filmed by taz

01:42 min • 24/03/2024

From Youtube :

post slvshcup laps with ferdi and torm filmed by tristian feinberg edit by ferdi

Athletes

Ferdinand Dahl

Profile and significance

Ferdinand “Ferdi” Dahl is a Norwegian freeski original whose blend of contest pedigree and culture-building has made him one of the most influential park and street skiers of his generation. Born in 1998 and raised around Oslo, he broke through on the biggest stages with multiple medals at the X Games—slopestyle bronze in 2019, slopestyle silver in 2021, and slopestyle bronze again in 2023—while stacking nine FIS World Cup podiums and two Olympic appearances, including an eighth place in slopestyle at PyeongChang 2018. Those results alone would secure his status. But Dahl’s impact extends further: he co-founded the rider-led Jib League series that reframed what a freeski “contest” could be, and he channels his design sensibility into the apparel label Capeesh Supply. The result is a rare dual footprint—elite competitor and thoughtful scene shaper—whose skiing reads clearly at full speed and whose projects elevate the wider culture.

Today, Dahl’s priorities span performance and stewardship. You’ll still see him under stadium lights at Buttermilk in Aspen during X Games week or dropping mid-winter edits from Europe and North America. You’ll also see him building spaces for others to shine, whether that’s hosting a jam-style Jib League stop with fellow founders James “Woodsy” Woods and Øystein Bråten, or releasing small-batch garments that carry Capeesh’s playful, skaterly aesthetic. He skis for Vishnu Freeski and rides with Monster Energy, a sponsor mix that mirrors his commitment to rider-run creativity and broadcast-level execution.

Competitive arc and key venues

Dahl’s contest résumé maps the modern freeski ladder. Early Europa Cup and World Cup starts led to a breakout Olympic debut at the PyeongChang 2018 Games, staged at Korea’s Phoenix Park, where he placed eighth in men’s slopestyle. World Cup consistency followed, culminating in nine podiums and back-to-back seasons ranked among the very best in slopestyle overall. In Aspen, the X Games medals arrived across four winters, validating a trick vocabulary and run composition that judges reward and fans replay.

Venue context explains why his skiing travels so well. Buttermilk rewards multi-feature flow and line design under heavy camera pressure; Phoenix Park’s Olympic stage compresses everything into immaculate takeoffs and unforgiving landings; Austria’s in-city Nordkette Skyline Park demands cadence on dense rail panels; Sweden’s Kläppen serves long spring laps where measured speed and early commitments separate a good run from a great one. As Dahl pivoted some focus toward film and rider-led events, he didn’t abandon competition; he reframed it. Jib League’s jam format—skier voting, style-forward criteria—moved the needle while keeping the difficulty and clarity that defined his World Cup and X Games success.

How they ski: what to watch for

Dahl’s skiing is a case study in readable difficulty. On rails, approaches are squared early, body position stays stacked, and lock-ins look decisive rather than dramatic. Surface swaps resolve cleanly; presses have shape instead of wobble; exits protect momentum into the next setup. On jumps, he favors measured spin speed and deep, functional grabs—safety, tail, or blunt held long enough to stabilize the axis. That early grab timing keeps shoulders quiet and landings centered, so the outrun breathes instead of becoming a last-second save. Directional variety—forward and switch, left and right—shows up without breaking cadence because every choice serves the line.

Two tells help you “read” a Dahl run in real time. First, spacing. He leaves room between moves, so each trick creates setup for the next one rather than stealing from it. Second, grab discipline. The hand finds the ski early and stays there long enough to influence rotation, not just decorate the frame. That’s why even his bigger spins look calm, and why editors can present his clips at normal speed without resorting to slow-motion rescue.

Resilience, filming, and influence

Longevity at the top level requires adaptation. After years of traveling the World Cup and major-event circuit, Dahl broadened his canvas: spring projects in the Alps, on-camera head-to-heads in SLVSH games, and the co-creation of Jib League with Woods and Bråten. The through-line is composure. Whether the setting is a single-hit scaffolding jump, a multi-feature slopestyle course, or a dense rail garden at Nordkette, he protects speed, commits to control inputs early, and finishes tricks with enough time to ride away clean. That reliability earns trust—from judges tallying slopestyle scores, from peers voting in jam formats, and from filmmakers who want clips that hold up after ten replays.

