GAME 2 || Valentin Morel vs. Sebastian Schjerve || SLVSH CUP GRANDVALIRA '25

09:21 min • 11/03/2025

Grandvalira Sunset Park Peretol and Monster Energy are proud to present Slvsh Cup Grandvalira 2025! GAME 2 between Valentin Morel and Sebastian Schjerve Follow us on instagram and check the hashtag #SlvshCupGrandvalira for release dates and game info. https://www.instagram.com/theslvsh/ Follow Seb and Valentin: https://www.instagram.com/sebastianschjerve/ https://www.instagram.com/vmorel_ Check out Grandvalira and Sunset Park: https://www.instagram.com/grandvalira/ https://www.instagram.com/sunsetparkperetol/ Unleash your beast: https://www.instagram.com/monsterenergy/ SLVSH MERCH : https://www.abstractmall.com/collections/slvsh Beats by : @msn.wav. https://www.instagram.com/msn.wav/ Make sure to check him out!

Battle

Sebastian Schjerve

Profile and significance

Sebastian Schjerve is a Norwegian freeski specialist in slopestyle and big air who has converted junior promise into senior-level credibility with World Cup podiums and X Games finals. Born 16 March 2000 and hailing from Namsos, he rose through Norway’s pipeline and onto the international stage with an eighth place in men’s big air at the 2021 World Championships, then notched his first World Cup podium in December 2022 at Copper Mountain. He followed with further podiums—including second at Mammoth Mountain slopestyle in early 2023 and third at Tignes slopestyle to close the 2024–25 season—establishing himself as a reliable finals rider with the ability to lead early and hold position under pressure. Add X Games Aspen results (fifth in slopestyle 2022, sixth in big air 2024) and a growing media footprint, and Schjerve sits in the sport’s competitive first tier just outside the medal-collection elite.

Competitive arc and key venues

Schjerve’s arc tracks cleanly from junior silver in slopestyle at the Junior Worlds in Cardrona to senior starts across Europe and North America. His breakout at Copper Mountain’s Visa Big Air marked the pivot from prospect to podium threat, highlighted by high-degree bio rotations landed with authority. In 2023 he reinforced range with a slopestyle podium at Mammoth, demonstrating that his jump expertise travels when rails are consequential. The 2024–25 campaign brought another signature result at Tignes, where he posted 83.48 in a weather-affected final to finish third behind Alex Hall and Andri Ragettli. Along the way he handled invitational pressure at Aspen’s X Games on Buttermilk Mountain, and he has remained a consistent presence at late-season Silvaplana/Corvatsch finals above Lake Silvaplana—venues that demand speed control, clean axes and strategic risk on the last hit.

How they ski: what to watch for

Schjerve skis with tall posture into the lip, minimal arm noise and a late, confident initiation that keeps the silhouette organized for judges and cameras. On jumps, look for bio-axis doubles and triples with long grab holds that change how the spin reads. He mirrors spin families left and right, and he is comfortable opening runs with foundation tricks that set amplitude before escalating degree count. On rails, he favors linkable lines—front swaps into gap pretzel exits, redirections that conserve speed, and feet that land deep on pads to keep momentum for the jump line. The overall effect is runs that look unhurried even when the difficulty peaks late.

Resilience, filming, and influence

Modern freeski relevance is part results, part visibility. Schjerve maintains a steady competition calendar while building an audience through SebVlog, a travel-and-training series that documents course-inspection logic, speed reads and run building. That transparency matters for emerging riders who want more than a highlight reel; it shows how a podium day is assembled—feature by feature—rather than magically appearing. His ability to transition from qualification pressure to a composed finals run speaks to a resilient process: open clean, upgrade where speed and light allow, and protect grab standards when wind or surface changes threaten axis integrity.

