How To Switch Handplant

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So you've mastered Magnus' last tutorial on How To Handplant and now you're back for more, eh? Well luckily for you, Magnus is here to walk you through the ins-and-outs of Switch Handplants!

Nervous about starting on snow right away? Check out our Handplant Tramp Tutorial first so that you can master the basics with the Tramp Skis.

FILMED AT:
Zermatt Terrain Park: https://www.matterhornparadise.ch/de/Erleben/Skigebiet-Zermatt/Snowpark-Zermatt

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Read the full blog here: https://skiaddiction.com/blogs/tutorials/how-to-switch-handplant

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Magnus Graner

agnus Graner is a Swedish freeski icon whose influence reaches far beyond the contest circuit. Emerging from the Scandinavian scene, he helped redefine street skiing with a blend of creativity, precision and narrative filmmaking that inspired a global audience. As a leading member and cofounder of The Bunch, he has pushed the sport toward originality and storytelling, proving that progression is not only measured by bigger spins but also by new ideas, unexpected lines and an unmistakable personal style. His approach is anchored in balance, edge control and timing, which allows him to turn handrails, concrete ledges, wallrides and natural urban transitions into technical canvases. The result is a catalog of segments that reward repeat viewing and have shaped how skiers and filmmakers think about shot selection, spot preparation and editing rhythm. Graner became widely known through breakthrough film parts that contrasted playful body language with difficult trick architecture. He is associated with nosebutter entries, manuals, reverts and tap features that change direction midline without breaking flow. The Bunch’s collective process amplifies this, with sessions that prioritize experimentation and peer feedback. In that environment he refined a methodology based on scouting, winch use when necessary, shoveling and salting for speed control and a patient rehearsal of approach speed, pop timing and landing angle. Many of his most quoted shots combine technical difficulty with a visual twist, such as redirected spins, quick footed switch-ups or step-down transfers into narrow runouts. Those choices demand a detailed reading of snow texture, run-in length and fall line, all of which he and his crew document to reduce guesswork and repetition injuries. His reputation is also linked to standout performances in video-driven competitions. X Games Real Ski elevated his work to a broad audience and validated the importance of street segments as a competitive format. Within that framework he earned top honors and fan awards, demonstrating that creative skiing can be scored at the highest level when production quality and trick selection align with a clear concept. Real Ski forced tight timelines, weather adaptation and efficient filming logistics, skills that Graner and his collaborators have refined across winters. The ability to maintain energy and clarity through many nights of filming in variable conditions is a competitive advantage and a hallmark of his output. Beyond on-snow performance, Graner has invested in the tools and culture around the sport. As part of a new wave of athlete-entrepreneurs, he contributed to the creation of a rider-led ski brand from Sweden that emphasizes durable construction, simple graphics and shapes designed for both urban abuse and all-mountain play. This initiative connects design feedback directly to riders who spend entire seasons testing swing weight, flex patterns, mount points and edge durability on rails, stairs and rough landings. The feedback loop between filming and product development shapes skis that hold speed on marginal snow, release cleanly for surface swaps and survive repeated impacts without losing rebound. For younger skiers this represents a clear message: equipment is a creative partner, and iterative prototyping matters as much as gym work or trampoline sessions. Media craft is another axis of Graner’s influence. His films favor cohesive color, pacing and musical choices that serve the skiing rather than obscure it. He invites viewers into the process with behind the scenes moments that show the patience needed to build and maintain features, the respect shown to neighborhoods and the care taken to keep crews safe when working near traffic, water or construction. This transparency elevates the community’s standards around safety, permissions and clean-up, and it sets an example for crews who want to sustain filming in urban environments without burning bridges. The Bunch’s editing often juxtaposes technical bangers with casual, joyous cuts that remind audiences that fun is the engine of longevity. Graner’s training philosophy is pragmatic. He emphasizes foundations such as hip and ankle mobility, single leg strength for ollie-like pop on skis, and trunk stability for axis management during edge changes. On snow he builds lines from small, low consequence moves that scale into feature-length tricks, reinforcing habits like early spotting, decisive set and calm shoulders through impact. He treats fear management as a skill, using visualization, measured increments and rest discipline to avoid overuse injuries. This framework also informs his mentoring of younger riders, where he encourages realistic timelines, deliberate practice and respect for the body’s signals across a long season. As the sport evolves, Graner remains a reference point for authenticity. He appears at select events, releases polished video parts and collaborates with photographers and filmmakers who share a vision for artful progression. His career demonstrates that freeskiing can thrive outside the traditional contest calendar while still commanding mainstream attention and commercial support. The combination of street credibility, production excellence and product design involvement has made him one of the most influential skiers of his generation. For fans and aspiring riders, Magnus Graner represents the idea that originality is a sustainable competitive edge, and that the future of skiing is written by crews who experiment, document and share with intention.

