisho” extended it to a broader audience by placing his park fluency in a narrative about first-time exploration in Japan. The outcome is influence that runs through culture as much as scoreboards, especially for riders who want to see style and storytelling carry equal weight with trick lists.

Because he treats filming as part of performance, Klein has become a useful blueprint for young skiers navigating the modern mix of brand projects, crew edits, and invitational sessions. The message is that a tight, repeatable trick library—executed with clarity—often travels further than a giant but inconsistent bag of spins.

Geography that built the toolkit

Klein’s toolkit is a product of split-hemisphere mileage. New Zealand’s winter infrastructure around Cardrona supplies repetition on consistent lips and in-runs, perfect for drilling quiet approaches, mirrored directions, and long grab holds. European hubs like LAAX add springtime volume and media-friendly light, while Andorra’s Grandvalira park at Peretol offers night sessions where speed reads and silhouettes must hold up under artificial light and firmer snow. In North America, Mammoth Mountain and other large-park venues provide the scale that turns those habits into finals-day or feature-shoot results.

This geography explains why his skiing looks venue-agnostic. The same late-initiation timing and grab integrity show up whether he’s trading letters in a SLVSH game, stacking shots for a crew edit, or dropping into a session line on a brand shoot.

Equipment and partners: practical takeaways

Recent brand work has aligned Klein with the K2 park program and its Omen line, a platform tuned for lively pop and durable edges across rails and big-park jumps. For progressing skiers, the practical lessons are straightforward. Choose a twin-tip with a balanced, medium-stiff flex that won’t deaden on rails but remains composed on larger hits; mount close to true center if you ride switch frequently; and keep a consistent tune so speed reads don’t change between training laps and the camera-on take. Treat goggles and lenses as performance gear, not accessories, especially for night parks and variable spring light.

Equally important is workflow. Build a repeatable base line with clean grabs and mirrored directions before escalating rotation. Film those standards often; if the trick doesn’t read on camera, refine approach height, grab timing, or axis until it does. That process—visible throughout Klein’s projects—is a transferable blueprint for anyone trying to make stylish skiing legible.

Why fans and progressing skiers care

Fans should care about Felix Klein because he represents the current sweet spot where style, storytelling, and selective results meet. His runs scan clearly in real time and reward slow-motion rewatch, which is why crews and brands keep putting him in front of lenses. For progressing skiers, his path is actionable: use consistent venues to groove quiet approaches and long holds, plan lines that conserve speed, and choose events and shoots that showcase your strengths. In a freeski landscape split between rank-chasing and media-driven influence, Klein shows how to do both—on your own terms.

Mikkel Brusletto Kaupang

Profile and significance

Mikkel Brusletto Kaupang (often known simply as “Mikkel BK”) is a Norwegian freeski athlete born in 1999 and associated with the club Geilo IL. He has emerged as a standout in park and rail skiing, particularly within film segments and invitational formats rather than a traditional medal-heavy World Cup record. His nickname “BK” suggests a brand identity in the freeski media scene, and his strong presence in edits and sponsorships hint at a rising rider whose value is both creative and competitive. :contentReference[oaicite:1]{index=1}

Competitive arc and key venues

Mikkel BK’s FIS profile shows him active in World Cup and European Cup slopestyle and big air starts, though not yet consistently a podium threat. For example, his 2022 and 2023 results show qualification appearances and top-10 places in Europe, but few headline medals. :contentReference[oaicite:2]{index=2} His media visibility, however, is high within the rail/park sphere: an edit titled “Mikkel BK slides through Geiloparken” emphasises how he is being recognised as “one of the finest rail technicians in the game”. :contentReference[oaicite:3]{index=3} Key venues for him include Geiloparken in Geilo (Norway) for rail video work, plus park jumps in Europe that support his transition from rail-specialist to competition runs.

How they ski: what to watch for

Mikkel BK is known for a rail-and-park-oriented style rich in tech: look for switch entries, down-rails, shallow in-runs, and creative link lines rather than just jump amplitude. His posts highlight “tube technician” skills, meaning tight adaptation to metal ledges and rails where edge control, speed conservation and creative exit strategy matter. In jumps he appears to prioritise flow and edit-friendly visuals—clean landings, modifiers that change trick silhouette, and fluid transitions between features. Want to study him? Watch how his upper body stays quiet, how he mounts features with minimal arms, and how he holds grabs long enough to change the camera’s reading of the trick.

