GAME 1 || Taylor Lundquist vs. Anri Kawamura || SLVSH CUP GRANDVALIRA '25

12:06 min • 26/03/2025

Grandvalira Sunset Park Peretol and Monster Energy are proud to present Slvsh Cup Grandvalira 2025! GAME 1 and the start of the first ever Ladies SLVSH CUP between Taylor Lundquist and Anri Kawamura! Follow us on instagram and check the hashtag #SlvshCupGrandvalira for release dates and game info. https://www.instagram.com/theslvsh/ Follow Taylor and Anri https://www.instagram.com/taylahhbrooke/ https://www.instagram.com/anrikawamura/ Check out Grandvalira and Sunset Park: https://www.instagram.com/grandvalira/ https://www.instagram.com/sunsetparkperetol/ Unleash your beast: https://www.instagram.com/monsterenergy/ SLVSH MERCH : https://www.abstractmall.com/collections/slvsh Beats by : @msn.wav. https://www.instagram.com/msn.wav/ Make sure to check him out!

Battle

Anders Fornelius

Profile and significance

Anders Fornelius is a park and street-focused freeski rider whose name pops up wherever creative rail work and crew-driven filming thrive. Rather than chasing ranking points, he earned a following through independent edits, a head-to-head appearance on the SLVSH format, and segments that highlight line design over contest scaffolding. Viewers first discovered him in raw, rail-heavy street edits and in the summer rhythm of Mount Hood laps, then again in the rider-packed ensemble film “Zootspace,” a touchstone for the modern street scene. The through-line is consistency: clean approach angles, efficient speed management, and trick choices that read clearly without slow motion. For fans looking beyond podiums, Fornelius represents a film-first skier whose clips reward repeat viewings.

Competitive arc and key venues

Fornelius has appeared where style-centric skiing lives. A public-facing milestone came in the SLVSH ecosystem with a friendly game filmed at Brighton Resort in Utah, a hill famous for creative park lines and quick-lap culture that exposes any inefficiency in a skier’s approach. In the Pacific Northwest, he turns up in summertime park sessions on Mount Hood, particularly at Timberline Lodge and Mount Hood Meadows, whose parks are a factory for repetition—and for the kind of clip-driven progression that fuels street projects each winter. While he hasn’t built a résumé on FIS calendars, his presence in these venues—paired with recurring roles in rider-led films—cements him as a recognizable name in the filming-first lane of freeskiing.

How they ski: what to watch for

Fornelius skis with a deliberately economical style. On rails, he favors early edge commitment and centered balance that allow quick lock-ins, surface swaps, and tidy exits without killing speed. That economy keeps his lines intact when parks run fast or when the setup compresses time between features. On jumps, he opts for held grabs and landings that stay over the feet rather than forced heroics; when the terrain calls for it, he’s comfortable adding a touch of creativity—think body-position variations and off-axis touches that still resolve into clean outruns. The net effect is footage that looks smooth to casual viewers yet shows careful trick math to experienced eyes.

Resilience, filming, and influence

The bulk of Fornelius’s footprint comes from filming blocks and crew trips. A street part credited from Salt Lake City years back showed he could translate park habits to the stiffness of winter concrete, and “Zootspace” reinforced that he can contribute inside a dense roster of street specialists. His name also threads through Mount Hood summer edits, a testing ground where riders iterate quickly and carry new ideas into winter. That cycle—park repetition, street execution, park refinement—has made him a useful reference for skiers who learn by watching line composition as much as isolated tricks. He’s not chasing season-long contest narratives; instead, he delivers segments that feel cohesive and age well on rewatch.

Geography that built the toolkit

Place explains a lot about his skiing. Timberline Lodge and Mount Hood Meadows provide long park seasons, consistent shaping, and the kind of run frequency that bakes timing into muscle memory. Those laps are visible in his speed control and the way he protects momentum between features. Brighton in Utah, via Brighton Resort, adds a different ingredient: short in-runs, quick compression zones, and creative lines that punish sloppy exits. Together, these venues produce the same hallmark you see in his edits—calm shoulders, early grabs, and exits with space for the next setup. When projects shift to urban settings, that foundation survives on steel and concrete.

