Skiing with Tom Wallisch on My Birthday... DREAM DAY!

Profile and significance

Bruce Oldham is a Canadian freeski slopestyle and big air rider whose path blends competitive results with an outsized footprint as a teacher and content creator. Born in 1998 and raised in Parry Sound, Ontario, he came into freestyle unusually late—around age 17—yet climbed quickly onto Canada’s NextGen ranks by 2023. Oldham’s standout competition result to date is a fourth place in World Cup slopestyle at Bakuriani in 2022, backed by multiple NorAm Cup victories between 2023 and 2025. Away from start gates, he has built a large audience through park tutorials, POV breakdowns, and a coaching platform that translates World Cup habits into learnable steps. That dual role—active competitor and hands-on educator—makes him a useful reference point for skiers who want actionable technique as well as a name to follow on result sheets.

Oldham identifies with the Ontario park scene via his home club at Mount St. Louis Moonstone, and his current partners reflect a practical, progression-first kit: outerwear from Dope Snow, skis from Line Skis, retail support through Corbett’s Ski and Snowboard, goggles from XSPEX, and pole baskets by Powder Bunnies. The picture is of a modern freeski professional who competes, films, and coaches with the same emphasis on clarity and repeatability.

Competitive arc and key venues

Oldham’s results sheet shows steady traction. The marquee performance arrived in March 2022 with fourth in World Cup slopestyle at Bakuriani, the Georgian venue that has hosted top-tier freestyle events on the slopes above town (Bakuriani). He added NorAm milestones as his trick depth and consistency matured: wins in slopestyle at Stoneham in 2023 and again in 2025, plus a NorAm slopestyle win at Copper Mountain in January 2025 and a NorAm big air victory at Stoneham in March 2024. He also collected podiums and finals across the North American circuit, including a NorAm big air second at Mammoth in March 2025 and repeated top-five slopestyle finishes in Calgary’s development series at WinSport.

World Cup starts broadened his course vocabulary: slopestyle rounds at Silvaplana (Corvatsch Park), Tignes, and Stoneham helped translate NorAm rhythm to deeper, faster fields, while a World Cup big air in Beijing added large-feature repetition. NorAm Premium stops at Aspen Highlands rewarded his tidy rail-to-jump transitions. Each venue underscores a specific skill—speed management on long in-runs at Mammoth, high-compression rail features at Stoneham, and judging-friendly line design on the finale course at Silvaplana.

How they ski: what to watch for

Oldham’s runs are built on economy. Approaches are squared early, lock-ins on rails are centered, and exits protect line speed. On jumps, he favors measured spin speed with full-value grabs to stabilize axis—technique that reads clearly at normal speed and in POV. Directional variety is part of the package: forward and switch takeoffs across left and right spins, with landings that stay over the feet rather than relying on last-second saves. Because he learned the craft later than many peers, the skiing feels deliberate; there is little wasted motion between features, and the trick choices fit the available runway.

Viewers tracking improvement run-to-run should watch for his grab timing and how he sets edges before features with short in-runs. Those habits scale from mid-size NorAm lines to the bigger World Cup panels without disrupting cadence, which is why his clean mid-pack World Cup results sit alongside NorAm wins on the same résumé.

Resilience, filming, and influence

Oldham’s influence extends well beyond heat sheets. He built a sizable audience by translating contest technique into short, specific tutorials and session recaps, then formalized that work into an online coaching program. He also hosts a podcast and produces season-long vlog series, using competition weeks and spring camps as teaching labs. The through-line is resilience and structure: a late start in freestyle, steady gains through NorAm slopestyle and big air, and a commitment to showing the “why” behind decisions that many pros leave unexplained. For younger skiers, that visibility lowers the barrier between watching elite runs and assembling the skills to approach them.