Geography that built the toolkit

Norway’s system—small-to-mid resorts for repetition, winter light that forces sharp edge reads, and a national team culture that prizes execution—shaped Schjerve’s timing. Internationally, he sharpened different pieces of the toolkit at distinct venues: the scaffolding feel and altitude management of Copper Mountain’s big air; the long mileage and variable wind at Mammoth Mountain; the spring showcase lanes at Corvatsch/Silvaplana; and the TV-heavy, consequence-aware setups at Aspen’s Buttermilk. Each site emphasized a specific discipline—axis control at altitude, finals-day upgrades when speed is fragile, and run design that holds up under broadcast scrutiny.

Equipment and partners: practical takeaways

Schjerve’s long-running associations have included outerwear from Peak Performance, optics from Oakley, and park-focused hardware from brands like Armada. For progressing skiers, the actionable lessons are straightforward. Choose a twin tip with predictable pop and durable edges for rails, mount close to true center to balance switch and natural approaches, and keep tuning consistent so speed reads don’t change from training to finals. On course, borrow his sequencing: open with a reliable amplitude setter, protect grab clarity mid-run, then finish with your highest-value spin in the strongest wind window available.

Why fans and progressing skiers care

Sebastian Schjerve matters because he embodies the complete modern slopestyle/big-air skill set without sacrificing readability. Fans get finals that escalate intelligently and tricks that hold form long enough to appreciate on replay. Developing riders get a blueprint for sustainable results: mirrored directions, late but composed takeoffs, honest grabs, and rail sections that preserve speed instead of burning it. With World Cup podiums in both disciplines and credible X Games finishes, he is firmly in the conversation whenever conditions reward execution as much as degree count—and he is trending toward even bigger Sundays as his trick library matures.

Valentin Morel

Profile and significance

Valentin Morel is a Swiss freeski rider from the Fribourg region whose lane bridges World Cup slopestyle starts and film-first creativity. A member of the Swiss national setup, he has earned World Cup points and built a parallel identity as a style-forward editor and collaborator, from glacier training cuts to rider-led short films. His sponsors tell the story as well as any résumé: skis from Armada, bindings from Tyrolia, helmets and goggles from Giro, and apparel with Harlaut Apparel Co.. That mix—contest credibility plus core-scene backing—explains why park riders and street-focused viewers alike slow his clips down to study the details. Morel’s significance lies in clarity: he skis in a way that reads cleanly on camera and scales from World Cup venues to the parks most people actually lap.

Competitive arc and key venues

Morel’s public track record is anchored in slopestyle. He collected World Cup points with 13th at Silvaplana/Corvatsch in March 2023, then added 25th at Aspen in February 2025 and 21st at Tignes in March 2025 as the winter closed—evidence that his approach survives pressure and unfamiliar snowpacks. The settings are telling. Corvatsch’s purpose-built venue in the Corvatsch Park rewards measured speed and late-set timing. Aspen’s broadcast-stage slopestyle at Aspen Snowmass demands clean takeoffs under TV timing. Tignes’ spring stop—part of the Mountain Shaker program spotlighted by the resort’s official pages at Tignes—shifts with alpine wind and light, exposing rushed approaches. Away from the start gate, Morel frequently sharpens rails and jumps on Switzerland’s flagship parks, notably LAAX, where dense rail sets and long decks call for honest speed.

Peer-judged arenas and rider media round out the arc. He stepped into the SLVSH Cup week at Sunset Park Peretol—Grandvalira’s floodlit night park in Andorra—an environment whose public sessions and quick resets amplify any imprecision; for context on the venue itself, see Grandvalira / Peretol. In the film lane, he appears in Harlaut Apparel projects and self-edited shorts that favor readable line design over one-off stunts. Together, those touchpoints show the same athlete in two mirrors: judged runs for points, and carefully composed sequences that endure after the livestream ends.

How they ski: what to watch for

Morel skis with economy and definition—the two traits that make slopestyle and urban/street skiing teachable. Into the lip he stays tall and neutral, then sets rotation late and secures the grab before 180 degrees so the axis breathes on camera. On rails he favors square, unhurried entries; presses and backslides held just long enough to be unmistakable; minimal arm swing on change-ups; and exits with shoulders aligned so momentum survives into the next feature. Surface swaps are quiet because edge pressure is organized early, which keeps the base flat through kinks and removes the need for last-second saves. Landings read centered and inevitable—hips over feet, ankles soft—so the shot feels like one sentence instead of a series of recoveries.