Equipment and partners: practical takeaways

Across edits and appearances, Fornelius has been seen riding park-oriented skis from culture-first brands such as Vishnu Freeski and collaborating around Portland-built ON3P Skis. The gear lesson for progressing skiers mirrors what his clips show: pick a durable, symmetrical or near-symmetrical park ski with a mount point that supports presses without compromising takeoff stability; keep edges tuned but not grabby so surface swaps stay predictable; and prioritize goggles and outerwear that maintain vision and mobility through long park days. None of this replaces technique, but it supports the repeatability that defines his skiing.

Why fans and progressing skiers care

Fornelius matters because he embodies a pathway many viewers actually follow: learn to read a park like a line, not a checklist; carry that rhythm to street features when the snow stacks up in the city; then return to summer parks to refine the craft. His segments offer a clear lens for what makes modern freeskiing satisfying to watch—good speed, honest grabs, smart rail decisions—without needing scoreboards to validate it. If you track freeski for filming and style, his clips are reliable viewing; if you’re building your own park game, study the way he creates space between tricks and protects line speed from the first feature to the last.

Anri Kawamura

Profile and significance

Anri Kawamura is a Japanese freestyle moguls specialist who vaulted from junior champion to one of the fastest, most precise skiers on the FIS World Cup. A student of tempo and absorption, she pairs lightning fall-line speed with clean, axis-honest airs, which is why judges and fans cite her as a modern reference for how moguls should be skied. She captured the 2021 Junior World title, then erupted onto the senior tour with multiple victories and podiums across the 2021–22 and 2022–23 seasons, including headline wins at Canada’s Val Saint-Côme and the Alps. At the Olympic Winter Games Beijing 2022 she finished fifth, confirming that her form scales from World Cup courses to the sport’s biggest stage. Backed by Red Bull and visible in brand content and broadcasts, Kawamura has become a go-to example for viewers who want to understand why great moguls runs feel both fast and effortless.

Competitive arc and key venues

Kawamura’s arc is a rapid climb through verifiable milestones. After winning the 2021 Junior Worlds in Krasnoyarsk, she stepped into the 2021–22 World Cup and immediately stacked results: victory at Idre Fjäll in Sweden, another win at Tremblant in Canada, and a statement triumph at Deer Valley in Utah—the tour’s most scrutinized venue. She arrived at Beijing 2022 leading the season standings and finished fifth in the Olympic final, a signature of consistency under pressure. The following winter she proved staying power with a December dual-moguls win at Alpe d’Huez and then a rare weekend double at Val Saint-Côme in Quebec, plus further podiums at early-season stops like Ruka. Across these venues she demonstrated range: firm, early-season ice at Ruka; chalky, televised cauldrons at Deer Valley; and technical Canadian layouts that reward immaculate timing. More recently she has continued to appear at the sharp end of heats, a fixture in super finals and duals where small decisions separate medals from the rest.

How they ski: what to watch for

Kawamura skis with a “quiet approach, decisive exit” philosophy that coaches love to slow-mo. Look first at absorption and extension: her knees track straight over the zipper line, with upper body quiet and hands level so turns never look busy. She builds a firm platform before each air, then pops cleanly into axis-true rotations—most often a precise backflip or tidy 360—using grab connection to stabilize the shape rather than decorate it. Landings are driven to the fall line with immediate re-centering, so she accelerates out instead of bleeding speed. Through the middle section she keeps a consistent turn cadence and trims line only with micro edge sets, not skids, which is why her run times stay competitive even when trick difficulty rises. For viewers learning to evaluate moguls runs, three checkpoints stand out in her clips: stable head and shoulders, matched pole plants that cue timing rather than steering, and a release at the end of each turn that happens under her rather than behind her.