Influence shows up far beyond podium photos. Jib League’s format centers skiers as voters and storytellers, and its stops have become required viewing for anyone who cares how style and difficulty can coexist. Capeesh, meanwhile, exports the same ethos via apparel drops and creative videos—small teams, rider agency, humor intact. Add in years of high-profile clips and a deep library of World Cup runs archived at Olympics.com, and you have a body of work that doubles as instruction: honest speed, early commitments, centered landings.

Geography that built the toolkit

Place is the skeleton of Dahl’s skiing. Oslo’s compact hills and firm winter snow built edge honesty and quick decision-making; repeated laps discipline the feet and hands. The Alps supplied longer radii and faster in-runs, especially at Nordkette, where dense features reward timing and rail economy. Spring blocks at Kläppen layered in rhythm on creative setups and medium-to-large booters, and the annual pilgrimage to Buttermilk honed broadcast composure. On the Olympic stage at Phoenix Park, he proved those habits survive the brightest lights. Stitch those environments together and you get a toolkit that travels: protect momentum, manage spin speed with the grab, and keep the run’s shape intact from first rail to last landing.

Equipment and partners: practical takeaways

Dahl’s current setup mirrors his philosophy. With Vishnu Freeski he rides a park-capable platform with balanced swing weight and reinforced edges that tolerate repeated rail contact without unpredictable flex. Energy and event support from Monster Energy keeps the spotlight on projects that showcase skier agency, while Capeesh Supply lets him translate taste into design. If you’re looking to borrow from his gear decisions, the lesson is category fit over model names: choose a symmetrical or near-symmetrical park ski, mount it so butters and presses feel natural without compromising takeoff stability, keep bases fast so cadence survives cold or salt, and tune edges to hold on steel yet soften contact points to avoid surprise bites on swaps. Equipment won’t replace timing, but the right platform makes good timing repeatable across long filming days and pressure-heavy finals.

Equally practical is how he structures a season. Early repetitions on consistent parks sharpen approach mechanics; jam-style events test composure under variable pace and crowd energy; and marquee weeks at places like Buttermilk demand the full package—rail clarity, directional variety on jumps, and airtight landings. That rhythm is a template ambitious riders can copy on the path from local edits to international relevance.

Why fans and progressing skiers care

Ferdinand Dahl matters because he turns elite difficulty into clarity and then uses his platform to grow the culture around it. He owns multiple X Games medals, deep World Cup credentials, and Olympic finals experience, yet he’s just as committed to rider-run spaces like Jib League and to creative output through Capeesh. The skiing itself is easy to follow at normal speed because the mechanics are honest: early grab commitment, measured spin speed, and landings that preserve momentum for the next move. For viewers, that means segments worth replaying; for developing skiers, it offers a concrete checklist—square the approach, use the grab as a control input, finish the trick early, and let the line breathe. That combination of results, readability, and stewardship is why Ferdi sits at the center of freeski culture today, whether the backdrop is an Olympic venue, a televised course in Colorado, or a rail garden above Innsbruck.

Tormod Frostad

Profile and significance

Tormod Frostad is a Norwegian freeski athlete born on August 29, 2002, who competes primarily in the big air discipline. He began skiing as a child near Oslo and developed his park and jump skills at his local slope in Sandvika before rising through the international freeski circuit. He represented Norway at the 2022 Winter Olympic Games in the men’s big air event, which marked his entrance into the top tier of the sport. His importance lies in the fact that he belongs to the up-and-coming generation of big air specialists in Norway, already achieving podiums in World Cup events and earning his first victory during the 2024-25 season.

Competitive arc and key venues

Frostad entered FIS competitions in his mid-teens and made his World Cup debut in 2018 with big air in Cardrona. Over the ensuing seasons he achieved multiple World Cup podiums and recorded his first victory in the 2024-25 season. He placed 12th in the big air event at the Beijing 2022 Olympic Winter Games. Prominent venues in his career include Cardrona (NZ), Beijing (China), and World Cup stops in Europe and North America. In the 2024-25 season he ranked 5th overall in the Park & Pipe World Cup standings with 330 points and a win among his tally of three podiums.

