55 seconds of skiing

00:55 min • 05/02/2026

Max hagerman Filmed I edited with low effort

Park

Athletes

Aidan Mulvihill Max Hagerman

Locations

Whistler-Blackcomb

Aidan Mulvihill

Profile and significance

Aidan Mulvihill is a Canadian freeski slopestyle and big air specialist who has risen quickly from the Whistler scene onto the international circuit. Born in 2004 and raised around Vancouver before moving to Squamish, he learned to ski as a child at Grouse Mountain and then developed his park craft on the world-class terrain at Whistler Blackcomb. He joined Canada’s national freeski program and broke through in 2023–24 by winning multiple NorAm slopestyle events and the overall NorAm title, earning World Cup starts the following winter. In April 2025 he captured the Canadian National FIS slopestyle title at Whistler Blackcomb, a marker that he’s among the country’s next-up riders. For fans tracking emerging talent, Mulvihill represents the wave of well-rounded, park-bred athletes transitioning from regional dominance to consistent international appearances.

Competitive arc and key venues

Mulvihill’s competitive résumé shows steady, verifiable progress through each tier. After junior results in North America and early-season starts in New Zealand at Cardrona, he put together a strong 2023–24 North American Cup run with slopestyle wins at Aspen Snowmass and Stoneham, plus a big air podium in Stoneham. Those points secured his move onto the 2024–25 World Cup, where he gained experience on the major stages of European and North American freeskiing. Highlights from that rookie World Cup campaign include top-25 results in big air at Chur and Beijing, and a solid 21st at Kreischberg, one of the tour’s benchmark jump venues. He also logged valuable slopestyle reps in venues like LAAX, Tignes, and Aspen, learning to translate NorAm-winning consistency to deeper, more technical fields. Capping the season, Mulvihill won Canada’s national slopestyle title at Whistler Blackcomb with a clean, composed run—confirmation that his competitive ceiling is still climbing.

How they ski: what to watch for

Mulvihill’s skiing reflects a Whistler-forged toolkit: strong jump line management, dependable grabs, and the ability to land forward or switch with equal confidence. On rails, he favors precise, centered slides with solid exits that keep speed into the next feature—an essential trait for modern slopestyle where momentum preservation is everything. On jumps, his amplitude is efficient rather than flashy, allowing him to stay on axis, lock grabs, and ride out cleanly in firm or variable snow. Watch for his timing on takeoffs and his habit of setting spins early without over-rotating; that economy pays off late in runs when many athletes lose composure. As he accumulates laps on XL features—think the “Shaq Left” jump line at Whistler Blackcomb or the perfectly shaped booters at Aspen Snowmass—expect even more polish in trick variety and grab tweaks across directions.

Resilience, filming, and influence

While Mulvihill’s season focus has leaned toward contests, he’s also appeared in coaching-style and park-tour content that showcases his readability on camera and clarity in line choice. That kind of exposure matters for a modern freeski career, where athletes balance World Cup calendars with brand storytelling. His path—regional park kid to NorAm standout to national champion—resonates with young riders building step by step rather than chasing overnight virality. The through-line is resilience: taking lessons from mid-pack World Cup finishes, returning to domestic starts, and converting them into wins when it counts.

Geography that built the toolkit

Mulvihill’s home base provided ideal ingredients for a slopestyle/big air skier. Early turns at Grouse Mountain ingrained comfort in a city-adjacent hill where park laps and storm days build balance and edge feel. A move to Squamish put him within daily striking distance of Whistler Blackcomb, whose parks routinely host elite-level features. Off-snow, British Columbia’s dedicated freestyle facilities such as The Airhouse (Squamish) add reps on trampolines and air awareness tools that translate directly to confident in-run decisions. Internationally, venues like LAAX, Tignes, Stubai Glacier, Kreischberg, Aspen Snowmass, Mammoth Mountain, and Stoneham have broadened his course visualization and speed control across different snowpacks and course designs.