Resilience, filming, and influence

While his World Cup calendar proves composure, the film lane shows intention. Morel has cut tightly edited training pieces from Saas-Fee and LAAX, and he has contributed to Harlaut Apparel’s rider-driven releases alongside teammates from across Europe. In one house project, he even took editing duties himself—an on-screen reminder that he thinks about how tricks read, not just how they score. The result is skiing that holds up at half speed: calm entry, patient pop, early grab definition, square-shoulder exits. Because the pacing and framings are designed to show slope angle and approach speed honestly, coaches and progressing riders can pause any clip and pull concrete checkpoints from it. Influence here is cumulative rather than viral—you watch, copy the mechanics on your next lap, and discover that clarity is a skill you can practice.

Geography that built the toolkit

Place explains the method. Morel grew up lapping the Fribourg hills around Moléson—today a favorite local playground at Moléson—where compact features and thin cover punish sloppy organization. Glacier blocks and preseason windows at Saas-Fee sharpened air awareness and wind reads, while winter and spring sessions on the long lines of LAAX layered in cadence on big decks and dense rail timing. The contest map added its own chapters: the structured slopestyle line at Aspen Snowmass, the spring finale rhythm at Corvatsch Park, and the night-lap pressure of Sunset Park Peretol. Thread those venues together and you can see their fingerprints in every segment and start list.

Equipment and partners: practical takeaways

Morel’s current toolkit mirrors his skiing. Park twins from Armada provide a press-friendly yet predictable platform; Tyrolia bindings deliver consistent release and ramp that won’t tip him into the backseat; Giro handles head protection and optics; and Harlaut Apparel Co. covers outerwear with an edits-first ethos. For viewers trying to borrow the feel, the hardware lessons are simple. Choose a true park twin with a balanced, medium flex you can press without folding; detune the contact points enough to reduce rail bite while keeping trustworthy grip on the lip; and mount close enough to center that switch landings feel neutral and presses sit level. Keep binding ramp angles neutral so hips can stack over feet and the skis can do the storytelling.

Why fans and progressing skiers care

Fans care about Valentin Morel because his skiing is legible and durable. In results, that shows up as steady World Cup points and clean qualifying runs on varied courses; on film, it looks like edits built to survive slow-motion scrutiny. Progressing riders care because the same choices are teachable on normal resorts: stay tall into the lip, set late, define the grab early, hold presses long enough to read, and exit with shoulders square so speed survives for what’s next. Whether the backdrop is a spring final at Corvatsch, a windy course above Aspen, a Mountain Shaker rail at Tignes, or a week of night laps in LAAX, his blueprint turns realistic terrain into stylish, reliable freeskiing across slopestyle, big air side hits, and urban/street skiing.

Sunset Park Henrik Harlaut by night

Overview and significance

Sunset Park Henrik Harlaut is Grandvalira’s floodlit night snowpark in the Peretol area of Grau Roig, Andorra—a purpose-built, progression-friendly venue named in collaboration with one of freeskiing’s most influential riders. It’s designed for repetition after dark: dependable lighting, compact laps, and a rotating mix of jibs and jumps that stay consistent when evening temperatures lock in the speed. Within the Pyrenees, it’s a standout because you can finish a full day elsewhere on the mountain and still stack productive park attempts under lights. For the resort-wide context, start with Grandvalira’s snowparks hub and the destination overview on Visit Andorra. Inside our own ecosystem, see skipowd.tv/location/andorra/ and the daytime counterpart at skipowd.tv/location/sunrise-park-xavi/ for planning a two-park routine.

