Jordan Condon - Off The Leash Video Edition (2024)

Profile and significance

Jordan Condon is a Canadian freeski rider and filmer who grew up in Prince Edward Island’s small-but-stubborn scene and then widened his map from Atlantic Canada to Alberta and British Columbia. He’s film-first rather than federation-first: a regular in skiP.E.I. crew projects and a dependable presence at community park and street sessions. In recent years he’s also tested skis for industry titles, lending an informed, rider’s-eye perspective to product conversations. That dual role—on-snow clip stacker and thoughtful gear voice—has helped his name travel beyond local laps while keeping his skiing grounded in spots and parks that most riders actually touch.

Condon’s profile sharpened around two complementary lanes. In the culture lane, he shows up in grassroots web films and short street cuts tied to the Maritimes, then adds mileage from western Canada to keep his timing honest on bigger features. In the product lane, he’s appeared as a credited test rider and quoted ski tester, including feedback on modern freeride twins that core skiers care about. The net effect is a rider whose segments are easy to rewatch and whose notes on setup match what you can see in his skiing.

Competitive arc and key venues

Condon’s timeline is anchored by projects and showcases rather than points. Early on, he traveled from P.E.I. to New Brunswick to enter park events at Crabbe Mountain, a Maritime hub with night energy and a passionate local scene. Later, he entered Sunshine Village’s King & Queen of the Park contest in Alberta, putting his rail clarity on a bigger stage at Banff Sunshine Village. Between those touchpoints, you’ll find him in long-running skiP.E.I. drops filmed around the province’s Mark Arendz Provincial Ski Park at Brookvale, the island’s alpine home base listed through Tourism PEI. In British Columbia, he logged test laps and spring mileage at Revelstoke Mountain Resort, a venue whose speed windows and compressions mirror contest pacing even when the cameras are small and the crew is local.

The pattern across these venues is consistent: learn it on modest features where repetition is king, pressure-test it on faster lines out west, and bring that polish back to real-world street spots and home-park builds.

How they ski: what to watch for

Condon skis with measured economy that reads clearly at full speed. On rails, he keeps a centered stance and calm shoulders so spin-ons, swaps, and pretzel exits look deliberate rather than forced. Approach angles stay conservative until the instant of commitment; lock-ins track through kinks and small gaps without chatter, and exits land with glide so the next feature still has room to breathe. On jumps—whether a compact step-down in the streets or a maintained park booter—he places the grab early and holds it across rotation, keeping the axis obvious for camera and judge alike. Rotation scales to the day’s speed window instead of relying on a late cork, which protects landing quality and run continuity.

Resilience, filming, and influence

Street and small-hill filming compress the margin for error: short in-runs, imperfect landings, tight light. Condon treats those constraints as craft. The recurring workflow—scout, measure, shovel and salt, test speed, refine angle, then roll on the take that will cut clean—shows through his clips and explains why his segments travel well online. The same discipline carries into community contests and park weeks, where a compact course punishes sloppy decision-making. Because his choices are visible—held grabs, tidy axes, speed preserved—his skiing doubles as a reference for younger riders trying to understand what “readable” freeskiing looks like without slow-motion.

Geography that built the toolkit

Place explains the polish. On P.E.I., sessions at the island’s alpine home base listed via Mark Arendz Provincial Ski Park at Brookvale deliver high-frequency repetition on modest features—perfect for hardwiring both-way entries and clean exits. Across the Northumberland Strait, Crabbe Mountain provides colder mornings, longer rail decks, and a lively park community that rewards momentum management over one-off hucks. Westward trips to Banff Sunshine Village add faster lines and broadcast-style spacing, while time at Revelstoke Mountain Resort introduces bigger compressions and variable spring surfaces. Stitch those environments together and you get skiing that reads the same in January hardpack and April slush.

Equipment and partners: practical takeaways

Condon’s gear commentary lines up with what you see on snow. As a tester he has weighed in on versatile all-mountain/freeski shapes like the Atomic Bent 100 and powerful, deep-day chargers like the Nordica Unleashed 114. The transferable lessons are simple. Start with a true-twin or near-symmetrical ski mounted close to center if rails and switch landings matter; keep a consistent tune with a thoughtful detune at contact points so edges don’t hook on steel while pop remains for lip-ons; and choose boots with progressive forward flex and firm heel hold so landings finish stacked when the snow is fast or chattery. Bindings should be set for predictable release across repeated impacts. Predictable, neutral, and repeatable is the recipe—and it’s the backbone of how his lines stay intact from municipal rails to destination parks.

Why fans and progressing skiers care

Condon matters because he turns fundamentals into footage you want to replay. If you’re learning to “read” modern freeskiing, watch how he preserves glide across multi-feature rail sections so the closer still has room for meaningful rotation, and how early—and held—grabs keep axes unmistakable at real speed. If you’re building your own projects, study the process behind the tricks as much as the tricks themselves: measure the spot, test speed, and commit to the reproducible version that will look inevitable on camera. In an era where culture is carried by rider-led films and resort park edits, Jordan Condon offers a clear, practical model for making small places ski big.