Equipment and partners: practical takeaways

Mulvihill rides with Line Skis, matching a brand steeped in freeski culture to his park-forward progression. For optics, he uses Trinsic Optics, whose lens and frame systems are geared toward clarity and quick changes on contest days when light can swing rapidly. His training environment includes The Airhouse for air-awareness work and dryland sessions, and he’s supported by Canada-based loyalty partner More Rewards, a relationship that underscores the practical reality of funding a World Cup schedule through travel-heavy seasons. For progressing skiers, the gear takeaway is simple: prioritize skis that feel intuitive on rails and stable on takeoff, pair them with goggles that keep vision consistent through flat light, and build year-round air sense in safe facilities before scaling to XL jumps.

Why fans and progressing skiers care

Mulvihill is a clear case study in how a modern Canadian park skier advances: dominate regional circuits, learn to win at NorAm level, collect World Cup reps without skipping steps, and then convert domestic finals into national titles. The style is rooted in fundamentals—clean grabs, centered landings, dependable rails—so viewers can track progression run to run without needing slow-mo breakdowns. If you follow slopestyle and big air to see who’s building toward future X-factor seasons, keep Mulvihill on the radar; his mix of consistent technique, adaptable speed, and expanding course experience suggests a rider still on the rise.

Max Hagerman

Profile and significance

Max Hagerman is a Canadian skier and filmmaker based in Whistler, British Columbia, known for his skiing edits and content creation on platforms such as YouTube. While he does not appear to have major competitive results in FIS World Cups or Olympic events, his value lies in the media side of skiing — documenting park, urban, side-country and lifestyle segments for the skiing community. His channel offers a visual and narrative window into what skiing looks like when the priority is style, creativity and terrain variation rather than purely competition.

Competitive arc and key venues

There is limited information available about Hagerman’s contest history; his presence appears strongest in the filming and content-creation world rather than in elite contest podiums. His primary “venues” are filming locations rather than formal competition sites: Whistler and other British Columbia parks, urban street features, and perhaps Spring sessions on glaciers or late-season terrain. While not anchored in the competition circuit, his work reaches audiences interested in the cinematic, exploratory side of skiing.

How they ski: what to watch for

Hagerman’s skiing style reflects the filming mindset: purposeful terrain choices, transitions between park and urban features, and an emphasis on edit-friendly moments. Watch for switch approaches, creative grabs, flow from one feature to another and how terrain is used beyond formal park jumps. Because his ski environment is varied — park, side-hits, street features — his runs emphasize readability and style rather than maximum rotation or contest scoring nuance.

Resilience, filming, and influence

Producing ski media year after year demands a strong work ethic, travel planning and a skillset beyond skiing alone (camera work, editing, story pacing). Hagerman appears to fulfil that role, contributing to the broader ski culture via media, which influences how the sport is perceived by recreational and aspiring skiers. For those looking to build a ski profile or brand, his model shows how content creation and skiing merge effectively.

Geography that built the toolkit

Based in British Columbia near Whistler — a region with world-class parks, side-country access and a strong filming community — Hagerman’s environment provides a rich playground for skiing and video production. The availability of terrain variety (park jumps, urban streets, side-country hits) allows for versatile filming that connects with a wide audience of skiers rather than a narrow competition niche.

Equipment and partners: practical takeaways

While specific major sponsors for Hagerman are not widely publicised, his context implies gear optimized for park, urban hits and creative terrain: twin-tip park skis with durable edges, camera rigs suitable for varied settings, and possibly partnerships with brands seeking media content rather than simply contest ambassadors. For progressing skiers wanting to emulate this path: invest in a ski with predictable pop and robustness, hone the ability to film and edit your own content, and treat terrain exploration as part of your toolkit.

