GAME 11 || Alec Henderson vs. Ryan Stevenson || SLVSH CUP GRANDVALIRA '26

12:34 min • 23/03/2026

From Youtube :

Grandvalira Sunset Park Peretol and Monster Energy are proud to present Slvsh Cup Grandvalira 2026! GAME 11 and the 3rd match of the Quarterfinals between Alec Henderson and Ryan Stevenson. Follow us on instagram and check the hashtag #SlvshCupGrandvalira for release dates and game info. https://www.instagram.com/theslvsh/ Make sure to follow Alec & Ryan https://www.instagram.com/alechendersonn/ https://www.instagram.com/ryan33stevenson/ Check out Grandvalira and Sunset Park: https://www.instagram.com/grandvalira/ https://www.instagram.com/sunsetparkperetol/ Unleash your beast: https://www.instagram.com/monsterenergy/ Beats by : @msn.wav. https://www.instagram.com/msn.wav/ Make sure to check him out!

Battle

Alec Henderson

Profile and significance

Alec Henderson is a Canadian freeski athlete specializing in slopestyle and big air, born in Penticton, British Columbia. He entered the national scene as part of the NextGen program in 2022 and is still early-career but showing strong upward trajectory. He is sponsored by Line Skis and featured in media projects and park/rail formats—signifying that his relevance stands not only in competition results but also in content and ski culture. According to his Freestyle Canada athlete bio he began skiing at age 2 and shifted focus to park and pipe around age 12, choosing this discipline over moguls.

Competitive arc and key venues

Henderson’s recent competitive data shows he won the NorAm Slopestyle event at Aspen Mountain in the 2024-25 season, placed 3rd at Mammoth Mountain (NorAm Slopestyle) and 4th at Copper Mountain. He also made his first full World Cup slopestyle and big air starts: 17th at Laax, 19th at Tignes, and 28th at Silvaplana for slopestyle during the 2023-24 season. Key training and park venues for him include his home region in British Columbia for early development and major North American park venues like Mammoth, Aspen and Copper for high-level starts. These venues reward amplitude, execution and contest composure—areas Henderson is actively developing.

How they ski: what to watch for

Henderson’s skiing suggests a park/rail-heavy background with smooth transition into jump tech. From his bio, he joined a freestyle club at age 9 and shifted into park/pipe by age 12 after initially doing moguls. On jumps, his runs show he’s developing depth: strong take-offs, mid-air stability and clean landings—but as with many young athletes moving into elite load he still appears in the mid-teens of results. What to watch: his switch landings, how he maintains grab integrity under higher rotation and how he links varied features in slopestyle runs (rails, jumps, transitions). On contests you’ll see whether he can convert a strong NorAm cadence into consistent top-10s in World Cups.

Resilience, filming, and influence

Although Henderson hasn’t yet stood on major global podiums, his profile is bolstered by media presence and selective events. He is part of the Canadian NextGen program and appears in features/edits (his Line Skis “Summer Vacation | Alec Henderson | Mt. Hood” edit is one example). His influence for progressing skiers lies in the model of combining competition progression (NorAm → World Cup) with media output, style-driven skiing and brand alignment, which is increasingly how modern freeski careers are built. The fact he chose park/pipe over moguls early underscores intentionality in his career path.

Geography that built the toolkit

Henderson’s background in Penticton, BC gave him access to local club skating terrain and freestyle starts, then his participation in the Apex Freestyle Ski Club built early fundamentals. As he transitioned to higher levels, he traveled for heavy park venues in North America: Aspen (USA), Mammoth (USA) and Copper Mountain (USA). These venues provide different snow conditions, park setups and competitive pressure compared to his domestic development terrain. That mix builds adaptability: amplitude in high mountains, precision in large park builds, and composure under contest lights.

Equipment and partners: practical takeaways

Henderson rides with Line Skis, which is a brand known for strong twin-tip park and all-mountain models suited for switch landings, grab-driven tricks and rail transitions. For progressing skiers following his path, lessons include: use a twin-tip ski with a flex profile compatible with park and slopestyle (not only big air); mount near center or slightly back if you do rails and switch landings; train both ways spins early (switch + natural) to match modern judging criteria; and build content / exposure alongside competition since that increases visibility and sponsor appeal.

