United States
Independent freeski crew and media project | Known for: Bonjour Brother and short ski edits | Focus: street skiing, park sessions and grassroots crew filmmaking.
Kingfield Killaz is a small independent freeski crew and video project whose documented work sits firmly inside grassroots North American ski culture. Public information about the group itself remains limited, with no reliable source currently establishing a founding year, complete roster, headquarters or formal company structure. Its identity is much clearer through the videos released under the KingfieldKillaz name. The project has published short ski edits including Spruce free ski day, Chill lofi ski mix for studying and Spring pass at loaf, showing a format based around everyday sessions rather than large commercial productions. The resulting style fits the crew tradition of filming friends, collecting seasonal clips and turning local skiing into compact edits.
The strongest documented project is Bonjour Brother. In October 2023, Newschoolers listed the Kingfield Killaz film in the first ALL URBAN ALL BANGERS street skiing video premiere in Montreal. The program placed Bonjour Brother alongside independent projects by Parker Guimond, Tchad Lemay, Raf Diaz, The Runge, Taylor Brooke Lundquist, Paakku, Trashparty, Xavier Mayrand and Child Labor. That context is useful because it confirms Kingfield Killaz as part of the street-ski film scene rather than simply a personal account uploading resort footage. Appearing in a dedicated urban skiing premiere also gives the crew a clearer cultural identity than the limited amount of biographical information available online would otherwise suggest.
Later uploads reinforce that small-scale approach. Spruce free ski day appeared in February 2024, Chill lofi ski mix for studying followed in March, and Spring pass at loaf appeared in May. These releases show continued activity after Bonjour Brother, spanning park-oriented sessions and informal seasonal edits. Kingfield Killaz remains too lightly documented to responsibly assign named members or a detailed history without speculation, but the available record is enough to identify a genuine freeski media crew with a particular connection to street and park culture. Its appeal lies in that simplicity: friends skiing, filming and releasing projects without the structure of a major production studio.