Alek Solberg

Profile and significance

Alek Solberg is a park and street-focused freeski rider rooted in the Norwegian scene, part of the new wave of creative jib skiers who are building their name more through web edits, crew projects and alternative contests than through traditional World Cup circuits. He appears as one of the riders in the Capeesh crew’s “Schøneben” project, a high-profile edit filmed during a team retreat in Austria and tied to the long-term filming for Ethan Cook’s movie “Catpiss,” which immediately put him on the radar of dedicated freeski fans following that crew’s output.

Alongside his film work, Solberg is also an am-team rider for the fashion-driven Capeesh brand, officially welcomed to the team in early 2025, which further positions him as part of a carefully curated group of jib and style specialists rather than a broad, results-only roster. His name pops up across core media and social channels, from Norwegian freestyle posts to international park accounts, signalling that he is an emerging skier whose influence comes from style, spot choice and crew association as much as from any leaderboard.

Competitive arc and key venues

Unlike athletes who follow the classic FIS slopestyle pathway, Solberg’s competitive arc is shaped by projects such as Jib League and grassroots events in Norway. At Jib League, an alternative rail-heavy contest series, he has qualified out of the open jam and into the pro session, riding alongside established names in a format that rewards technical rail lines and creativity over rigid spin counts. That qualification is a strong marker of his level, since the event attracts many of the best jib-oriented skiers from Europe and North America.

On the home front, Solberg appears frequently around Trysil, Norway’s largest ski resort, which features multiple snowparks and a dense lift network that lend themselves to lap-heavy progression. Official resort and federation channels have highlighted park contests and podiums at Trysil, including images where national freeski accounts tag him, underlining his presence in the domestic competitive scene even if full result lists are less widely documented. The combination of Jib League exposure and recurring appearances at Norwegian resort events frames him as a rider who thrives in courses built around rails, side hits and creative features rather than in purely jump-driven formats.

Beyond Norway, his edits point to important international venues in his development. In “TRYSIL SYMPHONY,” a park edit hosted on a core freeski video platform, he features in a short project filmed over a week in Trysil, while another edit, “Slushy Strike,” captures a trip to the long, feature-rich park lines of Absolut Park in Austria. These projects show how his skiing travels well from home snow to one of Europe’s most renowned freestyle resorts.

How they ski: what to watch for

Although Solberg is still early in his public career, the contexts where he shows up tell you a lot about how he skis. Capeesh projects such as “Schøneben” focus on creative jibbing on everything from standard park rails to roofs, bins and street furniture, and he fits comfortably into that environment, treating the whole landscape as a potential setup rather than just riding the obvious features. Clips from Austrian sessions at Absolut Park shared by park-focused social accounts highlight his ability to spin big while keeping a relaxed posture, with captions emphasising both rotation and style rather than just the trick name.

In park edits from Norway, his lines typically link multiple rail hits with jumps instead of treating them as separate tasks, a hallmark of riders who grew up thinking in “lines” rather than single-feature tricks. Watching his skiing, you are likely to see him enter rails confidently, hold slides or presses for longer than strictly necessary, and then exit with clean speed into the next feature. On jumps he tends to keep his movements compact and readable, focusing on smooth take-offs and controlled landings instead of exaggerated body language. For viewers, the key things to watch are how he uses speed between features and how he manages balance on rails that offer transfer or gap options.

Resilience, filming, and influence

Being part of the Capeesh crew and the broader “Catpiss” filming cycle means Solberg is working in an environment where the bar is set high, not just for tricks but for overall segment quality. Crews like this typically spend multiple seasons stacking clips for a single film, returning to the same spots in Austria, Norway and beyond until they get shots that stand up next to those of their most established riders. For a younger skier, keeping pace in that setting requires resilience: long days of hiking features, taking repeated impacts and dealing with the mental challenge of landing technical tricks with a camera running.

This filming-first path also shapes his influence. Instead of being known for a single contest run, Solberg’s reputation spreads through edits, social fragments and full-crew projects that get replayed all season by dedicated park skiers. When an edit like “Schøneben” gets covered by freeski media and culture sites, his name sits in the rider list next to big, well-known pros, which naturally makes younger viewers look him up, find his own edits and follow his progression from local park skier to recognised crew member. In that sense, his impact is already larger than his competition résumé might suggest.

Geography that built the toolkit

Geographically, Solberg’s skiing is anchored in Norway but extends into some of Europe’s most important park destinations. Trysil’s extensive network of lifts, varied snowparks and long winter season provide a natural training ground for park riders, with enough terrain variety to build both jump and rail skills on repeat. Regular features of his edits and tags indicate that he spends significant time here, building trick consistency in a resort environment designed for high-frequency laps.

Further south, Austria has become another key piece of his toolkit. Absolut Park in Flachauwinkl is known for its long lines, carefully shaped jumps and dense rail sections, giving him the opportunity to test lines that look and feel more like those in international contests and high-end content shoots. At the same time, the Capeesh crew’s filming retreats in Austria for “Schøneben” push him into more improvised, street-style setups around chalets and resort infrastructure. Add in occasional appearances in content linked to other European hotspots, and you get a skier who is comfortable adapting his park-driven skills to different types of snow, features and locations.

Equipment and partners: practical takeaways

Public information about Solberg’s gear is limited, but one partnership stands out clearly: his place on the am roster for Capeesh, a fashion-oriented freeski brand that operates as much like a design house as a traditional outerwear company. Being chosen for that team suggests that his skiing and personal style align with a strong visual identity centred on rails, street spots and creative park lines. Capeesh pieces are built with frequent contact with metal and hardpack in mind, so durability and freedom of movement are likely priorities in his outerwear choices.

For progressing skiers, the practical lesson is less about copying exact products and more about matching gear to the kind of skiing you want to do. Solberg’s path—heavy on rails, edits and alternative contests—implies a setup built around twin-tip park skis with a flex that allows for presses and butters but still supports bigger impacts, boots that offer solid foot hold for precise edging on rails, and clothing that you are happy to wear all day in both resort parks and more improvised urban setups. His example shows that having a clear identity in how you ski and present yourself can be just as important as the technical details of your kit.

Why fans and progressing skiers care

Fans who follow modern freeski culture care about Alek Solberg because he represents the kind of rider who keeps the park and street side of the sport moving forward beneath the surface of mainstream coverage. He is part of a carefully selected crew, visible in a well-received Austrian edit, active in Jib League sessions and present in independent projects that circulate widely among core audiences. That combination makes him one of the young names to track if you want to understand where jib-driven freeskiing is heading in Scandinavia and central Europe.

For progressing skiers, his trajectory is particularly relatable. Instead of chasing only big federated contests, he builds his profile through consistent filming, strong appearances in alternative formats and a clear stylistic direction that fits with a brand like Capeesh. Watching his edits from Trysil and Austria, and following his role in crew projects, you can see a realistic pathway: focus on your local parks, find a crew that shares your vision, and use smaller edits and creative events as stepping stones toward bigger projects. In that sense, Alek Solberg’s story is less about instant stardom and more about steadily earning a place in the crews and films that define the future of freeski culture.