Why fans and progressing skiers care

Henderson matters because he represents the upcoming tier of freeskiers who are crossing the threshold from junior development into elite competition, while integrating style and media presence. For fans, he offers fresh runs with visible improvement, and for progressing skiers his trajectory is tangible: local club → NorAm podiums → World Cup starts. His clear choice of park/pipe over moguls also models specialization and intentional development. As he continues to evolve, he could become a consistent top-10 athlete and a meaningful voice in the sport.

Ryan Stevenson

Profile and significance

Ryan Stevenson is an American freeski park, rail and jump athlete from New Jersey noted for his stylised approach, mix of park and urban shooting, and presence in ski-media culture. According to his athlete biography with FIS he has competed in World Cup events in slopestyle and big air since 2018, though he has not yet secured major international wins. His significance lies more in his video output, rail creativity, crew presence and contribution to ski sub-culture than in podium records.

Competitive arc and key venues

Stevenson’s competition record shows entries at World Cup slopestyle events such as Europe’s Stubai in 2021 (30th place) and at big air events like Copper Mountain in December 2022 (22nd). Earlier, at the 2018 Junior World Championships for slopestyle he placed 6th. On the park/rail side, his media engagements include participation in games of SLVSH during Jiberish Week at Woodward Copper in 2024. His venues therefore split between formal contest sites (Europe, North America) and filming/park locations such as Woodward Copper (USA).

How they ski: what to watch for

Stevenson’s skiing emphasizes flow, rail creativity, switch hits and park jumps with a camera-aware style. As described by his team profile (“Lil Ryan”), he moved into switch 540s, 720s and down-rail tricks as part of his park arsenal. You should watch for his smooth transitions between features, strong switch proficiency, and his ability to carry speed through park lines with clarity rather than using maximum amplitude. On jumps he may not yet lead global fields, but his trick aesthetic and filming presence compensate for margin of execution.

Resilience, filming, and influence

Stevenson’s impact is more cultural than leaderboard-driven. He has embraced both contest ski and street/park edits, making him relevant for skiers interested in media presence as much as competition. His inclusion in creative formats like SLVSH expands his profile beyond standard runs. That balance—between contest ambition and creative output—makes him a figure for progressing skiers who wish to build a presence through terrain and video as much as medals.

Geography that built the toolkit

Originating in Washington Township, New Jersey, Stevenson’s early terrain likely included East-Coast parks and rope-tows, which tend to foster creativity and repetition rather than high altitude amplitude. He later moved to Colorado for training (according to sources), giving him access to more varied park and jump infrastructure. That geographical progression—from modest features to larger parks—fits his profile of development through repetition, switch work and mixed terrain rather than purely altitude-driven expansion.

Equipment and partners: practical takeaways

Stevenson is supported by the brand Jiberish and is referenced on their team page. For progressing skiers following his path: focus on gear that supports park and rail work (durable edges, twin-tip flexibility, mount near centre for switch landings), dedicate sessions to front-and-back switch work, rail transitions and filming your runs (since visuals amplify profile). Also, use a mix of local repeat features and larger park terrain to build muscle memory before transitioning to contest-scale infrastructure.

Why fans and progressing skiers care

Ryan Stevenson matters because he speaks to the section of freeskiing that blends park technicality, street/rail creativity and media output. For fans, his edits and park runs are visually engaging and highlight progression over perfection. For progressing skiers, his story offers a path: you don’t need podiums to matter; you need consistency, creativity, content, and a personal style. That message resonates strongly in today’s ski culture, where exposure and terrain diversity rule as much as titles.