Resilience, filming, and influence

While he may not yet have the medal cache of the top halfpipe or big air specialists, his influence is already growing via video parts, brand sponsorships and creative projects. His Instagram profile shows “ski @monsterenergy” in the bio, signalling visibility and market value. :contentReference[oaicite:4]{index=4} For young skiers focused on park/rail and content creation, his journey indicates that competitive success and media presence are both relevant—and that you can build influence even if you are not yet topping World Cup podiums.

Geography that built the toolkit

Being from Geilo, Norway, gives Mikkel BK access to a strong park and rail infrastructure in the Norwegian winter season. That regional base supports high-volume practice on features suited to his style. The fact that his highlight edit centres around Geiloparken underscores how a local terrain park becomes a training ground for media and rail skills. When he travels for contests and creative filming, he carries that timing and control into larger formats, which helps him bridge the gap between park/rail origins and higher-stakes jumps or slopestyle courses.

Equipment and partners: practical takeaways

His public sponsorship with Monster Energy suggests he is part of a brand ecosystem that values visibility and style. For skiers inspired by his path, the practical message is clear: if your terrain is rails and parks, choose a twin-tip setup with strong edge durability, mount near center for switch and both-direction tricks, prioritise grind durability and transition capability. And if you build video output—whether edits or social short-formats—you increase your profile beyond contest results.

Why fans and progressing skiers care

Mikkel BK matters because he exemplifies the park/rail specialist who can use creativity, media and strong technical control to build a career. For fans, his clips are fun, clean and richly textured—rail hits you want to rewind, clean transitions you want to study. For progressing skiers, his model shows that you don’t need to start by chasing 1440s and super-scaffolding jumps; you can build mastery where you are (park/rails), document your run-in, control speed and look good doing it—and then translate that into competitive visibility. His career is still evolving, which makes him a name to watch.

Sunset Park Henrik Harlaut by night

Overview and significance

Sunset Park Henrik Harlaut is Grandvalira’s floodlit night snowpark in the Peretol area of Grau Roig, Andorra—a purpose-built, progression-friendly venue named in collaboration with one of freeskiing’s most influential riders. It’s designed for repetition after dark: dependable lighting, compact laps, and a rotating mix of jibs and jumps that stay consistent when evening temperatures lock in the speed. Within the Pyrenees, it’s a standout because you can finish a full day elsewhere on the mountain and still stack productive park attempts under lights. For the resort-wide context, start with Grandvalira’s snowparks hub and the destination overview on Visit Andorra. Inside our own ecosystem, see skipowd.tv/location/andorra/ and the daytime counterpart at skipowd.tv/location/sunrise-park-xavi/ for planning a two-park routine.

What makes Sunset Park special is the cadence. Cold night air stabilizes lips and in-runs, the floodlights keep sightlines clean, and the footprint is compact enough to turn “one more lap” into twenty. Crews can film clips with a consistent look and feel, run coaching drills without crossing half a mountain, and wrap a day of freeride or slopestyle elsewhere with high-quality repetitions in Peretol.

Terrain, snow, and seasons

The park sits alongside the Peretol pistes in the Grau Roig sector at mid-to-high resort elevation by Pyrenees standards. Typical Andorran winters mix Atlantic and Mediterranean weather, bringing quick refreshes and frequent freeze–thaw swings. Nights are the equalizer. As temperatures drop, groomed lanes and salted takeoffs hold a predictable sheen, and the snow stays fast and shapeable—ideal for timing pop and landing stance. When high pressure takes over, you’ll get classic, firm corduroy on the approach early in the session, softening gradually as the evening wears on.

Operational windows vary by season, but the pattern is consistent: afternoon into night sessions on a posted schedule, with feature count scaling to the snowpack. Expect a more jib-forward vibe early winter when base depth is building, then fuller jump lines as coverage grows through mid-season. Always check the resort’s park status before heading over from another sector to make sure the lights are on and the set is live.

Park infrastructure and events

Sunset Park Henrik Harlaut is built around a clean progression ladder. You’ll typically find a small/medium line with boxes, rails, and rollers for first hits, plus medium tables, hips, and creative steel for advancing riders. The shaping philosophy is repetition first: tidy lips, long forgiving landings, and lines that let you take two or three features in sequence, then reset quickly. Rail gardens rotate regularly so there’s always a new puzzle to solve even if you’re lapping the same lane for an hour.

Event energy is grassroots and rider-led. Expect cash-for-tricks evenings, club meetups, and filming nights rather than stadium-scale contests—exactly the kind of sessions that help you progress without sacrificing flow for show. For bigger features or daytime slopestyle variety, pair a day at El Tarter’s flagship park with Sunset Park at night; for fundamentals, run a Sunrise Park Xavi morning in Grau Roig and return to Peretol after dinner to lock in muscle memory under the lights.

