B-Dog - 13 yearz young (2003)

Profile and significance

Philip “B-Dog” Casabon is a Canadian freeski icon from Shawinigan, Québec, whose style-first language—presses, butters, nollies, reverts, and shiftys that breathe—reshaped modern park and urban skiing. He rose through night laps at his local hill, Vallée du Parc, and became one of the most influential riders of his generation by proving that creativity, definition, and flow can outweigh brute force. His cultural footprint is matched by hardware: back-to-back gold medals at X Games Real Ski in 2018 and 2019, plus the 2018 Fan Favorite nod, cemented his status as a peer-elected standard. In the same window, he released the widely praised film “En Particulier” with Brady Perron and was named Freeskier’s Skier of the Year, a rare double for a rider focused on film and street. Casabon matters because he made style specific and teachable—clips that hold up frame by frame and a movement language that any progressing skier can study and apply.

Competitive arc and key venues

Casabon’s competitive résumé is unconventional by design. Early in his career he tested himself in slopestyle at Aspen, making multiple Winter X Games appearances when the discipline was still defining itself. As urban skiing’s broadcast moment arrived, he shifted to segments and rider-curated showcases that better matched his voice. The pivot paid off: his 2018 X Games Real Ski gold, delivered alongside the Fan Favorite award, was followed by a repeat gold in 2019—rare back-to-back wins that confirmed his dominance in the all-video, all-street format. In the culture-defining B&E era at Les Arcs, he collected “Best Style” honors in both 2014 and 2015 on a skate-inspired setup designed to reward touch and originality. Those landmarks—Aspen’s spotlight, Real Ski’s medals, and Les Arcs’ style awards—map the arc of a skier who used competition as a proof-of-concept for ideas refined in edits.

The places tied to his name help explain the skiing. Vallée du Parc gave him the repetition and switch comfort that show up in his lines. Aspen’s big-build tempo at Aspen Snowmass taught wind calls, long decks, and pressure management under cameras. The B&E park at Les Arcs encouraged butters into spins, long presses, and transfers that value feel over amplitude. Together they shaped a rider who reads features instantly and turns modest speed into full sentences of skiing.

How they ski: what to watch for

Casabon skis with economy and definition. Approaches stay tall and neutral. He sets rotation late, locks grabs early—often with unmistakable tweaks—and lets the trick breathe rather than rushing the set. On rails, the signatures are square entries, long-held presses and backslides that are obvious to the eye, surface swaps with minimal arm swing, and exits where the shoulders stay aligned so momentum carries into the next feature. Even when the spot is complex, he organizes edge pressure early to keep the base flat through kinks, which is why his landings read inevitable rather than rescued. On jumps and side hits the same patience appears: pop comes from the feet up, grabs are defined before 180 degrees, and the upper body stays quiet so the skis do the storytelling. The result is a blueprint any rider can study—calm entry, patient pop, early grab definition, square-shoulder exit.

Resilience, filming, and influence

Casabon’s influence runs through films and community projects as much as medals. He built a decade-long catalog of replayable segments, culminating in the late-2010s run that paired Real Ski golds with a festival-tested film presence. The work emphasized honest speed, horizon awareness, and compositions that make slope angle and body organization clear—choices that help viewers learn, not just watch. In the B&E era, his partnership with Henrik Harlaut created a platform where style was the scorecard, then pushed those ideas back into parks, streets, and product design. Interviews and long-form conversations from this period reveal a method that prizes durability over hype: habits you can repeat when conditions are imperfect and cameras are rolling.

That durability—plus a willingness to mentor—keeps his influence alive in a generation that learns from edits. Coaches use his clips to illustrate patient setups and clean exits; riders break down his presses and shifty timing to build their own lines. He is both reference and proof: you do not need the world’s biggest jump to show world-class skiing if your movements are organized and your choices are clear.

Geography that built the toolkit

Place explains the method. Shawinigan’s Vallée du Parc is a human-scale hill where repetition is abundant and mistakes are obvious. Night laps there forged the switch comfort, precise edging, and patience that define his rail game. The spotlight and wind at Aspen Snowmass layered in big-feature timing and composure. The creative modules at Les Arcs rewarded a horizontal vocabulary—presses, butters, wheelies—that Casabon helped popularize, proving that expression at low to medium speeds can be as compelling as amplitude. When you trace the map, you see the fingerprints in every clip: local-hill repetition, big-park patience, and skate-park creativity applied to snow.

Equipment and partners: practical takeaways

Casabon’s long relationship with Armada extended far beyond sticker placement. His pro model BDog and the experimental BDog Edgeless in Armada’s Zero Collection were designed to serve his priorities—predictable flex for presses and butters, confidence on switch landings, and swing weight that stays honest on slower-speed pops. The gear lessons for progressing skiers mirror that logic. Choose a true park ski with a balanced, medium flex you can bend without folding. Detune the contact points enough to reduce rail bite while maintaining dependable edge hold on the lip. Mount close enough to center that presses sit level and switch landings feel neutral. Keep binding ramp angles that don’t tip you onto your heels. Then build a process that matches the hardware: film laps, compare shoulder alignment and hip-to-ankle stack against a short checklist, and repeat until the movements become automatic. The setup is the scaffold; the habits are the house.

Why fans and progressing skiers care

Fans care about Philip Casabon because his skiing ages well. The clips prioritize timing, organization, and line design over noise, which is why they survive slow-motion scrutiny years later. Progressing skiers care because the same choices are teachable on normal parks and real snowpacks. If your winter looks like night laps on a small hill, weekend missions to a destination park, and a few street sessions with friends, his blueprint shows how to turn limited speed and imperfect conditions into memorable skiing. The medals—back-to-back X Games Real Ski golds and Fan Favorite in 2018—are milestones; the lasting takeaway is a method: calm entry, patient pop, early grab definition, square-shoulder exit, and a flow that connects a run into a single sentence. That is why B-Dog remains essential viewing for anyone who cares about freeskiing’s style, substance, and future.