What makes Sunset Park special is the cadence. Cold night air stabilizes lips and in-runs, the floodlights keep sightlines clean, and the footprint is compact enough to turn “one more lap” into twenty. Crews can film clips with a consistent look and feel, run coaching drills without crossing half a mountain, and wrap a day of freeride or slopestyle elsewhere with high-quality repetitions in Peretol.

Terrain, snow, and seasons

The park sits alongside the Peretol pistes in the Grau Roig sector at mid-to-high resort elevation by Pyrenees standards. Typical Andorran winters mix Atlantic and Mediterranean weather, bringing quick refreshes and frequent freeze–thaw swings. Nights are the equalizer. As temperatures drop, groomed lanes and salted takeoffs hold a predictable sheen, and the snow stays fast and shapeable—ideal for timing pop and landing stance. When high pressure takes over, you’ll get classic, firm corduroy on the approach early in the session, softening gradually as the evening wears on.

Operational windows vary by season, but the pattern is consistent: afternoon into night sessions on a posted schedule, with feature count scaling to the snowpack. Expect a more jib-forward vibe early winter when base depth is building, then fuller jump lines as coverage grows through mid-season. Always check the resort’s park status before heading over from another sector to make sure the lights are on and the set is live.

Park infrastructure and events

Sunset Park Henrik Harlaut is built around a clean progression ladder. You’ll typically find a small/medium line with boxes, rails, and rollers for first hits, plus medium tables, hips, and creative steel for advancing riders. The shaping philosophy is repetition first: tidy lips, long forgiving landings, and lines that let you take two or three features in sequence, then reset quickly. Rail gardens rotate regularly so there’s always a new puzzle to solve even if you’re lapping the same lane for an hour.

Event energy is grassroots and rider-led. Expect cash-for-tricks evenings, club meetups, and filming nights rather than stadium-scale contests—exactly the kind of sessions that help you progress without sacrificing flow for show. For bigger features or daytime slopestyle variety, pair a day at El Tarter’s flagship park with Sunset Park at night; for fundamentals, run a Sunrise Park Xavi morning in Grau Roig and return to Peretol after dinner to lock in muscle memory under the lights.

Access, logistics, and on-mountain flow

Base your evening in Grau Roig/Peretol for the shortest approach. If you’re already skiing elsewhere in Grandvalira, plan a mid-afternoon transit so you arrive as features open and lips have set. Driving from Andorra la Vella or Encamp is straightforward; parking and local shuttle details are posted on Grandvalira’s site. Because this is a night venue, think “arena” logistics: layer for static time between laps, bring a pocket scraper for quick speed fixes, and swap to a clear or low-light goggle lens before lights come on.

Flow is simple and efficient. Start with a two- or three-feature circuit in the smaller line to calibrate speed and wax, then move to the medium tables and more technical rails once the in-runs feel automatic. When you need a reset, take one groomer lap on the adjacent piste to re-center your timing, then drop back in. If you’re filming, bank the most technical tricks in the first hour under the lights—when surfaces are crisp—then pivot to creative lines and presses as the snow softens slightly later in the session.

Local culture, safety, and etiquette

Sunset Park is compact and popular, so Park SMART rules are non-negotiable. Inspect first; call your drop loudly enough to be heard; hold a predictable line; and clear landings and knuckles immediately. Give shapers room when ropes are up—they’re preserving speed for everyone. Expect a healthy mix of locals, visiting crews, and coached groups; be patient with teaching lanes and slot your laps so takeoffs don’t bunch up.

Nightlighting helps, but shadows and glare can still hide ruts. Take one speed-check hit on any feature you haven’t ridden under lights before, and detune rail contact points while keeping edges sharp enough for firm corduroy. Inside resort boundaries you’re far from avalanche terrain, yet closures and signage still matter—respect any temporary feature or lane closures when the crew is doing touch-ups or safety changes.

Best time to go and how to plan

Mid-winter is prime. Late January through early March usually delivers the coldest, most repeatable night surfaces and the fullest feature sets. Early season is ideal for building rail mileage on smaller sets; spring brings forgiving dusk laps that are perfect for learning new tricks at lower speeds before the lights click on. The winning routine is a two-park day: daytime slopestyle in El Tarter or progression at Sunrise Park Xavi, dinner and a quick tune, then a two-hour focused session at Sunset Park to lock in what you learned.