Access, logistics, and on-mountain flow

Base your evening in Grau Roig/Peretol for the shortest approach. If you’re already skiing elsewhere in Grandvalira, plan a mid-afternoon transit so you arrive as features open and lips have set. Driving from Andorra la Vella or Encamp is straightforward; parking and local shuttle details are posted on Grandvalira’s site. Because this is a night venue, think “arena” logistics: layer for static time between laps, bring a pocket scraper for quick speed fixes, and swap to a clear or low-light goggle lens before lights come on.

Flow is simple and efficient. Start with a two- or three-feature circuit in the smaller line to calibrate speed and wax, then move to the medium tables and more technical rails once the in-runs feel automatic. When you need a reset, take one groomer lap on the adjacent piste to re-center your timing, then drop back in. If you’re filming, bank the most technical tricks in the first hour under the lights—when surfaces are crisp—then pivot to creative lines and presses as the snow softens slightly later in the session.

Local culture, safety, and etiquette

Sunset Park is compact and popular, so Park SMART rules are non-negotiable. Inspect first; call your drop loudly enough to be heard; hold a predictable line; and clear landings and knuckles immediately. Give shapers room when ropes are up—they’re preserving speed for everyone. Expect a healthy mix of locals, visiting crews, and coached groups; be patient with teaching lanes and slot your laps so takeoffs don’t bunch up.

Nightlighting helps, but shadows and glare can still hide ruts. Take one speed-check hit on any feature you haven’t ridden under lights before, and detune rail contact points while keeping edges sharp enough for firm corduroy. Inside resort boundaries you’re far from avalanche terrain, yet closures and signage still matter—respect any temporary feature or lane closures when the crew is doing touch-ups or safety changes.

Best time to go and how to plan

Mid-winter is prime. Late January through early March usually delivers the coldest, most repeatable night surfaces and the fullest feature sets. Early season is ideal for building rail mileage on smaller sets; spring brings forgiving dusk laps that are perfect for learning new tricks at lower speeds before the lights click on. The winning routine is a two-park day: daytime slopestyle in El Tarter or progression at Sunrise Park Xavi, dinner and a quick tune, then a two-hour focused session at Sunset Park to lock in what you learned.

Check the Grandvalira snowparks page each afternoon for that night’s operating plan, confirm lift access in Grau Roig/Peretol, and pack for cold-soaked stops between laps. If your crew includes non-park skiers, point them to nearby groomers or timing-friendly meeting spots so you can reconvene easily without leaving the lights.

Why freeskiers care

Because Sunset Park Henrik Harlaut turns evening hours into high-value progression. You get reliable lighting, crisp night surfaces, and fast laps on a compact, well-shaped set—plus the freedom to combine it with Grandvalira’s daytime parks for a full, park-first itinerary. If your goal is to learn fast, film clean, and keep momentum when the sun goes down, this is the Pyrenees venue that makes it happen.

Brand overview and significance

Monster Energy is a global beverage brand that became a fixture in freeski culture by backing athletes, contests, and film projects across park, pipe, street, and big-mountain skiing. Launched in the early 2000s by the company now known as Monster Beverage Corporation, the “claw” logo migrated from motocross and skate into winter sports and quickly showed up on helmets, sled decks, and banners at major venues. In skiing, Monster’s value is less about hardware and more about platform: funding rider-driven media, supporting athlete travel, and amplifying edits so lines and tricks reach audiences far beyond a single premiere. For Skipowd readers, our curated hub for Monster Energy pulls those stories together in one place.

At competition level, Monster’s presence is visible on the world’s most-watched stages. The brand is a named partner at X Games events, including Aspen’s winter edition, with title integrations on Big Air and SuperPipe segments that keep freeskiing front-and-center for a mainstream audience. Combined with a deep roster of athletes and a grassroots pipeline, Monster has helped bankroll a generation of clips and projects that shaped modern freeski style.

Product lines and key technologies

Monster’s “products” for skiers are twofold: beverages and media infrastructure. On the beverage side, the lineup spans the classic Monster Energy range, sugar-free options like Ultra, coffee blends under Java, and hydration-oriented Rehab—formats riders choose for long travel days, dawn call times, or late-night rail sessions. On the media side, the brand runs dedicated snow news and athlete pages, plus the Monster Army development program (Monster Army) that gives emerging skiers a route to small stipends, exposure, and eventual pro support.

The real “tech” is distribution and continuity. Monster’s content operation turns contest weeks and filming windows into year-round storytelling: pre-event previews, daily recaps, and athlete features that keep freeskiers in the broader sports conversation. That consistency has helped edits from core hubs break out of niche channels and reach new viewers who might never attend a premiere or follow a film tour.