Why fans and progressing skiers care

Max Hagerman matters because he represents the branch of skiing culture where style, video, terrain exploration and community meet — distinct from pure contest sport. For fans, his edits deliver compelling skiing in real-world terrain, parks and streets, offering inspiration beyond the podium. For progressing skiers, his model offers a parallel pathway: you don’t necessarily need FIS medals to build impact. Focus on creativity, find features you love, document it well, and build presence. That pathway is increasingly relevant in the age of social media and ski content.

Whistler-Blackcomb

Overview and significance

Whistler Blackcomb is Canada’s flagship resort and a global reference point for freeskiing, pairing massive scale with a lift system that keeps days flowing. The resort’s official mountain brief lists 8,171 acres of skiable terrain, more than 200 marked runs, 36 lifts, and three terrain parks spanning intermediate to expert, with highest lift access at 2,284 m and base elevation around 675 m—good for roughly 1,609 m (5,280 ft) of vertical in a single push. Average snowfall is given at about 432 inches (1,091 cm) and the operating calendar regularly stretches among the longest in North America, which is why film crews, national teams, and everyday park riders treat Whistler Blackcomb as a season-long training ground.

The two-mountain design is the engine. Whistler and Blackcomb are joined mid-mountain by the PEAK 2 PEAK Gondola, an 11-minute, 4.4-km span that makes it easy to follow weather and aspect without losing time. Cultural pedigree runs deep too. Alpine events for the Vancouver 2010 Winter Olympics were staged at Whistler Creekside, and each April the World Ski & Snowboard Festival turns the village and high alpine into a week of comps and films, with slopestyle traditionally centered on Blackcomb’s pro build.

Terrain, snow, and seasons

Terrain breadth is the hallmark. High on both mountains you’ll find alpine bowls, ribs, gullies and three lift-served glaciers, with long groomers and sheltered benches lower down that hold definition when the ceiling drops. Whistler’s Peak and Harmony–Symphony sectors ride “big” on storm refreshes, with obvious fall lines and side-hit traverses that let mixed crews choose their level without splitting up. Blackcomb layers in classic laps off 7th Heaven, access to Blackcomb Glacier, and a network of rolling pistes and trees that ski predictably in flat light.

The Coast Mountains snowpack trends maritime during active weather—dense enough to shape lips and landings—then sets into supportive chalk on leeward panels once winds ease. That mix is friendly to progression: speed holds on groomers in cold snaps, and landings stay trustworthy on the main jump lines through the heart of winter. Mid-January through late February is the most repeatable window for cold, consistent speed; March and April add blue windows and aspect-driven softening for forgiving landings, with many upper circuits holding winter texture well into spring.

Park infrastructure and events

Blackcomb’s park program is the anchor for freestyle. The resort’s terrain-park overview describes a stepping-stone pathway for intermediate and advanced riders culminating in the expert-only Highest Level Park when conditions permit. Expect a creative rail garden culture alongside jump lanes that scale with the base, plus hips and step-downs that make the most of Blackcomb’s natural contours. Because the parks sit close to efficient chairs and mid-mountain connectors, you can stack repetitions without burning time on traverses.

Event pedigree shows up every spring. The World Ski & Snowboard Festival schedules slopestyle in the Highest Level Park, with qualifiers and finals that draw regional and international riders, and the weeklong program across venues keeps the village buzzing. Earlier in the season, you’ll see a steady diet of grassroots jams, photo sessions, and brand-led clinics that leverage the same build standards you’ll find on competition week. The practical takeaway for visitors is simple: in peak months, jump speed and landings are looked after carefully, and line evolution happens without breaking cadence.

Access, logistics, and on-mountain flow

Getting there is easy. Whistler sits about two hours north of Vancouver along Highway 99—the Sea to Sky—so you can land at YVR in the morning and still make meaningful afternoon laps. Resort travel pages consolidate self-drive, shuttle and parking guidance; if you’re car-free, frequent coach services connect downtown Vancouver and the airport to Whistler Village with gear-friendly storage. Once you’re on snow, build the day around aspect and visibility. In active weather, lap sheltered benches off mid-mountain lifts and the lower trees; as skies lift, link bowls via the PEAK 2 PEAK to chase chalk and drifted panels. For efficiency on busy days, use the village gondolas to upload and the mid-mountain crossing to bypass base crowds entirely.