Snowpark Zermatt

nowpark Zermatt is one of Europe’s signature freestyle destinations, set high on the glacier above the car-free village of Zermatt with the Matterhorn as a constant backdrop. The combination of altitude, reliable snow, and careful shaping creates a consistent training ground for skiers and snowboarders looking to progress in a world-class environment. Because it sits on glaciated terrain with lift access linking Swiss and Italian sides of the ski area, it draws crews and national teams throughout much of the year, especially during the warmer months when most resorts are closed. The park layout typically evolves with the season and temperature, but the philosophy remains the same: a clean mix of jump lines and rail features that allow riders to build confidence, layer difficulty, and produce clips that look cinematic. Medium to large jumps are usually set with predictable lips and wide decks, while the rail garden prioritizes variety, including straight rails, down rails, kinks, tubes, boxes, and creative transitions that reward balance and edge control. Shapers work early to match feature sizes to the day’s conditions, keeping lips true as the glacier softens in the sun and adjusting angles so takeoffs stay crisp for morning sessions. Altitude is central to Zermatt’s appeal. The high elevation preserves snow quality and gives riders a longer window for training and filming. Morning laps are the norm, with firm inruns and stable speeds early, transitioning to softer landings as the sun warms the park. Wind can be a factor on open glacier faces, so riders plan lines with gusts in mind and capitalize on calmer spells to hit the biggest features. On clear days, the light is sharp and the skyline adds natural production value to every shot, which is why so many film crews schedule projects here. Access logistics are straightforward by alpine standards. From the village, riders take the main gondolas toward the glacier, then connect to lifts serving the park zone. Because it is high-alpine terrain, timing matters: the most productive sessions usually happen in the first hours after opening, when salt and grooming are freshest and speeds are easiest to read. As temperatures rise, crews switch focus to rails, knuckles, and creative side hits, or move to all-mountain laps on the surrounding pistes where snow stays preserved in the shade. Safety and etiquette are emphasized due to the glacial setting. Spotting drop-ins, giving riders clear lanes, and inspecting landings are standard practice. Helmets and spine protection are common, and many athletes cross-train with trampolines and airbag sessions to reduce risk before committing to new rotations on the snow. The park’s shape team and patrol work together to mark closures, set boundaries away from crevasse zones, and adapt the setup as seasonal snow bridges change. Training culture is strong at Snowpark Zermatt. It is common to see national-team groups running structured drills alongside independent riders shooting for street-inspired edits or contest-style highlight reels. Coaches break tricks into progressions, focusing on approach speed, pop timing, axis management, and landing absorption. The park’s feature density makes it easy to repeat attempts and refine details like late grabs, shifties, and surface swaps. For contest riders, the consistent lips and measured step-downs simulate the feel of modern slopestyle builds, helping athletes maintain muscle memory between events. From a content perspective, Zermatt offers a unique blend of reliability and aesthetics. The glacial blue, the stark rock bands, and the Matterhorn profile turn ordinary lines into memorable sequences. Filmmakers plan angles that minimize glare and capitalize on shadow lines from towers and ridgelines. Drones and long-lens shots both work well here, and because the lift network is efficient, it is possible to stack a high number of takes in a single morning, an important factor for athletes balancing training volume with media output. The surrounding resort infrastructure supports long stays. Riders can tune equipment, rotate through multiple ski and board setups, and manage edge sharpness to handle both rails and harder morning snow. Because jump lips demand clean bases and predictable swing weight, many athletes mount park skis slightly forward of traditional marks to quicken rotations while maintaining landing stability. Boot fit and binding ramp angle receive extra attention to ensure consistent pop as the salt cycles change surface feel across the day. Snowpark Zermatt’s enduring status comes from its blend of environment, craftsmanship, and community. It remains a place where beginners can take meaningful first steps on smaller features while advanced riders push technical limits on jumps and rails that meet modern standards. The result is a venue that fuels both progression and storytelling, anchoring pre-season camps, mid-summer projects, and autumn tune-ups before the main competition calendar starts.