Geography that built the toolkit

Ontario repetition formed Oldham’s foundation at Mount St. Louis Moonstone, where firm snowpack and short in-runs sharpen edge angles and setup accuracy. Western and international stops rounded out the toolbox: NorAm race days at WinSport Calgary tightened his slopestyle rails-and-jumps linkups; Mammoth Mountain slopestyle lines enforced honest takeoff speed; the World Cup finale track at Silvaplana/Corvatsch demanded momentum management on a big, sunlit course; and Tignes and Bakuriani added the variability of European and Caucasus snowpacks. Off-season, Oldham has logged southern-hemisphere laps at Cardrona, where consistent shaping and progressive lines help convert new ideas into contest-ready habits.

Equipment and partners: practical takeaways

Oldham’s current kit aligns with his priorities. Line Skis provides park-capable shapes with balanced flex for presses without sacrificing takeoff stability. Outerwear by Dope Snow emphasizes mobility and weatherproofing for long park days and storm training. Eyewear from XSPEX supports quick lens swaps when light changes mid-heat, and Corbett’s anchors tuning and equipment support through the Canadian season. Even accessories matter; Powder Bunnies baskets keep poles functional after dense rail mileage. For progressing skiers, the takeaway is to choose a symmetric or near-symmetric park ski mounted for confidence on rails, keep edges tuned but not grabby for surface swaps, and build lens options that preserve contrast in flat light.

Why fans and progressing skiers care

Oldham matters because he closes the loop between elite competition and everyday progression. The results are real—World Cup top five, repeated NorAm wins across Stoneham and Copper—and the instruction is practical, from line speed to grab timing. For viewers, his runs and videos make modern slopestyle readable without slow motion. For skiers, his blueprint—late start, structured reps, honest technique—shows that a thoughtful approach can move you from weekend park laps to meaningful contest finishes. Whether you encounter his name on a NorAm start list or in a Cardrona park tutorial, the story is the same: clean mechanics, deliberate choices, and a style that holds up on rewatch.

Profile and significance

Tom Wallisch is one of the defining figures of modern freeskiing. The Pittsburgh-born slopestyle and urban innovator turned early internet fame into sustained major-event results, winning two X Games gold medals, the 2013 FIS World Championship in slopestyle, and the 2012 Dew Tour overall title. He also set a Guinness World Record in 2016 for the longest rail slide on skis, a 424-foot grind completed at Seven Springs—the resort where he grew up lapping terrain parks. Wallisch’s career bridged two eras: the forum-and-DVD generation that discovered him through breakout edits, and the broadcast era where he posted one of the highest slopestyle scores in X Games history under the lights at Aspen. Along the way, he helped codify the aesthetic of park skiing—clean axes, held grabs, composed landings—and pushed urban/street skiing to larger audiences through compact, high-impact film parts.

Competitive arc and key venues

Wallisch’s rise began with a pivotal video-contest win in 2007 that vaulted him from online phenom to traveling pro. On the contest side, his breakthrough stretch included gold at Winter X Games Europe in Tignes in 2010 and a dominant 2011–2012 campaign capped by slopestyle gold at Aspen with a record-setting score. He paired that with multiple Dew Tour wins and the 2012 overall Dew Cup, then added the ultimate federation accolade by winning slopestyle at the 2013 FIS World Championships in Norway. Those results secured his place at the top of slopestyle during the discipline’s formative years on major circuits.

Venues tell the story of his toolkit. Aspen’s Buttermilk jump line at Aspen Snowmass showcased his ability to deliver under prime-time pressure. Breckenridge and Snowbasin on the Dew Tour provided big-stage repetitions across changing park designs. European X Games builds at Tignes rewarded his rail fluency and course reading. Even his world-title moment reflected adaptability, converting consistency into gold on the championship features. Outside contests, he split time between laps at Seven Springs and the larger canvases around Park City Mountain, a mix that sharpened both his technical polish and his comfort on headline jump lines.