How they ski: what to watch for

Frostad brings a blend of amplitude and clean execution typical of modern big air freeskiers. He uses tall take-ins with late rotation initiation, which allows his grabs to read longer and his landings to settle more smoothly. On jumps he demonstrates switch and natural direction competence and holds grabs long enough that the trick silhouette becomes distinctive. For viewers, keep an eye on how he sets up the lip with edge control, then compresses rotation in the latter half of the air, reserving the earlier phase for grab posture. His run structure often features a build-up through one large trick rather than multiple trivial hits, aligning with the scoring emphasis on amplitude plus quality execution.

Resilience, filming, and influence

While Frostad is still early in his elite career, his rise from junior ranks to World Cup winner in a relatively short time shows resilience. He adapted through the pandemic-paused seasons, managed transition into senior competition and elevated his results accordingly. His Norwegian context, part of a strong freeski national system, gives him access to robust coaching and facilities. Though his filmed parts are less widely publicised compared to some peers, his contest results and growth trajectory have begun to capture attention, making him a figure for younger skiers to watch as someone evolving rapidly.

Geography that built the toolkit

Frostad grew up in Sandvika near Oslo, Norway, training at local slopes and snowparks which hone repetition and feature familiarity early. He then expanded into international training and contest venues, exposing him to glaciers, wind-affected jump lines and large-scale scaffolding. The Norwegian freeski environment emphasizes technical fundamentals and strong work ethic, which underpin his ability to manage speed, lip timing and axis control in high-stakes competitions. The transition from smaller domestic parks to global big air stages gave him a widening toolkit of feature types and judging contexts.

Equipment and partners: practical takeaways

According to his athlete profile, Frostad is associated with the brand Faction Skis which indicates his ski choice emphasises park/big-air performance with reliable pop and edge control. For progressing skiers the takeaways are clear: when targeting big air, choose skis with strong pop, mount near centre for switch competency, and train on consistent jump lines that allow repetition of lip timing, grab integration and landing stability. Frostad’s progression underscores the value of moving from local repetition to high-stakes venues and maintaining execution quality under pressure.

Why fans and progressing skiers care

Fans should care about Tormod Frostad because he is a rapidly rising young big-air athlete whose peak appears still ahead. His early win and multiple podiums in the 2024-25 season position him among the names likely to contend for major titles in coming years. For skiers in progression, he demonstrates that rapid ascent is possible with strong fundamentals, smart progression and exposure to international venues. Watching a Frostad run offers insight into how modern big air scoring values amplitude, clean axis control and grab quality—not just raw rotation count. He is a name worth tracking as freeski enters its next championship cycle.

Brand overview and significance

Capeesh (often seen online as “capeesh fashion house” or Capeesh Supply) is an independent ski apparel and streetwear label created in 2020 by Norwegian freeskier Ferdinand “Ferdi” Dahl and two childhood friends. Born out of park and street skiing rather than a traditional outerwear company structure, the brand is positioned as a rider-led fashion house: part technical outerwear builder, part creative studio, and part community project for skiers who live in baggy pants and belts all winter long.

Instead of chasing mass-market volume, Capeesh works in tight seasonal collections with a clear visual identity: oversized silhouettes, exaggerated cuffs, bold plaids and washed tones, plus visible stitching and details that nod to workwear and vintage snowboard gear. Early on, the woven belt line became a calling card, showing up in park edits and on lift lines well before the outerwear range expanded. By the time insulated jackets and shell pants arrived, the brand already had a recognizable look that slotted straight into the modern freeski aesthetic.

Within the freeski ecosystem, Capeesh sits in the same cultural lane as other rider-founded outerwear labels, but with its own twist: a heavy emphasis on tailoring, cut, and styling as much as on pure tech numbers. Their pieces appear in influential edits, SLVSH games, and Jib League sessions, which means many skiers encounter the brand first on screen, then start spotting it on-hill. For Skipowd.tv viewers, Capeesh is best understood as a small but influential fashion house that treats freeskiing as both sport and style language.

Product lines and key technologies

Even though the brand is compact, Capeesh offers a full ecosystem of on-hill and off-hill pieces. The outerwear line centers on loose-fit jackets like the Revamp and Bombshell, plus insulated silhouettes such as the Big Puffy. These jackets typically use polyester shells with around 10K waterproof and 10K breathable ratings, PFC-free water-repellent treatments, fully taped or critically taped seams, and YKK zippers. Select insulated models use premium synthetic fills like Primaloft Gold around the torso for warmth without excessive bulk, keeping the profile baggy in look but practical in function.

