Wānaka / Dunedin, New Zealand | Active: FIS record listed as not active | Discipline: freeski halfpipe, slopestyle, big air, backcountry freestyle | Verified: Sochi 2014 Olympian, X Games slopestyle gold, X Games medals in three disciplines | Current: Atomic skier, freeride and film projects
Snow fell into the Rosa Khutor halfpipe, softening the blue walls while the final riders waited above the Sochi lights. Jossi Wells dropped with one clean run already scored, then watched the medal line move just beyond him.
His first run had scored 85.60. David Wise, Mike Riddle and Kevin Rolland filled the podium, and Wells finished fourth, close enough to the Olympic medal to feel the shape of it. That result became one of the defining moments of New Zealand freeskiing before the Porteous and Sadowski-Synnott era rewrote the country’s winter-medal map. Wells had also reached the slopestyle final at the same Games, finishing eleventh, making his Sochi campaign a rare two-discipline statement from a skier built on versatility rather than one lane.
X Games Aspen 2016 gave Wells the medal that had followed him for nearly a decade. Freeskier framed the win as long overdue after one bronze and three silvers at X Games, while Forecast Ski noted the rail creativity and switch double cork 1440 in the winning slopestyle run.
The result mattered beyond the score. Atomic later described Wells as New Zealand’s first X Games gold winner and a medalist in all three major freeski disciplines: halfpipe, slopestyle and big air. That range is the key to his 5/5 importance score. Wells did not simply win one event. He became one of the few skiers whose X Games record crossed the pipe wall, the slopestyle course and the big-air jump.
Wells was born in Dunedin in 1990 and grew into the sport through Wānaka, where Cardrona and the Southern Alps gave the family a freeski base. The Wells name became one of the central family stories in New Zealand winter sport: Jossi, Byron, Beau-James and Jackson all reached high-level freestyle skiing.
The family context matters because Jossi did not emerge as a lone export from a small ski nation. He was part of a household where skiing became language, work, travel and identity. His father Bruce was repeatedly described around the brothers’ development, and the siblings pushed each other across halfpipe, slopestyle and big air. Before New Zealand became a regular medal threat in Olympic snow sports, the Wells brothers made the country visible in start lists and ski media.
Wells’s X Games medal pattern shows a career built before specialization fully took over. His early medals included slopestyle silver, superpipe silver, big-air bronze and another slopestyle silver before the Aspen 2016 gold. That variety is hard to repeat in the modern era, where athletes often choose a single Olympic lane early.
Halfpipe required wall timing, amplitude, switch direction, grabs and landing high enough to carry speed. Slopestyle required rails, jumps, speed checks, right and left rotations, and full-course memory. Big air stripped everything down to takeoff, trick, grab, axis and landing. Wells could score in each format without looking like a temporary visitor. That is why his career sits between contest history and cultural influence.
The North Face’s athlete profile remembers Wells’s Olympic slopestyle run for its zero-spun jump section, a detail that became part of his reputation. In an era when slopestyle was moving toward larger rotation numbers, Wells used style, restraint and trick selection as a counterweight.
That choice explains why other skiers respected him beyond medal counts. His vocabulary included zero spins, switch double corks, 1080s, 1440s, safety grabs, tail grabs, pipe doubles, rail presses, switch takeoffs and clean landings. Compared with Bobby Brown, he was less defined by single-jump progression. Compared with Tom Wallisch, he was less rail-machine precise. Compared with Henrik Harlaut, he was quieter in body language but equally committed to making style readable.
Wells’s gold in 2016 carried extra weight because injury had already changed his body. The North Face profile notes that he won the X Games slopestyle title two years after breaking his neck. That detail should not be turned into a cheap comeback slogan. It matters because his skiing always looked calm even when the physical stakes were not.
The next Olympic cycle was harsher. New Zealand Olympic Team announced that Wells withdrew from PyeongChang 2018 after tearing his patella tendon in June 2017 and finding, during his return to snow, that the knee was not ready for Olympic loading. The withdrawal kept him from a second Olympic appearance and closed the cleanest chance to extend the Sochi story.
The film chapter after the main contest years gave Wells a second identity. Deviate, made with Torin Yater-Wallace and released in 2020, followed the pair from Cooke City, Montana to Hokkaido, Japan, with backcountry booters, freeride lines and a crew including Birk Irving, Banks Gilberti, McRae Williams, Alex Ferreira and Bobby Brown.
The pairing worked because Wells and Yater-Wallace both carried contest history into a looser backcountry setting. Torin brought halfpipe amplitude and recovery history. Jossi brought style control, photographic instinct and a career already shaped by several formats. Deviate did not make Wells a pure freerider overnight. It showed a skier translating old competition habits into powder landings, natural takeoffs and lines where the score no longer decided the clip.
Good Luck followed in 2021 as the second Deviate Films project. iF3 listed Jossi Wells and Torin Yater-Wallace as directors, with Torin, Jossi, Chris Logan, Birk Irving, Cody LaPlante and Alex Ferreira among the athletes. Forecast Ski and Unofficial Networks placed the filming in deep backcountry through Wyoming and Idaho, with Sean Logan behind the lens.
The film matters because it positioned Wells inside a modern film crew rather than as an ex-contest athlete making occasional powder clips. The terrain was not a slopestyle course moved into the trees. It was deep snow, backcountry jumps, large landings and camera-led decision-making. Jossi’s strongest clips in that period kept his signature restraint: tricks that looked measured, landings that did not feel overacted, and a preference for shape over noise.
Atomic’s 2024 Find Your Horizon profile describes Wells as a long-time figure in freeskiing and frames his later direction around freeride exploration. Mountainwatch also covered his twenty-year Atomic story, tracing the move from junior racer to park skier, X Games winner and post-competition backcountry skier.
The equipment arc makes sense. Early Wells needed skis that could handle pipe walls, slopestyle rails, big-air landings and switch tricks. Later Wells needed a more versatile setup for powder, variable snow, backcountry takeoffs and terrain where the landing was found rather than built. His current value is not tied to one active FIS ranking. It sits in the way he carries old contest precision into wider terrain.
Jossi Wells helped make New Zealand freeskiing visible before the country became a regular Winter Olympic power. Nico Porteous, Luca Harrington, Finn Bilous, Luke Harrold, Ben Harrington and other younger Kiwi riders now operate in a world where New Zealand podiums no longer feel surprising. Wells helped build the first version of that expectation.
His influence is not only national. He showed that a skier could be stylish across halfpipe, slopestyle and big air, then leave the strict contest lane without losing relevance. That path now feels familiar for many skiers moving from World Cup starts into film, backcountry and personal projects. Wells was early enough that the transition still had risk.
For skipowd.tv, the viewing path should start with early X Games slopestyle and superpipe medals, then move to Sochi 2014 for the halfpipe fourth and slopestyle final. Aspen 2016 is essential for the X Games slopestyle gold, especially because the run shows his rail creativity and restraint under difficult conditions.
The second half of the page should move into Deviate, Good Luck, Atomic’s twenty-year material and Find Your Horizon. FIS lists Wells as not active, but the skiing is not archival. The current Jossi Wells story is a freeride and film chapter built on a rare contest foundation: a New Zealander who medaled in pipe, slope and big air, missed an Olympic medal by one place, then kept searching for lines where style mattered more than score.