Resilience, filming, and influence

Big-stage pressure arrived early and she handled it with poise. After racing to the top of the standings during her breakout season, she carried that form into the Olympic finals—a psychological test many talents fail on their first try—and then returned to the tour to win again on different courses and snowpacks. Her weekend sweep at Val Saint-Côme is often cited by commentators because it required two high-quality runs on back-to-back days in winter cold, with minimal room for error. Off-hill, she has leaned into athlete storytelling with Red Bull features and federation media that unpack training blocks, air-bag sessions, and dryland prep. The influence is tangible in Japan’s deep pipeline and among international juniors: her skiing is both aspirational and readable, a template athletes and coaches can copy frame-by-frame.

Geography that built the toolkit

Although her World Cup map spans Scandinavia, North America, and the Alps, two clusters shaped her habits. Japan’s domestic circuit—including classic stops around Fukushima Prefecture such as Inawashiro—delivers variable winter surfaces and steep pitches that sharpen speed control and stance integrity. On the tour, early laps at Idre Fjäll and Ruka provided hard, high-frequency training on firm moguls, where any upper-body noise shows immediately. North American weeks at Tremblant, Val Saint-Côme, and Deer Valley added televised pressure and the kind of crisp air takeoffs that reward exact timing. In the Alps, venues like Alpe d’Huez introduce altitude, glare, and shadow changes that punish sloppy absorption. The throughline is transferability: the same quiet approach and centered pop, tuned to whatever the day’s surface and light offer.

Equipment and partners: practical takeaways

Kawamura’s kit is built for precision and visibility, not flash. As a Red Bull athlete she balances travel and media with a race-style routine on snow. Her goggles and vision come via Oakley, and she is frequently associated with Armada Skis in brand materials—a pairing that highlights predictable flex and edge hold over graphic churn. For skiers looking to translate this into their own setup, the practical lessons are simple. Choose a moguls-appropriate ski or narrow, torsionally strong platform you can drive from the ankles; keep edges sharp from tip contact through underfoot for firm in-runs; and detune minimally at the very tip and tail so they stay forgiving without chattering. Boots should be snug with a progressive flex you can live in all day, and bindings should emphasize consistent retention with correct forward pressure. Finally, treat maintenance as a performance skill—fresh, temperature-appropriate wax for cold venues like Ruka, micro edge touch-ups after training days, and stance checks so ankles, not shoulders, initiate movement.

Why fans and progressing skiers care

Kawamura matters because her runs are both blazing fast and easy to read. She shows how modern moguls reward a calm top half, early platform building into the jumps, and landings driven straight back to the fall line so momentum survives the air. For fans, that makes her heats replay-friendly; for developing athletes, it offers a blueprint you can practice on any public course. If you’re stepping from resort bump lines into structured moguls training, borrow her habits: set a deliberate speed floor, keep approaches quiet, connect the grab early to stabilize the trick, and re-center the instant you land. Her career to date—Junior World crown, World Cup wins at Deer Valley, Val Saint-Côme, and Alpe d’Huez, and an Olympic final at Beijing 2022—shows that this approach scales from training lanes to the sport’s brightest lights. In a freeski landscape often dominated by slopestyle and big air highlight reels, Anri Kawamura reminds viewers that classic moguls—done with modern precision—remain one of skiing’s purest speed-and-style tests.

Sunset Park Henrik Harlaut by night

Overview and significance

Sunset Park Henrik Harlaut is Grandvalira’s floodlit night snowpark in the Peretol area of Grau Roig, Andorra—a purpose-built, progression-friendly venue named in collaboration with one of freeskiing’s most influential riders. It’s designed for repetition after dark: dependable lighting, compact laps, and a rotating mix of jibs and jumps that stay consistent when evening temperatures lock in the speed. Within the Pyrenees, it’s a standout because you can finish a full day elsewhere on the mountain and still stack productive park attempts under lights. For the resort-wide context, start with Grandvalira’s snowparks hub and the destination overview on Visit Andorra. Inside our own ecosystem, see skipowd.tv/location/andorra/ and the daytime counterpart at skipowd.tv/location/sunrise-park-xavi/ for planning a two-park routine.

