Jack Feick

Montana / United States | Active public archive: 2020-present | Known for: Montana Bandits, OS Crew’s FUEL and VORTEX, Entourage’s Too True | Discipline: street skiing, backcountry skiing, creative film

Bridger Bowl Before The Rope Dropped

Bridger Bowl had not opened yet, but the early storm had already pulled skiers to the base. Jack Feick stood in the cold Montana light with a camera-friendly grin, chasing snow, airtime and a story before the season had even officially started.

That Bridger moment gives the right entry into Feick’s archive. His profile does not come from a FIS results sheet, World Cup start list or X Games medal run. It comes from ski films, crew projects, self-produced Montana footage, OS Crew street parts and a willingness to turn local chaos into something watchable.

Montana State And The Camera Habit

The Ski Journal described Feick as a 20-year-old film student at Montana State University during the 2020 Bridger Bowl storm. That detail matters because his public ski identity has always sat between riding and filmmaking. He was not only trying to be in the shot. He was already thinking about how skiing becomes a scene.

Montana gives that work a specific tone. The snow can be deep, the access can be rough, and the crew energy often feels closer to a road trip than a structured production. Feick’s later projects carry that same rhythm: friends, jokes, powder, hits, bad ideas, good clips and edits that do not pretend skiing has to be polished to matter.

The Good, The Bad, And The Bandits

The Good, The Bad, and the Bandits gave the Montana Bandits their first full-film marker in 2021. The Newschoolers description framed it as a self-produced project made on the crew’s own dime, with the clear goal of making ski movies feel funny, loose and less serious again.

That statement is essential to Feick’s page. Montana Bandits was not introduced like a brand-polished team film. It was closer to a friends-first answer to ski movies that felt too clean. The point was not only the skiing. It was the tone: absurd, personal, rowdy and built around the idea that making a ski movie should still feel like a dare.

FUEL On The West Coast Street Run

OS Crew’s FUEL, released in 2021, widened Feick’s archive beyond Montana. iF3 described the movie as OS Crew’s sixth film, built from a season traveling up and down the West Coast filming mostly street skiing. The page specifically mentions full parts from Jack Feick, Zach Schuereman, Graham Gray and Mason Kennedy.

That credit matters because a full part inside an OS Crew film is not a casual appearance. OS Crew’s language is street-first: rails, city spots, cold approaches, rough landings, winch pulls, short inruns and riders helping each other solve features that were never built for skis. Feick’s presence there places him inside a wider North American street-ski network.

How Feick Moves Between Metal And Snow

Feick’s skiing should be watched as hybrid crew skiing. He is not easy to reduce to one category. Street clips ask for rail pressure, compact takeoffs, switch exits and patience through awkward landings. Montana footage asks for speed, natural takeoffs, soft-snow recovery and enough instinct to keep a line alive after impact.

The useful details are how he adapts. In a street film, the best trick may depend on one clean slide through a hostile rail. In the backcountry, the clip depends on reading the takeoff, trusting the landing and keeping the camera in mind. Feick’s profile works because he can live in both environments without making either one feel like a side project.

Bandits Unchained And The Third Montana Film

Bandits Unchained became the clearest Montana Bandits credit attached directly to Feick’s name. PowHub describes it as the crew’s third full-length Montana ski film, set in Montana, 37 minutes long, directed and edited by Jack Feick. The skier list includes Feick, Finn Histon, Chris Erhard, Robert Foster, Wyatt Smith, Jeremy Pascal and Chris Riley.

That directorial credit shifts the page. Feick is not only a skier inside the Montana Bandits world. He is one of the people shaping how the crew is seen. Directing and editing a ski film means choosing the tone, the order, the crashes, the jokes, the music, the shots that stay and the ones that disappear.

VORTEX And The OS Crew Return

VORTEX brought Feick back into the OS Crew archive in 2025. Newschoolers lists the film as OS Crew’s tenth annual movie, built from street, powder, spring builds and a private park shoot. The roster includes Mason Kennedy, Kyle Johnston, Trevor Hattabaugh, Ben Moxham, Ian Russell, Graham Gray, Carson Sharp, Anton Holter, Josh Karcher, Jack Feick and others.

That range fits him well. VORTEX is not a rail-only film and not a pure backcountry movie. It moves between different surfaces and different problems. Feick’s inclusion makes sense because his archive already crosses those lines: Montana backcountry energy, West Coast street work, spring features and a filmer’s understanding of what makes a clip hold together.

Too True With The Bozeman Entourage

Entourage’s Too True gave Feick another strong 2025 marker. Newschoolers lists him in the skiing roster with Daniel Johnson, Nicholas Johnson, Rylan Messner, Luke Price, Benny Smith, Andrew Bird, Jasper Skidmore, Dylan Roide and Jack Dery. Jacques Price directed the film.

FREESKIER described Too True as the sixth feature from Bozeman-based Entourage, a crew that had been building its place through street clips, pillow lines, kickers, powder fields and backcountry-heavy footage. Feick’s name in that roster connects him to one of the current Montana-centered crews giving independent ski films a wider audience.

Montana Bandits, OS Crew, Entourage

The three strongest tags in Feick’s ski archive are Montana Bandits, OS Crew and Entourage. Each one gives a different angle. Montana Bandits explains his home-film identity. OS Crew explains the street-skiing and West Coast connection. Entourage connects him to Bozeman’s broader mix of powder, urban clips and backcountry creativity.

That combination makes him more than a one-film rider. He appears across multiple crew ecosystems, and he has credits both in front of the camera and behind the edit. For skipowd.tv, that is the main value: Feick’s page should be filed as creative film / street / backcountry crew culture, not as a contest biography.

No Contest Résumé To Inflate

There is not enough reliable public information to build Feick’s page around FIS results, national-team status, X Games appearances, Dew Tour rankings or a confirmed personal sponsor roster. Some public pages and social accounts point to coaching, mountain biking and personal projects, but the strongest verified ski archive is film-based.

The equipment frame should also stay careful. Project pages confirm film rosters and crew credits, not exact skis, boots, bindings or outerwear contracts. The functional reading is enough: Feick’s skiing needs a setup that can handle rails, soft snow, spring builds, rough landings and long filming days where the skier may have to repeat a trick until the shot finally works.

Where The Feick Archive Belongs

The strongest skipowd.tv tags for Jack Feick are Montana Bandits, Bridger Bowl, Montana State, OS Crew, FUEL, VORTEX, Entourage, Too True, Bandits Unchained, The Good The Bad and the Bandits, street skiing, backcountry skiing, spring builds, ski film, directing and editing.

The current endpoint is clear: VORTEX and Too True in 2025, after the Montana Bandits film run and FUEL with OS Crew. Future updates should track new Montana Bandits projects, Entourage appearances, OS Crew credits, directorial work, verified sponsor pages and any full film where Feick continues building the line between skier, filmer and crew organizer.