Ride feel: who it’s for (terrains & use-cases)

Translate “ride feel” to culture: Monster shows up wherever skiers want volume and visibility. Park and slopestyle crews benefit from athlete travel and media support that keep jump lines and rail gardens in view all winter. Big-mountain and backcountry riders leverage the same amplifiers for spine shoots, wind-lip sessions, and sled-accessed zones. For grassroots skiers, Monster Army functions as an on-ramp—local edits and regional podiums can become invitations, product flow, and small travel budgets that make the next step possible.

Practically, skiers tap Monster’s platforms around the cadence of a season: early-preseason park laps, mid-winter contest blocks, spring build weeks, and Southern Hemisphere or glacier sessions. The through-line is repetition and reach—support that helps riders stack attempts, refine style, and put the best version of a trick or line in front of the world.

Team presence, competitions, and reputation

Monster’s freeski roster blends icons, contest winners, and film specialists—most visibly at X Games, where the brand’s partnership and athlete presence span SuperPipe, Slopestyle, Big Air, and newer formats like Knuckle Huck. Recent seasons in Aspen saw Monster-backed skiers and snowboarders rack up headline results across the program, validated by the brand’s own event recaps and athlete features. Beyond podiums, Monster’s support of style leaders and legacy projects—think multi-year film arcs with Scandinavian and Québec crews, or rider-led street projects—gives skiers room to pursue the parts that influence technique and aesthetics for years.

The pipeline matters as much as the top end. Monster Army highlights junior and up-and-coming riders, publishes results, and showcases standout edits, creating a credible path from local scenes to international rosters. That continuity—grassroots to global—underpins the brand’s reputation inside the sport.

Geography and hubs (heritage, testing, venues)

On-snow, Monster’s winter footprint tracks freeski infrastructure. In North America, Aspen hosts X Games on Buttermilk’s courses under the Aspen Snowmass umbrella (Buttermilk), stacking high-mileage training and broadcast-grade venues in one valley. West Coast film crews cycle through Mammoth Mountain and coastal British Columbia, while the Alps and Scandinavia add spring and late-season looks that show up in team edits. In Québec, hometown hills and night parks feed the scene; you’ll even see Monster projects roll through compact venues like Vallée du Parc when storylines call for local roots.

Between tours, Monster uses city-based touchpoints and festivals to premiere or promote projects, then folds those stories back into athlete pages and season recaps so they remain discoverable long after a live event.

Construction, durability, and sustainability

For a beverage brand embedded in outdoor sport, responsibility shows up in packaging and operations. Monster’s corporate reporting outlines steps such as recyclable aluminum as the primary package, efficiency improvements in manufacturing, and sustainability targets published in annual updates (Sustainability Reports). On the events side, large activations coordinate with venue partners to manage sampling, waste, and energy use—pragmatic measures that matter at scale when contests and festivals bring thousands of fans to alpine towns.

From an athlete’s viewpoint, durability is cultural: consistent budgets, long-term relationships, and support for serviceable projects (from street trips to heli windows) keep skiers productive through full seasons, not just headline weeks.

How to choose within the lineup

If you’re picking a Monster can for ski days, think context. Sugar-free Ultra variants suit riders who want flavor without added sugar; classic Monster Energy is a familiar choice for long travel days or early starts; coffee blends (Java) make sense for base-area mornings. Hydration-forward options (Rehab) are useful for spring sessions when temps rise. As with any caffeinated drink, match intake to your tolerance and hydrate—especially at altitude and during high-output days.

If you’re an aspiring rider looking for support, study Monster’s athlete pages and the Monster Army program: publish clean edits, compete regionally, and keep results and clips organized so you can be found. For coaches and filmers, align output with the season’s storytelling windows—contest weeks, park build cycles, and spring features—so your work lands when the audience is paying most attention.

Why riders care

Skis and boots define how you turn; brands like Monster help define whether the wider world sees what you did. By underwriting athletes, events, and films—particularly around anchor venues like Aspen—the company has amplified freeski progression from rope-tow nights to global broadcast. Add a visible presence at X Games, a credible grassroots pipeline in Monster Army, and year-round content that keeps freeskiing in front of non-core audiences, and you get a sponsor that materially supports the sport’s culture—not just with logos, but with the resources that let skiers stack laps, film lines, and share them widely.