What makes Sunset Park special is the cadence. Cold night air stabilizes lips and in-runs, the floodlights keep sightlines clean, and the footprint is compact enough to turn “one more lap” into twenty. Crews can film clips with a consistent look and feel, run coaching drills without crossing half a mountain, and wrap a day of freeride or slopestyle elsewhere with high-quality repetitions in Peretol.

Terrain, snow, and seasons

The park sits alongside the Peretol pistes in the Grau Roig sector at mid-to-high resort elevation by Pyrenees standards. Typical Andorran winters mix Atlantic and Mediterranean weather, bringing quick refreshes and frequent freeze–thaw swings. Nights are the equalizer. As temperatures drop, groomed lanes and salted takeoffs hold a predictable sheen, and the snow stays fast and shapeable—ideal for timing pop and landing stance. When high pressure takes over, you’ll get classic, firm corduroy on the approach early in the session, softening gradually as the evening wears on.

Operational windows vary by season, but the pattern is consistent: afternoon into night sessions on a posted schedule, with feature count scaling to the snowpack. Expect a more jib-forward vibe early winter when base depth is building, then fuller jump lines as coverage grows through mid-season. Always check the resort’s park status before heading over from another sector to make sure the lights are on and the set is live.

Park infrastructure and events

Sunset Park Henrik Harlaut is built around a clean progression ladder. You’ll typically find a small/medium line with boxes, rails, and rollers for first hits, plus medium tables, hips, and creative steel for advancing riders. The shaping philosophy is repetition first: tidy lips, long forgiving landings, and lines that let you take two or three features in sequence, then reset quickly. Rail gardens rotate regularly so there’s always a new puzzle to solve even if you’re lapping the same lane for an hour.

Event energy is grassroots and rider-led. Expect cash-for-tricks evenings, club meetups, and filming nights rather than stadium-scale contests—exactly the kind of sessions that help you progress without sacrificing flow for show. For bigger features or daytime slopestyle variety, pair a day at El Tarter’s flagship park with Sunset Park at night; for fundamentals, run a Sunrise Park Xavi morning in Grau Roig and return to Peretol after dinner to lock in muscle memory under the lights.

Access, logistics, and on-mountain flow

Base your evening in Grau Roig/Peretol for the shortest approach. If you’re already skiing elsewhere in Grandvalira, plan a mid-afternoon transit so you arrive as features open and lips have set. Driving from Andorra la Vella or Encamp is straightforward; parking and local shuttle details are posted on Grandvalira’s site. Because this is a night venue, think “arena” logistics: layer for static time between laps, bring a pocket scraper for quick speed fixes, and swap to a clear or low-light goggle lens before lights come on.

Flow is simple and efficient. Start with a two- or three-feature circuit in the smaller line to calibrate speed and wax, then move to the medium tables and more technical rails once the in-runs feel automatic. When you need a reset, take one groomer lap on the adjacent piste to re-center your timing, then drop back in. If you’re filming, bank the most technical tricks in the first hour under the lights—when surfaces are crisp—then pivot to creative lines and presses as the snow softens slightly later in the session.

Local culture, safety, and etiquette

Sunset Park is compact and popular, so Park SMART rules are non-negotiable. Inspect first; call your drop loudly enough to be heard; hold a predictable line; and clear landings and knuckles immediately. Give shapers room when ropes are up—they’re preserving speed for everyone. Expect a healthy mix of locals, visiting crews, and coached groups; be patient with teaching lanes and slot your laps so takeoffs don’t bunch up.

Nightlighting helps, but shadows and glare can still hide ruts. Take one speed-check hit on any feature you haven’t ridden under lights before, and detune rail contact points while keeping edges sharp enough for firm corduroy. Inside resort boundaries you’re far from avalanche terrain, yet closures and signage still matter—respect any temporary feature or lane closures when the crew is doing touch-ups or safety changes.