Check the Grandvalira snowparks page each afternoon for that night’s operating plan, confirm lift access in Grau Roig/Peretol, and pack for cold-soaked stops between laps. If your crew includes non-park skiers, point them to nearby groomers or timing-friendly meeting spots so you can reconvene easily without leaving the lights.

Why freeskiers care

Because Sunset Park Henrik Harlaut turns evening hours into high-value progression. You get reliable lighting, crisp night surfaces, and fast laps on a compact, well-shaped set—plus the freedom to combine it with Grandvalira’s daytime parks for a full, park-first itinerary. If your goal is to learn fast, film clean, and keep momentum when the sun goes down, this is the Pyrenees venue that makes it happen.

Brand overview and significance

Monster Energy is a global beverage brand that became a fixture in freeski culture by backing athletes, contests, and film projects across park, pipe, street, and big-mountain skiing. Launched in the early 2000s by the company now known as Monster Beverage Corporation, the “claw” logo migrated from motocross and skate into winter sports and quickly showed up on helmets, sled decks, and banners at major venues. In skiing, Monster’s value is less about hardware and more about platform: funding rider-driven media, supporting athlete travel, and amplifying edits so lines and tricks reach audiences far beyond a single premiere. For Skipowd readers, our curated hub for Monster Energy pulls those stories together in one place.

At competition level, Monster’s presence is visible on the world’s most-watched stages. The brand is a named partner at X Games events, including Aspen’s winter edition, with title integrations on Big Air and SuperPipe segments that keep freeskiing front-and-center for a mainstream audience. Combined with a deep roster of athletes and a grassroots pipeline, Monster has helped bankroll a generation of clips and projects that shaped modern freeski style.

Product lines and key technologies

Monster’s “products” for skiers are twofold: beverages and media infrastructure. On the beverage side, the lineup spans the classic Monster Energy range, sugar-free options like Ultra, coffee blends under Java, and hydration-oriented Rehab—formats riders choose for long travel days, dawn call times, or late-night rail sessions. On the media side, the brand runs dedicated snow news and athlete pages, plus the Monster Army development program (Monster Army) that gives emerging skiers a route to small stipends, exposure, and eventual pro support.

The real “tech” is distribution and continuity. Monster’s content operation turns contest weeks and filming windows into year-round storytelling: pre-event previews, daily recaps, and athlete features that keep freeskiers in the broader sports conversation. That consistency has helped edits from core hubs break out of niche channels and reach new viewers who might never attend a premiere or follow a film tour.

Ride feel: who it’s for (terrains & use-cases)

Translate “ride feel” to culture: Monster shows up wherever skiers want volume and visibility. Park and slopestyle crews benefit from athlete travel and media support that keep jump lines and rail gardens in view all winter. Big-mountain and backcountry riders leverage the same amplifiers for spine shoots, wind-lip sessions, and sled-accessed zones. For grassroots skiers, Monster Army functions as an on-ramp—local edits and regional podiums can become invitations, product flow, and small travel budgets that make the next step possible.

Practically, skiers tap Monster’s platforms around the cadence of a season: early-preseason park laps, mid-winter contest blocks, spring build weeks, and Southern Hemisphere or glacier sessions. The through-line is repetition and reach—support that helps riders stack attempts, refine style, and put the best version of a trick or line in front of the world.

Team presence, competitions, and reputation

Monster’s freeski roster blends icons, contest winners, and film specialists—most visibly at X Games, where the brand’s partnership and athlete presence span SuperPipe, Slopestyle, Big Air, and newer formats like Knuckle Huck. Recent seasons in Aspen saw Monster-backed skiers and snowboarders rack up headline results across the program, validated by the brand’s own event recaps and athlete features. Beyond podiums, Monster’s support of style leaders and legacy projects—think multi-year film arcs with Scandinavian and Québec crews, or rider-led street projects—gives skiers room to pursue the parts that influence technique and aesthetics for years.