Brand overview and significance

SLVSH (pronounced “slash”) is a ski-culture brand and media outlet founded around a simple but powerful idea: bring the playground game of “HORSE” into the park and freeski scene by matching tricks between rivals and letting the video tell the story. The brand was co-founded by notable freeskiers Matt Walker and Joss Christensen as a way to inject creative freedom and fun into a culture increasingly dominated by judged contests. SLVSH has grown into an internationally recognized format and community hub, with apparel, video series, and global event tie-ins. For skiers who care about park laps, jib battles, street features and rider-vs-rider formats, SLVSH offers a unique, peer-driven alternative to traditional competition.

Product lines and key technologies

SLVSH is not a ski manufacturer; its core “product” is content and community. Under the SLVSH banner you’ll find the game format (head-to-head trick matching), video episodes, event series (such as SLVSH Cups) held at terrain parks and resorts, and a streetwear line including hoodies, hats and accessories. The apparel is often co-branded and available globally (e.g., via abstractmall storefronts). On the media-side, the brand uses filming and editing techniques suited to the park environment—tight follow-cams, rapid cuts, and multi-angle battles—to emphasise trick detail, reaction, and rhythm. The key “technology” is the format itself: no judges, just call a trick, the opponent lands (or doesn’t), someone gets a letter, first to spell SLVSH loses. This simplicity underpins the brand’s appeal.

Ride feel: who it’s for (terrains & use-cases)

SLVSH speaks directly to park, urban, and freestyle-oriented skiers who ride rails, boxes, jumps and street features and who value creativity, fun, and peer challenges. If you’re in the terrain park, enjoying jib setups, chasing friends on the rail line, or filming match-ups with your crew, SLVSH fits. The ride feel is loose, expressive and informal—less about maximal speed or big-mountain consequences, more about style, line choice, trick creativity and session banter. It’s ideal for skiers who view park laps as culture rather than contest rounds, and who like a format they can play with friends, record, and share.

Team presence, competitions, and reputation

SLVSH has cultivated credibility via its athlete-led foundation and the adoption of its format by parks and resorts worldwide. Games and match-ups featuring high-profile skiers such as Joss Christensen, as well as grassroots entries, have helped the brand stay relevant. Its video series on YouTube show head-to-head match-offs at terrain parks from North America to Europe (e.g., SLVSH Cup Grandvalira). The reputation is of a brand that keeps skiing fun, accessible and peer-to-peer oriented—contrasting with high-stakes judged contests. While it may not carry the prestige of an Olympic or World Cup circuit, for the park scene it holds a meaningful place.

Geography and hubs (heritage, testing, venues)

SLVSH has roots in the modern park and freestyle community rather than a single geographic resort heritage. Its match-format videos and events have taken place at venues such as Penken Park (Austria) and the SLVSH Cup at Grandvalira (Andorra). The global reach includes U.S. park locations (such as Park City, Utah). Because the format is portable and doesn’t require infrastructure beyond a terrain park, the brand’s geography spans many popular freestyle hubs. It channels the spirit of open-session, game-driven skiing across continents.

Construction, durability, and sustainability

In the media and culture context, SLVSH’s durability is shown in its staying power—over a decade of match-games, videos, community visits and product drops. The game format remains relevant to emerging skiers and seasoned stylers alike. Sustainability-wise, the brand emphasises participation and simplicity. Because the barrier to entry is low (rent features, film a game), the format scales without large production overheads. On the apparel side, there is limited public data on material sustainability; the focus remains cultural rather than manufacturing. For the skier-viewer, the lasting value is the format and community more than a tangible gear asset.

How to choose within the lineup

If you’re a skier wanting to get involved: start by watching SLVSH videos to see how the format plays out in parks you know. Then arrange games with your crew—pick a feature, call tricks, record. Aim to replicate the style and pace you’ve seen so that your own edits look crisp and fun. If you’re a park or resort looking to partner: host an official SLVSH Cup or branded match session, film for social, invite riders of varying levels. For apparel: drop a hoodie or shirt from the SLVSH line if you’re into ski-street style and want a brand that signals park credibility.

Why riders care

Because skiing should be fun, peer-driven and expressive. SLVSH removes the intimidation of judged contests and replaces it with a format nearly any skier can join. It brings friends, features and filming together in a way that emphasises trick creativity, risk-taking and fun—whether you’re a 270 board-slide novice or a back-flip rail veteran. Its brand cues—bold graphics, playful identity, video match-ups—resonate with skiers who spend equal time filming, lapping features and pushing style. For the park crew, the hill is the playground and SLVSH gives you the rules, the format and the vibe.

GAME 5 || Mikkel BK vs. Felix Klein || SLVSH CUP GRANDVALIRA '25

Athletes

Locations

Sponsors

Competition

Felix Klein

Mikkel Brusletto Kaupang

Sunset Park Henrik Harlaut by night

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