Best time to go and how to plan

Mid-winter is prime. Late January through early March usually delivers the coldest, most repeatable night surfaces and the fullest feature sets. Early season is ideal for building rail mileage on smaller sets; spring brings forgiving dusk laps that are perfect for learning new tricks at lower speeds before the lights click on. The winning routine is a two-park day: daytime slopestyle in El Tarter or progression at Sunrise Park Xavi, dinner and a quick tune, then a two-hour focused session at Sunset Park to lock in what you learned.

Check the Grandvalira snowparks page each afternoon for that night’s operating plan, confirm lift access in Grau Roig/Peretol, and pack for cold-soaked stops between laps. If your crew includes non-park skiers, point them to nearby groomers or timing-friendly meeting spots so you can reconvene easily without leaving the lights.

Why freeskiers care

Because Sunset Park Henrik Harlaut turns evening hours into high-value progression. You get reliable lighting, crisp night surfaces, and fast laps on a compact, well-shaped set—plus the freedom to combine it with Grandvalira’s daytime parks for a full, park-first itinerary. If your goal is to learn fast, film clean, and keep momentum when the sun goes down, this is the Pyrenees venue that makes it happen.

Brand overview and significance

Monster Energy is a global beverage brand that became a fixture in freeski culture by backing athletes, contests, and film projects across park, pipe, street, and big-mountain skiing. Launched in the early 2000s by the company now known as Monster Beverage Corporation, the “claw” logo migrated from motocross and skate into winter sports and quickly showed up on helmets, sled decks, and banners at major venues. In skiing, Monster’s value is less about hardware and more about platform: funding rider-driven media, supporting athlete travel, and amplifying edits so lines and tricks reach audiences far beyond a single premiere. For Skipowd readers, our curated hub for Monster Energy pulls those stories together in one place.

At competition level, Monster’s presence is visible on the world’s most-watched stages. The brand is a named partner at X Games events, including Aspen’s winter edition, with title integrations on Big Air and SuperPipe segments that keep freeskiing front-and-center for a mainstream audience. Combined with a deep roster of athletes and a grassroots pipeline, Monster has helped bankroll a generation of clips and projects that shaped modern freeski style.

Product lines and key technologies

Monster’s “products” for skiers are twofold: beverages and media infrastructure. On the beverage side, the lineup spans the classic Monster Energy range, sugar-free options like Ultra, coffee blends under Java, and hydration-oriented Rehab—formats riders choose for long travel days, dawn call times, or late-night rail sessions. On the media side, the brand runs dedicated snow news and athlete pages, plus the Monster Army development program (Monster Army) that gives emerging skiers a route to small stipends, exposure, and eventual pro support.

The real “tech” is distribution and continuity. Monster’s content operation turns contest weeks and filming windows into year-round storytelling: pre-event previews, daily recaps, and athlete features that keep freeskiers in the broader sports conversation. That consistency has helped edits from core hubs break out of niche channels and reach new viewers who might never attend a premiere or follow a film tour.

Ride feel: who it’s for (terrains & use-cases)

Translate “ride feel” to culture: Monster shows up wherever skiers want volume and visibility. Park and slopestyle crews benefit from athlete travel and media support that keep jump lines and rail gardens in view all winter. Big-mountain and backcountry riders leverage the same amplifiers for spine shoots, wind-lip sessions, and sled-accessed zones. For grassroots skiers, Monster Army functions as an on-ramp—local edits and regional podiums can become invitations, product flow, and small travel budgets that make the next step possible.

Practically, skiers tap Monster’s platforms around the cadence of a season: early-preseason park laps, mid-winter contest blocks, spring build weeks, and Southern Hemisphere or glacier sessions. The through-line is repetition and reach—support that helps riders stack attempts, refine style, and put the best version of a trick or line in front of the world.

Team presence, competitions, and reputation

Monster’s freeski roster blends icons, contest winners, and film specialists—most visibly at X Games, where the brand’s partnership and athlete presence span SuperPipe, Slopestyle, Big Air, and newer formats like Knuckle Huck. Recent seasons in Aspen saw Monster-backed skiers and snowboarders rack up headline results across the program, validated by the brand’s own event recaps and athlete features. Beyond podiums, Monster’s support of style leaders and legacy projects—think multi-year film arcs with Scandinavian and Québec crews, or rider-led street projects—gives skiers room to pursue the parts that influence technique and aesthetics for years.