Sunset Park Henrik Harlaut

Overview and significance

Sunset Park Henrik Harlaut is Grandvalira’s floodlit night snowpark in the Peretol area of Grau Roig, Andorra—a purpose-built, progression-friendly venue named in collaboration with one of freeskiing’s most influential riders. It’s designed for repetition after dark: dependable lighting, compact laps, and a rotating mix of jibs and jumps that stay consistent when evening temperatures lock in the speed. Within the Pyrenees, it’s a standout because you can finish a full day elsewhere on the mountain and still stack productive park attempts under lights. For the resort-wide context, start with Grandvalira’s snowparks hub and the destination overview on Visit Andorra. Inside our own ecosystem, see skipowd.tv/location/andorra/ and the daytime counterpart at skipowd.tv/location/sunrise-park-xavi/ for planning a two-park routine.

What makes Sunset Park special is the cadence. Cold night air stabilizes lips and in-runs, the floodlights keep sightlines clean, and the footprint is compact enough to turn “one more lap” into twenty. Crews can film clips with a consistent look and feel, run coaching drills without crossing half a mountain, and wrap a day of freeride or slopestyle elsewhere with high-quality repetitions in Peretol.

Terrain, snow, and seasons

The park sits alongside the Peretol pistes in the Grau Roig sector at mid-to-high resort elevation by Pyrenees standards. Typical Andorran winters mix Atlantic and Mediterranean weather, bringing quick refreshes and frequent freeze–thaw swings. Nights are the equalizer. As temperatures drop, groomed lanes and salted takeoffs hold a predictable sheen, and the snow stays fast and shapeable—ideal for timing pop and landing stance. When high pressure takes over, you’ll get classic, firm corduroy on the approach early in the session, softening gradually as the evening wears on.

Operational windows vary by season, but the pattern is consistent: afternoon into night sessions on a posted schedule, with feature count scaling to the snowpack. Expect a more jib-forward vibe early winter when base depth is building, then fuller jump lines as coverage grows through mid-season. Always check the resort’s park status before heading over from another sector to make sure the lights are on and the set is live.

Park infrastructure and events

Sunset Park Henrik Harlaut is built around a clean progression ladder. You’ll typically find a small/medium line with boxes, rails, and rollers for first hits, plus medium tables, hips, and creative steel for advancing riders. The shaping philosophy is repetition first: tidy lips, long forgiving landings, and lines that let you take two or three features in sequence, then reset quickly. Rail gardens rotate regularly so there’s always a new puzzle to solve even if you’re lapping the same lane for an hour.

Event energy is grassroots and rider-led. Expect cash-for-tricks evenings, club meetups, and filming nights rather than stadium-scale contests—exactly the kind of sessions that help you progress without sacrificing flow for show. For bigger features or daytime slopestyle variety, pair a day at El Tarter’s flagship park with Sunset Park at night; for fundamentals, run a Sunrise Park Xavi morning in Grau Roig and return to Peretol after dinner to lock in muscle memory under the lights.

Access, logistics, and on-mountain flow

Base your evening in Grau Roig/Peretol for the shortest approach. If you’re already skiing elsewhere in Grandvalira, plan a mid-afternoon transit so you arrive as features open and lips have set. Driving from Andorra la Vella or Encamp is straightforward; parking and local shuttle details are posted on Grandvalira’s site. Because this is a night venue, think “arena” logistics: layer for static time between laps, bring a pocket scraper for quick speed fixes, and swap to a clear or low-light goggle lens before lights come on.

Flow is simple and efficient. Start with a two- or three-feature circuit in the smaller line to calibrate speed and wax, then move to the medium tables and more technical rails once the in-runs feel automatic. When you need a reset, take one groomer lap on the adjacent piste to re-center your timing, then drop back in. If you’re filming, bank the most technical tricks in the first hour under the lights—when surfaces are crisp—then pivot to creative lines and presses as the snow softens slightly later in the session.

Local culture, safety, and etiquette

Sunset Park is compact and popular, so Park SMART rules are non-negotiable. Inspect first; call your drop loudly enough to be heard; hold a predictable line; and clear landings and knuckles immediately. Give shapers room when ropes are up—they’re preserving speed for everyone. Expect a healthy mix of locals, visiting crews, and coached groups; be patient with teaching lanes and slot your laps so takeoffs don’t bunch up.