Pants—names like Pantaloni, Fancy Pant and various Deconstructed iterations—follow the same design philosophy. They pair 10K/10K-rated polyester shells with fleece and mesh linings, long inseams, and wide legs that stack naturally over boots. Many models integrate venting, magnet-secured pockets, and the brand’s signature interchangeable Velcro patch system, letting riders swap logo patches or graphics without changing the pant itself. That patch ecosystem extends across some jackets too, making the kit feel modular and collectible.

Beyond outerwear, Capeesh keeps a deep bench of layering and lifestyle pieces: hoodies, “hoodiys,” quarter-zips, crewnecks, long sleeves, tees and ribbed beanies. These are generally cotton or cotton-blend basics sized to match the outerwear’s oversized cut, so a rider can build a fully coordinated look. Accessories—most notably the woven belts—carry low-profile buckles, often magnetic Fidlock closures, and colorways that tie back into the seasonal jackets and pants. Together, the collection functions as a small but cohesive wardrobe rather than a disconnected set of products.

Ride feel: who it’s for (terrains & use-cases)

On snow, Capeesh outerwear is built for park laps, resort jibbing and street missions first, with all-mountain usage as a solid secondary role. The 10K/10K fabric spec and DWR treatment are dialed toward typical resort conditions—cold, dry days, intermittent snow, and the occasional storm session—rather than multi-day backcountry objectives or the wettest coastal climates. In practice, that means you can expect to stay dry through long park days, rail sessions, and normal chairlift cycles, especially when you manage layers correctly underneath.

Fit is a major part of the “ride feel.” Pants run long and wide so they drape over highbacks and ski boots, giving that modern, stacked silhouette that many park skiers want, while still allowing full range of motion for butters, nose blocks and big spins. Jackets are cut loose with dropped shoulders and generous hem lengths that cover you on hand drags and low rail tricks without riding up. The overall experience is best suited to skiers who value style and freedom of movement over ultra-minimalist, race-inspired cuts.

For riders who split their time between resort park, side hits, and occasional tree laps, Capeesh outerwear slots in as an everyday kit that looks right in rail gardens, plaza-style parks, and nighttime sessions under the lights. Those charging high-speed alpine lines in harsh weather or doing full-day touring may prefer higher-spec shells, but a surprising number of all-mountain skiers still choose Capeesh for the blend of comfort, warmth, and expressive silhouette.

Team presence, competitions, and reputation

Capeesh’s credibility is tied directly to its founder. Ferdinand Dahl is not only a designer and co-owner; he is a multi-time X Games medalist and Olympic slopestyle finalist whose skiing has shaped the current era of park and street riding. When he wears Capeesh at major events or in parts, it sends a clear signal about the brand’s authenticity. Viewers spot the pants and belts in footage from Jib League stops and in SLVSH games filmed at locations like Grandvalira, where Dahl’s runs help define the visual identity of the sessions.

The wider “team” is less about a conventional, heavily marketed roster and more about a recurring cast of filmers and skiers appearing across Capeesh edits, the brand’s inspiration page, and collaborative projects. Many of these riders have main hardware sponsors from big ski and energy drink brands, but choose Capeesh for outerwear or belts, reinforcing the label’s status as a culture-first choice rather than a purely commercial one. It’s common to see the gear alongside other core brands in international competition recaps and independent movies.

In community discussions, Capeesh generates strong opinions—exactly what you’d expect from a design-forward brand. Some skiers praise the quality and fit, calling out improved construction over earlier micro-brands, while others debate the aesthetics and the premium price point. That friction is part of its reputation: Capeesh is not trying to please everyone; it is building a distinct look for skiers who want their outerwear to communicate identity as clearly as their trick selection.

Geography and hubs (heritage, testing, venues)

Capeesh is registered in Norway, and that Scandinavian backdrop is visible across its imagery and edits—urban rails, floodlit parks, and long winter nights where outerwear doubles as everyday clothing. Much of the early brand story took shape in and around Norwegian resort parks and street spots, where cold, dry snow and consistent night-skiing conditions influence how riders layer up and how garments must resist abrasion from concrete, metal and icy landings.

As the line has grown, Capeesh has expanded its footprint beyond Norway. International shipping is baked into the online store with dedicated flows for Europe and North America, and the brand partners with core freeski retailers abroad. In Québec, for example, the gear appears on the shelves of D-Structure, a freeski specialist whose own presence on Skipowd.tv and long-running community role make it a natural match for a rider-led clothing house. That shop connection also offers North American customers a more local way to see and size pieces.