The pipeline matters as much as the top end. Monster Army highlights junior and up-and-coming riders, publishes results, and showcases standout edits, creating a credible path from local scenes to international rosters. That continuity—grassroots to global—underpins the brand’s reputation inside the sport.

Geography and hubs (heritage, testing, venues)

On-snow, Monster’s winter footprint tracks freeski infrastructure. In North America, Aspen hosts X Games on Buttermilk’s courses under the Aspen Snowmass umbrella (Buttermilk), stacking high-mileage training and broadcast-grade venues in one valley. West Coast film crews cycle through Mammoth Mountain and coastal British Columbia, while the Alps and Scandinavia add spring and late-season looks that show up in team edits. In Québec, hometown hills and night parks feed the scene; you’ll even see Monster projects roll through compact venues like Vallée du Parc when storylines call for local roots.

Between tours, Monster uses city-based touchpoints and festivals to premiere or promote projects, then folds those stories back into athlete pages and season recaps so they remain discoverable long after a live event.

Construction, durability, and sustainability

For a beverage brand embedded in outdoor sport, responsibility shows up in packaging and operations. Monster’s corporate reporting outlines steps such as recyclable aluminum as the primary package, efficiency improvements in manufacturing, and sustainability targets published in annual updates (Sustainability Reports). On the events side, large activations coordinate with venue partners to manage sampling, waste, and energy use—pragmatic measures that matter at scale when contests and festivals bring thousands of fans to alpine towns.

From an athlete’s viewpoint, durability is cultural: consistent budgets, long-term relationships, and support for serviceable projects (from street trips to heli windows) keep skiers productive through full seasons, not just headline weeks.

How to choose within the lineup

If you’re picking a Monster can for ski days, think context. Sugar-free Ultra variants suit riders who want flavor without added sugar; classic Monster Energy is a familiar choice for long travel days or early starts; coffee blends (Java) make sense for base-area mornings. Hydration-forward options (Rehab) are useful for spring sessions when temps rise. As with any caffeinated drink, match intake to your tolerance and hydrate—especially at altitude and during high-output days.

If you’re an aspiring rider looking for support, study Monster’s athlete pages and the Monster Army program: publish clean edits, compete regionally, and keep results and clips organized so you can be found. For coaches and filmers, align output with the season’s storytelling windows—contest weeks, park build cycles, and spring features—so your work lands when the audience is paying most attention.

Why riders care

Skis and boots define how you turn; brands like Monster help define whether the wider world sees what you did. By underwriting athletes, events, and films—particularly around anchor venues like Aspen—the company has amplified freeski progression from rope-tow nights to global broadcast. Add a visible presence at X Games, a credible grassroots pipeline in Monster Army, and year-round content that keeps freeskiing in front of non-core audiences, and you get a sponsor that materially supports the sport’s culture—not just with logos, but with the resources that let skiers stack laps, film lines, and share them widely.

Brand overview and significance

SLVSH (pronounced “slash”) is a ski-culture brand and media outlet founded around a simple but powerful idea: bring the playground game of “HORSE” into the park and freeski scene by matching tricks between rivals and letting the video tell the story. The brand was co-founded by notable freeskiers Matt Walker and Joss Christensen as a way to inject creative freedom and fun into a culture increasingly dominated by judged contests. SLVSH has grown into an internationally recognized format and community hub, with apparel, video series, and global event tie-ins. For skiers who care about park laps, jib battles, street features and rider-vs-rider formats, SLVSH offers a unique, peer-driven alternative to traditional competition.