Nightlighting helps, but shadows and glare can still hide ruts. Take one speed-check hit on any feature you haven’t ridden under lights before, and detune rail contact points while keeping edges sharp enough for firm corduroy. Inside resort boundaries you’re far from avalanche terrain, yet closures and signage still matter—respect any temporary feature or lane closures when the crew is doing touch-ups or safety changes.

Best time to go and how to plan

Mid-winter is prime. Late January through early March usually delivers the coldest, most repeatable night surfaces and the fullest feature sets. Early season is ideal for building rail mileage on smaller sets; spring brings forgiving dusk laps that are perfect for learning new tricks at lower speeds before the lights click on. The winning routine is a two-park day: daytime slopestyle in El Tarter or progression at Sunrise Park Xavi, dinner and a quick tune, then a two-hour focused session at Sunset Park to lock in what you learned.

Check the Grandvalira snowparks page each afternoon for that night’s operating plan, confirm lift access in Grau Roig/Peretol, and pack for cold-soaked stops between laps. If your crew includes non-park skiers, point them to nearby groomers or timing-friendly meeting spots so you can reconvene easily without leaving the lights.

Why freeskiers care

Because Sunset Park Henrik Harlaut turns evening hours into high-value progression. You get reliable lighting, crisp night surfaces, and fast laps on a compact, well-shaped set—plus the freedom to combine it with Grandvalira’s daytime parks for a full, park-first itinerary. If your goal is to learn fast, film clean, and keep momentum when the sun goes down, this is the Pyrenees venue that makes it happen.

Brand overview and significance

Monster Energy is a global beverage brand that became a fixture in freeski culture by backing athletes, contests, and film projects across park, pipe, street, and big-mountain skiing. Launched in the early 2000s by the company now known as Monster Beverage Corporation, the “claw” logo migrated from motocross and skate into winter sports and quickly showed up on helmets, sled decks, and banners at major venues. In skiing, Monster’s value is less about hardware and more about platform: funding rider-driven media, supporting athlete travel, and amplifying edits so lines and tricks reach audiences far beyond a single premiere. For Skipowd readers, our curated hub for Monster Energy pulls those stories together in one place.

At competition level, Monster’s presence is visible on the world’s most-watched stages. The brand is a named partner at X Games events, including Aspen’s winter edition, with title integrations on Big Air and SuperPipe segments that keep freeskiing front-and-center for a mainstream audience. Combined with a deep roster of athletes and a grassroots pipeline, Monster has helped bankroll a generation of clips and projects that shaped modern freeski style.

Product lines and key technologies

Monster’s “products” for skiers are twofold: beverages and media infrastructure. On the beverage side, the lineup spans the classic Monster Energy range, sugar-free options like Ultra, coffee blends under Java, and hydration-oriented Rehab—formats riders choose for long travel days, dawn call times, or late-night rail sessions. On the media side, the brand runs dedicated snow news and athlete pages, plus the Monster Army development program (Monster Army) that gives emerging skiers a route to small stipends, exposure, and eventual pro support.

The real “tech” is distribution and continuity. Monster’s content operation turns contest weeks and filming windows into year-round storytelling: pre-event previews, daily recaps, and athlete features that keep freeskiers in the broader sports conversation. That consistency has helped edits from core hubs break out of niche channels and reach new viewers who might never attend a premiere or follow a film tour.

Ride feel: who it’s for (terrains & use-cases)

Translate “ride feel” to culture: Monster shows up wherever skiers want volume and visibility. Park and slopestyle crews benefit from athlete travel and media support that keep jump lines and rail gardens in view all winter. Big-mountain and backcountry riders leverage the same amplifiers for spine shoots, wind-lip sessions, and sled-accessed zones. For grassroots skiers, Monster Army functions as an on-ramp—local edits and regional podiums can become invitations, product flow, and small travel budgets that make the next step possible.