The pipeline matters as much as the top end. Monster Army highlights junior and up-and-coming riders, publishes results, and showcases standout edits, creating a credible path from local scenes to international rosters. That continuity—grassroots to global—underpins the brand’s reputation inside the sport.

Geography and hubs (heritage, testing, venues)

On-snow, Monster’s winter footprint tracks freeski infrastructure. In North America, Aspen hosts X Games on Buttermilk’s courses under the Aspen Snowmass umbrella (Buttermilk), stacking high-mileage training and broadcast-grade venues in one valley. West Coast film crews cycle through Mammoth Mountain and coastal British Columbia, while the Alps and Scandinavia add spring and late-season looks that show up in team edits. In Québec, hometown hills and night parks feed the scene; you’ll even see Monster projects roll through compact venues like Vallée du Parc when storylines call for local roots.

Between tours, Monster uses city-based touchpoints and festivals to premiere or promote projects, then folds those stories back into athlete pages and season recaps so they remain discoverable long after a live event.

Construction, durability, and sustainability

For a beverage brand embedded in outdoor sport, responsibility shows up in packaging and operations. Monster’s corporate reporting outlines steps such as recyclable aluminum as the primary package, efficiency improvements in manufacturing, and sustainability targets published in annual updates (Sustainability Reports). On the events side, large activations coordinate with venue partners to manage sampling, waste, and energy use—pragmatic measures that matter at scale when contests and festivals bring thousands of fans to alpine towns.

From an athlete’s viewpoint, durability is cultural: consistent budgets, long-term relationships, and support for serviceable projects (from street trips to heli windows) keep skiers productive through full seasons, not just headline weeks.

How to choose within the lineup

If you’re picking a Monster can for ski days, think context. Sugar-free Ultra variants suit riders who want flavor without added sugar; classic Monster Energy is a familiar choice for long travel days or early starts; coffee blends (Java) make sense for base-area mornings. Hydration-forward options (Rehab) are useful for spring sessions when temps rise. As with any caffeinated drink, match intake to your tolerance and hydrate—especially at altitude and during high-output days.

If you’re an aspiring rider looking for support, study Monster’s athlete pages and the Monster Army program: publish clean edits, compete regionally, and keep results and clips organized so you can be found. For coaches and filmers, align output with the season’s storytelling windows—contest weeks, park build cycles, and spring features—so your work lands when the audience is paying most attention.

Why riders care

Skis and boots define how you turn; brands like Monster help define whether the wider world sees what you did. By underwriting athletes, events, and films—particularly around anchor venues like Aspen—the company has amplified freeski progression from rope-tow nights to global broadcast. Add a visible presence at X Games, a credible grassroots pipeline in Monster Army, and year-round content that keeps freeskiing in front of non-core audiences, and you get a sponsor that materially supports the sport’s culture—not just with logos, but with the resources that let skiers stack laps, film lines, and share them widely.

Brand overview and significance

SLVSH (pronounced “slash”) is a ski-culture brand and media outlet founded around a simple but powerful idea: bring the playground game of “HORSE” into the park and freeski scene by matching tricks between rivals and letting the video tell the story. The brand was co-founded by notable freeskiers Matt Walker and Joss Christensen as a way to inject creative freedom and fun into a culture increasingly dominated by judged contests. SLVSH has grown into an internationally recognized format and community hub, with apparel, video series, and global event tie-ins. For skiers who care about park laps, jib battles, street features and rider-vs-rider formats, SLVSH offers a unique, peer-driven alternative to traditional competition.