How they ski: what to watch for

Wallisch’s skiing is built on clarity and repeatability. On jumps, he emphasizes readable axes, extended grab time, and landings that finish clean—traits that judges reward and fans can easily parse. The hallmark is control: speed management into takeoffs, square shoulders through rotation, and a finish that looks as composed as the initiation. He frequently uses both-way spin direction to open run design without sacrificing landing quality, and he places grabs early, holding them long enough to turn big tricks into unmistakable statements.

On rails, he is a technician. Expect centered stance, decisive edge engagement, and pretzel variations that look natural rather than forced. His approach angles are conservative but intentional, minimizing washouts on kinked and gap features. When he increases difficulty, it’s more often through cleaner lock-ins, longer slides, and trick-to-trick continuity than through chaotic risk. That philosophy carries across slopestyle: keep the rail deck tidy to preserve speed, then cash in on jumps with execution that leaves no doubt.

Resilience, filming, and influence

Wallisch’s influence extends far beyond podium photos. He is a standard-bearer for urban/street skiing, translating park precision to handrails, ledges, and creative transitions in cities. His solo short film “The Wallisch Project” condensed a season of premium action into a tight, rewatchable hit, and later Good Company projects continued to foreground line choice and trick selection over run-of-the-mill stunts. In 2016 he set a Guinness-verified world record rail slide at Seven Springs, an achievement that fused childhood environment, professional craft, and media savvy into a single, widely watched milestone.

He also navigated the setbacks common to a long contest career—most notably injuries during the first Olympic qualifying cycle—by shifting emphasis toward filming and progression blocks without losing competitive sharpness. That willingness to recalibrate sustained his relevance: edits fed creativity and cultural impact, while selective contest starts maintained the scoring chops to win on demand.

Geography that built the toolkit

The East-to-Utah pathway explains much of Wallisch’s style. Early years at Seven Springs meant dense terrain-park mileage on firm snow, night laps, and a rail program that rewards accuracy over flash. Relocating to the Wasatch opened access to bigger jump lines and longer slopestyle courses at Park City Mountain, where speed, light, and altitude demand precise timing. European stints at Tignes introduced different course rhythms and weather variables, while Aspen’s televised build at Aspen Snowmass put a premium on composure when the lights are on. That geographic mix—tight, technical parks and expansive, high-speed venues—underpins a style that travels well from urban film spots to world stages.

Equipment and partners: practical takeaways

Wallisch’s long-term partners map cleanly to his skiing. He rides Line Skis, with a signature park model tuned for a centered stance and predictable swing weight. On the boot side, the three-piece heritage he helped popularize lives on in K2’s FL3X line, emphasizing smooth flex and easy ankle articulation for rails and heavy grabs. Outerwear support from The North Face and energy partnership with Monster Energy have anchored project work and travel-heavy seasons. For progressing skiers, the takeaway isn’t just brand logos; it’s setup principles. A true-twin park ski mounted near center supports both-way spins and switch landings. Consistent edge tune with thoughtful detune at contact points reduces hang-ups on rails without dulling pop for takeoffs. Boots that permit smooth forward flex while keeping heel hold locked help preserve landing position on bigger tricks. Gear, in other words, should serve the style: predictable, balanced, and repeatable.

Why fans and progressing skiers care

Wallisch matters because he connects dots across the sport. He is a major-event winner with two X Games golds and a World Championship title; a culture-shaping filmmaker whose projects distilled what stylish urban and park skiing could look like; and a technician whose jump and rail decisions make slopestyle easier to “read.” Watch how he sequences rails to conserve speed, how he commits to full-duration grabs that keep axes obvious for judges and viewers, and how he keeps the finish of each trick as clean as the takeoff. The 424-foot rail at Seven Springs wasn’t just a stunt—it was an expression of stance discipline, edge control, and mental repetition, the same ingredients that underpin a high-scoring slopestyle run at Aspen Snowmass or a finals day at Tignes. For fans, he offers a decade-plus highlight reel and a living reference for style. For skiers learning the craft, he offers a blueprint: build fundamentals until they read clean at any speed, on any feature, in any venue.