If you’re new to the footprint, start with a quick map read over breakfast and set simple rendezvous points—top of Emerald on Whistler, the junction near Glacier and Jersey on Blackcomb—so the group can branch by difficulty and regroup without phone service. The resort’s trail map callouts also emphasize slow zones and a visible Mountain Safety Team near learning areas; internal etiquette and clear merges keep the big network moving smoothly. For families or mixed crews, Whistler and Blackcomb base areas each offer rentals, day lodges and beginner corridors, so you can anchor the day to whichever side matches your plan.

Local culture, safety, and etiquette

Inside the ropes, treat staged openings and rope lines as non-negotiable; wind and new snow move quickly at this scale. If you step beyond resort boundaries—through any backcountry gate into the Spearhead or Fitzsimmons ranges—you’re in real avalanche terrain. Your morning routine should include reading the Sea to Sky bulletin from Avalanche Canada, carrying beacon, shovel and probe, moving with partners who know companion rescue, and planning conservative re-entry to the ski-area boundary before operations shut for the evening. The resort’s own backcountry re-entry advisories are worth a read, as they spell out after-hours hazards such as active grooming, winch cats and snowmobiles, and remind you to confirm in-bounds terrain status before returning to the lifts.

Within freestyle zones, keep the cadence. Park SMART applies: inspect features, call your drop clearly, hold a predictable line, and clear knuckles and landings immediately. On busy days, choose a two- or three-feature circuit in the intermediate lanes to calibrate speed before stepping to the pro line. Detune contact points for rails but keep enough edge for predictable grip on cold-morning in-runs; spring sessions may require a quick scrape between laps as the surface warms. Courtesy around teaching lanes, slow zones and traverses matters here more than most places because the lift network funnels many abilities into the same arteries—good flow is a shared responsibility.

Best time to go and how to plan

Plan for two distinct moods. Mid-winter (mid-January to late February) delivers the most repeatable jump speed and groomer consistency; build multi-hour park blocks in the morning when lips are crisp and winds light, then pivot to bowls and ribs once patrol drops ropes. Spring (March into April) swaps a few storm days for long light, excellent filming conditions, and forgiving landings by aspect; aim mornings at shaded north faces and park jump sets, then chase corn on solar slopes into early afternoon. If you’re visiting in April, the World Ski & Snowboard Festival adds night events and a village-wide program that extends the day; book lodging within walking distance of the gondolas to avoid time drains.

Daily rhythm is straightforward. Warm up with two groomer laps to check wax and speed, session an intermediate rail line to lock timing, then step to the day’s main jump lane once you’ve confirmed in-run pace. Use the PEAK 2 PEAK to pivot by wind and light instead of by car, and seed two anchor runs—one park circuit, one bowl line—so your crew can reunite quickly between attempts. On low-visibility days, stick to lower-mountain trees and benches where definition holds; when the ceiling lifts, make a beeline for alpine bowls and the Blackcomb Glacier laps that ski “big” even between storms. If you’re mixing resort days with touring, consider staging from huts such as the Kees and Claire at Russet Lake on rest days, but bring full self-sufficiency and respect Garibaldi Provincial Park regulations.

Why freeskiers care

Because Whistler Blackcomb combines everything that accelerates progress. You get near-endless terrain with real vertical, a proven park program that scales to pro lines, a lift network that lets you chase conditions across two mountains in minutes, and a spring festival that caps the season with competition-grade shaping and energy. Add a clear safety framework, straightforward access from a major city, and a village built to keep transitions short, and you have a destination where learning faster and filming cleaner isn’t an aspiration—it’s the norm.

55 seconds of skiing

Athletes

Locations

Aidan Mulvihill

Max Hagerman

Whistler-Blackcomb

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