Product lines and key technologies

SLVSH is not a ski manufacturer; its core “product” is content and community. Under the SLVSH banner you’ll find the game format (head-to-head trick matching), video episodes, event series (such as SLVSH Cups) held at terrain parks and resorts, and a streetwear line including hoodies, hats and accessories. The apparel is often co-branded and available globally (e.g., via abstractmall storefronts). On the media-side, the brand uses filming and editing techniques suited to the park environment—tight follow-cams, rapid cuts, and multi-angle battles—to emphasise trick detail, reaction, and rhythm. The key “technology” is the format itself: no judges, just call a trick, the opponent lands (or doesn’t), someone gets a letter, first to spell SLVSH loses. This simplicity underpins the brand’s appeal.

Ride feel: who it’s for (terrains & use-cases)

SLVSH speaks directly to park, urban, and freestyle-oriented skiers who ride rails, boxes, jumps and street features and who value creativity, fun, and peer challenges. If you’re in the terrain park, enjoying jib setups, chasing friends on the rail line, or filming match-ups with your crew, SLVSH fits. The ride feel is loose, expressive and informal—less about maximal speed or big-mountain consequences, more about style, line choice, trick creativity and session banter. It’s ideal for skiers who view park laps as culture rather than contest rounds, and who like a format they can play with friends, record, and share.

Team presence, competitions, and reputation

SLVSH has cultivated credibility via its athlete-led foundation and the adoption of its format by parks and resorts worldwide. Games and match-ups featuring high-profile skiers such as Joss Christensen, as well as grassroots entries, have helped the brand stay relevant. Its video series on YouTube show head-to-head match-offs at terrain parks from North America to Europe (e.g., SLVSH Cup Grandvalira). The reputation is of a brand that keeps skiing fun, accessible and peer-to-peer oriented—contrasting with high-stakes judged contests. While it may not carry the prestige of an Olympic or World Cup circuit, for the park scene it holds a meaningful place.

Geography and hubs (heritage, testing, venues)

SLVSH has roots in the modern park and freestyle community rather than a single geographic resort heritage. Its match-format videos and events have taken place at venues such as Penken Park (Austria) and the SLVSH Cup at Grandvalira (Andorra). The global reach includes U.S. park locations (such as Park City, Utah). Because the format is portable and doesn’t require infrastructure beyond a terrain park, the brand’s geography spans many popular freestyle hubs. It channels the spirit of open-session, game-driven skiing across continents.

Construction, durability, and sustainability

In the media and culture context, SLVSH’s durability is shown in its staying power—over a decade of match-games, videos, community visits and product drops. The game format remains relevant to emerging skiers and seasoned stylers alike. Sustainability-wise, the brand emphasises participation and simplicity. Because the barrier to entry is low (rent features, film a game), the format scales without large production overheads. On the apparel side, there is limited public data on material sustainability; the focus remains cultural rather than manufacturing. For the skier-viewer, the lasting value is the format and community more than a tangible gear asset.

How to choose within the lineup

If you’re a skier wanting to get involved: start by watching SLVSH videos to see how the format plays out in parks you know. Then arrange games with your crew—pick a feature, call tricks, record. Aim to replicate the style and pace you’ve seen so that your own edits look crisp and fun. If you’re a park or resort looking to partner: host an official SLVSH Cup or branded match session, film for social, invite riders of varying levels. For apparel: drop a hoodie or shirt from the SLVSH line if you’re into ski-street style and want a brand that signals park credibility.

Why riders care

Because skiing should be fun, peer-driven and expressive. SLVSH removes the intimidation of judged contests and replaces it with a format nearly any skier can join. It brings friends, features and filming together in a way that emphasises trick creativity, risk-taking and fun—whether you’re a 270 board-slide novice or a back-flip rail veteran. Its brand cues—bold graphics, playful identity, video match-ups—resonate with skiers who spend equal time filming, lapping features and pushing style. For the park crew, the hill is the playground and SLVSH gives you the rules, the format and the vibe.

GAME 2 || Valentin Morel vs. Sebastian Schjerve || SLVSH CUP GRANDVALIRA '25

Athletes

Locations

Sponsors

Competition

Sebastian Schjerve

Valentin Morel

Sunset Park Henrik Harlaut by night

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