Product lines and key technologies

SLVSH is not a ski manufacturer; its core “product” is content and community. Under the SLVSH banner you’ll find the game format (head-to-head trick matching), video episodes, event series (such as SLVSH Cups) held at terrain parks and resorts, and a streetwear line including hoodies, hats and accessories. The apparel is often co-branded and available globally (e.g., via abstractmall storefronts). On the media-side, the brand uses filming and editing techniques suited to the park environment—tight follow-cams, rapid cuts, and multi-angle battles—to emphasise trick detail, reaction, and rhythm. The key “technology” is the format itself: no judges, just call a trick, the opponent lands (or doesn’t), someone gets a letter, first to spell SLVSH loses. This simplicity underpins the brand’s appeal.

Ride feel: who it’s for (terrains & use-cases)

SLVSH speaks directly to park, urban, and freestyle-oriented skiers who ride rails, boxes, jumps and street features and who value creativity, fun, and peer challenges. If you’re in the terrain park, enjoying jib setups, chasing friends on the rail line, or filming match-ups with your crew, SLVSH fits. The ride feel is loose, expressive and informal—less about maximal speed or big-mountain consequences, more about style, line choice, trick creativity and session banter. It’s ideal for skiers who view park laps as culture rather than contest rounds, and who like a format they can play with friends, record, and share.

Team presence, competitions, and reputation

SLVSH has cultivated credibility via its athlete-led foundation and the adoption of its format by parks and resorts worldwide. Games and match-ups featuring high-profile skiers such as Joss Christensen, as well as grassroots entries, have helped the brand stay relevant. Its video series on YouTube show head-to-head match-offs at terrain parks from North America to Europe (e.g., SLVSH Cup Grandvalira). The reputation is of a brand that keeps skiing fun, accessible and peer-to-peer oriented—contrasting with high-stakes judged contests. While it may not carry the prestige of an Olympic or World Cup circuit, for the park scene it holds a meaningful place.

Geography and hubs (heritage, testing, venues)

SLVSH has roots in the modern park and freestyle community rather than a single geographic resort heritage. Its match-format videos and events have taken place at venues such as Penken Park (Austria) and the SLVSH Cup at Grandvalira (Andorra). The global reach includes U.S. park locations (such as Park City, Utah). Because the format is portable and doesn’t require infrastructure beyond a terrain park, the brand’s geography spans many popular freestyle hubs. It channels the spirit of open-session, game-driven skiing across continents.

Construction, durability, and sustainability

In the media and culture context, SLVSH’s durability is shown in its staying power—over a decade of match-games, videos, community visits and product drops. The game format remains relevant to emerging skiers and seasoned stylers alike. Sustainability-wise, the brand emphasises participation and simplicity. Because the barrier to entry is low (rent features, film a game), the format scales without large production overheads. On the apparel side, there is limited public data on material sustainability; the focus remains cultural rather than manufacturing. For the skier-viewer, the lasting value is the format and community more than a tangible gear asset.

How to choose within the lineup

If you’re a skier wanting to get involved: start by watching SLVSH videos to see how the format plays out in parks you know. Then arrange games with your crew—pick a feature, call tricks, record. Aim to replicate the style and pace you’ve seen so that your own edits look crisp and fun. If you’re a park or resort looking to partner: host an official SLVSH Cup or branded match session, film for social, invite riders of varying levels. For apparel: drop a hoodie or shirt from the SLVSH line if you’re into ski-street style and want a brand that signals park credibility.

Why riders care

Because skiing should be fun, peer-driven and expressive. SLVSH removes the intimidation of judged contests and replaces it with a format nearly any skier can join. It brings friends, features and filming together in a way that emphasises trick creativity, risk-taking and fun—whether you’re a 270 board-slide novice or a back-flip rail veteran. Its brand cues—bold graphics, playful identity, video match-ups—resonate with skiers who spend equal time filming, lapping features and pushing style. For the park crew, the hill is the playground and SLVSH gives you the rules, the format and the vibe.

GAME 1 || Taylor Lundquist vs. Anri Kawamura || SLVSH CUP GRANDVALIRA '25

Athletes

Locations

Sponsors

Competition

Anders Fornelius

Anri Kawamura

Sunset Park Henrik Harlaut by night

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