Practically, skiers tap Monster’s platforms around the cadence of a season: early-preseason park laps, mid-winter contest blocks, spring build weeks, and Southern Hemisphere or glacier sessions. The through-line is repetition and reach—support that helps riders stack attempts, refine style, and put the best version of a trick or line in front of the world.

Team presence, competitions, and reputation

Monster’s freeski roster blends icons, contest winners, and film specialists—most visibly at X Games, where the brand’s partnership and athlete presence span SuperPipe, Slopestyle, Big Air, and newer formats like Knuckle Huck. Recent seasons in Aspen saw Monster-backed skiers and snowboarders rack up headline results across the program, validated by the brand’s own event recaps and athlete features. Beyond podiums, Monster’s support of style leaders and legacy projects—think multi-year film arcs with Scandinavian and Québec crews, or rider-led street projects—gives skiers room to pursue the parts that influence technique and aesthetics for years.

The pipeline matters as much as the top end. Monster Army highlights junior and up-and-coming riders, publishes results, and showcases standout edits, creating a credible path from local scenes to international rosters. That continuity—grassroots to global—underpins the brand’s reputation inside the sport.

Geography and hubs (heritage, testing, venues)

On-snow, Monster’s winter footprint tracks freeski infrastructure. In North America, Aspen hosts X Games on Buttermilk’s courses under the Aspen Snowmass umbrella (Buttermilk), stacking high-mileage training and broadcast-grade venues in one valley. West Coast film crews cycle through Mammoth Mountain and coastal British Columbia, while the Alps and Scandinavia add spring and late-season looks that show up in team edits. In Québec, hometown hills and night parks feed the scene; you’ll even see Monster projects roll through compact venues like Vallée du Parc when storylines call for local roots.

Between tours, Monster uses city-based touchpoints and festivals to premiere or promote projects, then folds those stories back into athlete pages and season recaps so they remain discoverable long after a live event.

Construction, durability, and sustainability

For a beverage brand embedded in outdoor sport, responsibility shows up in packaging and operations. Monster’s corporate reporting outlines steps such as recyclable aluminum as the primary package, efficiency improvements in manufacturing, and sustainability targets published in annual updates (Sustainability Reports). On the events side, large activations coordinate with venue partners to manage sampling, waste, and energy use—pragmatic measures that matter at scale when contests and festivals bring thousands of fans to alpine towns.

From an athlete’s viewpoint, durability is cultural: consistent budgets, long-term relationships, and support for serviceable projects (from street trips to heli windows) keep skiers productive through full seasons, not just headline weeks.

How to choose within the lineup

If you’re picking a Monster can for ski days, think context. Sugar-free Ultra variants suit riders who want flavor without added sugar; classic Monster Energy is a familiar choice for long travel days or early starts; coffee blends (Java) make sense for base-area mornings. Hydration-forward options (Rehab) are useful for spring sessions when temps rise. As with any caffeinated drink, match intake to your tolerance and hydrate—especially at altitude and during high-output days.

If you’re an aspiring rider looking for support, study Monster’s athlete pages and the Monster Army program: publish clean edits, compete regionally, and keep results and clips organized so you can be found. For coaches and filmers, align output with the season’s storytelling windows—contest weeks, park build cycles, and spring features—so your work lands when the audience is paying most attention.

Why riders care

Skis and boots define how you turn; brands like Monster help define whether the wider world sees what you did. By underwriting athletes, events, and films—particularly around anchor venues like Aspen—the company has amplified freeski progression from rope-tow nights to global broadcast. Add a visible presence at X Games, a credible grassroots pipeline in Monster Army, and year-round content that keeps freeskiing in front of non-core audiences, and you get a sponsor that materially supports the sport’s culture—not just with logos, but with the resources that let skiers stack laps, film lines, and share them widely.

GAME 11 || Alec Henderson vs. Ryan Stevenson || SLVSH CUP GRANDVALIRA '26

Athletes

Locations

Sponsors

Competition

Alec Henderson

Ryan Stevenson

Sunset Park Henrik Harlaut

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