On film, Capeesh frequently shows up at destination parks and event venues. One recurring backdrop is Sunset Park Henrik Harlaut by night in Andorra’s Grandvalira area, where SLVSH Cup Grandvalira sessions create high-visibility moments under stadium-style lighting. These settings are not just scenic; they are proving grounds for how the garments move, vent and layer when riders are repeatedly hiking features, filming clips, and skiing into the evening.

Construction, durability, and sustainability

Capeesh’s construction story blends technical function with an explicit commitment to “sustainable and ethical practices” across sourcing, manufacturing and shipping, as outlined in the brand’s own informational pages. In practical terms, that shows up in choices like polyester shells with PFC-free water-repellent treatments, Primaloft Gold insulation in select jackets, and the use of proven hardware such as YKK zippers and magnetic pocket or belt closures designed for long-term reliability.

Pants and jackets lean on 10K/10K membranes, fleece and mesh linings, and careful seam work to balance comfort, warmth and durability. Reinforced cuffs help protect against edge cuts; vent zips and mesh-backed openings are placed to dump excess heat during hikes or street sessions without compromising weather protection. The interchangeable patch system, meanwhile, has an unexpected sustainability angle: by allowing riders to refresh the look of a garment season after season with new patches instead of new pants, it encourages longer product life.

Quality control is supported by collaboration with trusted retailers and ongoing feedback from a demanding core audience. Because many Capeesh customers are filming, hiking, and lapping rails almost daily, any failure in stitching, waterproofing or trims surfaces quickly in the community. The brand’s continued growth in that space suggests that its construction choices are holding up under real-world abuse—though like any 10K/10K street-influenced kit, its strengths lie more in day-to-day resort and park use than in high-altitude expedition contexts.

How to choose within the lineup

Choosing the right Capeesh setup starts with being honest about your climate, how you ski, and how baggy you want your silhouette to be. If you ride cold, dry resorts with lots of park time, insulated jackets like the Big Puffy or similarly warm silhouettes will keep you comfortable through long chairlift rides and night laps. In milder conditions or if you run hot, lighter insulated or shell-style pieces such as the Revamp series pair better with midlayers underneath, giving more control over temperature.

For pants, think about stack and volume. Pantaloni and Fancy Pant styles emphasize the full baggy look, especially when sized up, and work well for riders who value maximum range of motion and a draped profile over their boots. The Deconstructed variants add visual interest through paneling and seam details, and may offer slightly different pocket layouts or patch locations. Riders spending more time in the streets or on harsh rails should prioritize models with reinforced cuffs and consider pairing them with base layers or long thermals for warmth.

Accessories tie the kit together. The brand’s woven belts are a functional upgrade if you like to wear pants low but still need security on big spins and drops; the magnetic buckles are quick to open and close with gloves on. Hoodies, quarter-zips and tees can be chosen based on how they sit under your jacket—many skiers prefer slightly shorter tops under very long jackets to keep movement clean. In all cases, reference the brand’s size charts carefully; Capeesh pieces are intentionally roomy, so many riders stay true to size and still get a relaxed, modern fit.

Why riders care

Riders gravitate toward Capeesh because it feels like an extension of the scene rather than a distant corporation. The person designing and wearing the clothes is the same one stacking clips at high-level events and in influential edits, and that credibility matters in a culture where authenticity is constantly scrutinized. The gear itself walks a line between technical outerwear and fashion: waterproof and warm enough for real winters, yet expressive in cut and detail so it looks as intentional in the city as it does in the park.

For Skipowd.tv users scrolling edits and then heading out for their own laps, Capeesh offers a tangible way to plug into that world—belts that hold up through a full season, pants that match the way modern freeskiing moves, and jackets that photograph well without sacrificing basic functionality. It is not the only path a skier can take, and it won’t suit every budget or taste, but for those who see skiing as a blend of style, community and progression, this small Norwegian fashion house has become one of the clearest visual signatures on snow.

Brand overview and significance

SLVSH (pronounced “slash”) is a ski-culture brand and media outlet founded around a simple but powerful idea: bring the playground game of “HORSE” into the park and freeski scene by matching tricks between rivals and letting the video tell the story. The brand was co-founded by notable freeskiers Matt Walker and Joss Christensen as a way to inject creative freedom and fun into a culture increasingly dominated by judged contests. SLVSH has grown into an internationally recognized format and community hub, with apparel, video series, and global event tie-ins. For skiers who care about park laps, jib battles, street features and rider-vs-rider formats, SLVSH offers a unique, peer-driven alternative to traditional competition.

Product lines and key technologies

SLVSH is not a ski manufacturer; its core “product” is content and community. Under the SLVSH banner you’ll find the game format (head-to-head trick matching), video episodes, event series (such as SLVSH Cups) held at terrain parks and resorts, and a streetwear line including hoodies, hats and accessories. The apparel is often co-branded and available globally (e.g., via abstractmall storefronts). On the media-side, the brand uses filming and editing techniques suited to the park environment—tight follow-cams, rapid cuts, and multi-angle battles—to emphasise trick detail, reaction, and rhythm. The key “technology” is the format itself: no judges, just call a trick, the opponent lands (or doesn’t), someone gets a letter, first to spell SLVSH loses. This simplicity underpins the brand’s appeal.

Ride feel: who it’s for (terrains & use-cases)

SLVSH speaks directly to park, urban, and freestyle-oriented skiers who ride rails, boxes, jumps and street features and who value creativity, fun, and peer challenges. If you’re in the terrain park, enjoying jib setups, chasing friends on the rail line, or filming match-ups with your crew, SLVSH fits. The ride feel is loose, expressive and informal—less about maximal speed or big-mountain consequences, more about style, line choice, trick creativity and session banter. It’s ideal for skiers who view park laps as culture rather than contest rounds, and who like a format they can play with friends, record, and share.

Team presence, competitions, and reputation

SLVSH has cultivated credibility via its athlete-led foundation and the adoption of its format by parks and resorts worldwide. Games and match-ups featuring high-profile skiers such as Joss Christensen, as well as grassroots entries, have helped the brand stay relevant. Its video series on YouTube show head-to-head match-offs at terrain parks from North America to Europe (e.g., SLVSH Cup Grandvalira). The reputation is of a brand that keeps skiing fun, accessible and peer-to-peer oriented—contrasting with high-stakes judged contests. While it may not carry the prestige of an Olympic or World Cup circuit, for the park scene it holds a meaningful place.

Geography and hubs (heritage, testing, venues)

SLVSH has roots in the modern park and freestyle community rather than a single geographic resort heritage. Its match-format videos and events have taken place at venues such as Penken Park (Austria) and the SLVSH Cup at Grandvalira (Andorra). The global reach includes U.S. park locations (such as Park City, Utah). Because the format is portable and doesn’t require infrastructure beyond a terrain park, the brand’s geography spans many popular freestyle hubs. It channels the spirit of open-session, game-driven skiing across continents.

Construction, durability, and sustainability

In the media and culture context, SLVSH’s durability is shown in its staying power—over a decade of match-games, videos, community visits and product drops. The game format remains relevant to emerging skiers and seasoned stylers alike. Sustainability-wise, the brand emphasises participation and simplicity. Because the barrier to entry is low (rent features, film a game), the format scales without large production overheads. On the apparel side, there is limited public data on material sustainability; the focus remains cultural rather than manufacturing. For the skier-viewer, the lasting value is the format and community more than a tangible gear asset.

How to choose within the lineup

If you’re a skier wanting to get involved: start by watching SLVSH videos to see how the format plays out in parks you know. Then arrange games with your crew—pick a feature, call tricks, record. Aim to replicate the style and pace you’ve seen so that your own edits look crisp and fun. If you’re a park or resort looking to partner: host an official SLVSH Cup or branded match session, film for social, invite riders of varying levels. For apparel: drop a hoodie or shirt from the SLVSH line if you’re into ski-street style and want a brand that signals park credibility.

Why riders care

Because skiing should be fun, peer-driven and expressive. SLVSH removes the intimidation of judged contests and replaces it with a format nearly any skier can join. It brings friends, features and filming together in a way that emphasises trick creativity, risk-taking and fun—whether you’re a 270 board-slide novice or a back-flip rail veteran. Its brand cues—bold graphics, playful identity, video match-ups—resonate with skiers who spend equal time filming, lapping features and pushing style. For the park crew, the hill is the playground and SLVSH gives you the rules, the format and the vibe.

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Athletes

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Ferdinand Dahl

Tormod Frostad

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