Jérémy Gagné

Profile and significance

Jérémy Gagné is an emerging Canadian freeski rider from Stoneham, Québec, working his way from national circuits to regular World Cup starts in slopestyle and big air. A graduate of the Stoneham Acrobatic Ski Club, he joined Freestyle Canada’s NextGen group in 2023 and quickly converted junior promise into senior-level consistency. In 2023 he closed out the domestic season as overall Toyo Canada Cup freestyle champion, then carried that momentum onto bigger stages with top-16 World Cup finishes the next winter. His appeal is straightforward and durable: readable difficulty at full speed. Approaches are squared early, grabs are functional rather than decorative, and landings keep enough speed to let the next decision arrive on time.

Competitive arc and key venues

Gagné’s résumé charts a steady climb. After NorAm podiums in 2022–23, he stepped into the 2023–24 World Cup with credible finishes, including 15th in slopestyle at Stubai and 13th in big air at Chur. He returned to North America with a 13th in slopestyle at Mammoth Mountain, proof that his habits translate across course designs and snowpacks. In 2025 he added major-championship experience at the Freestyle World Championships in St. Moritz, posting a complete three-run series in big air and finishing in the top 30 overall. He also lined up at the Stoneham World Cup slopestyle at home and started at the U.S. Grand Prix stop at Buttermilk in Aspen—venues that reward broadcast composure as much as trick lists. Venues tell part of his story. Early repetitions at Stoneham and nearby Le Relais built edge honesty and quick setups on firm laps; World Cup blocks at Mammoth Mountain and Aspen’s Buttermilk added the precision and pacing that televised courses demand; Québec’s scene-driven gatherings at Vallée du Parc reinforced line design under the pressure of a live crowd.

How they ski: what to watch for

Gagné skis with deliberate economy. On rails he centers mass on contact and locks in decisively, which turns surface swaps into clean, finished shapes rather than wobble. Exits protect momentum so the next feature arrives naturally. On jumps he manages spin speed with deep, stabilizing grabs—safety, tail, or blunt depending on axis—arriving early enough to quiet rotation and keep hips stacked over the feet. Directional variety shows up without breaking cadence; forward and switch, left and right, the choices serve the line instead of a checklist. If you’re watching in real time, track spacing between moves and the length of the grab—two cues that explain why his bigger tricks look unhurried.

Resilience, filming, and influence

World Cup winters are long and unforgiving, with travel, variable weather, and changing course radii week to week. Gagné’s consistency comes from process. He treats the grab as a control input, not a flourish; he “finishes” spins with time to ride out centered; and he trims speed with small, on-purpose checks that do not spill into the landing. Those habits helped him stack respectable results early in his World Cup life and made his clips easy to present at normal speed. At home, appearances at community-led sessions in Québec keep him visible to developing riders who value a blueprint more than a highlight reel: smooth entries, clean exits, and lines that hold their shape from first feature to last.

Geography that built the toolkit

Place explains the feel of his skiing. The Québec City corridor provides dense repetition across two complementary hills: Stoneham for longer laps, night sessions, and contest-style sections; Le Relais for compact in-runs, efficient rail gardens, and high-frequency practice. Add spring missions and national-team camps at larger venues like Mammoth Mountain and televised stages at Buttermilk, and you get a toolkit that survives different snowpacks and approach angles without changing its identity.

Equipment and partners: practical takeaways

Gagné’s partner mix reflects rider-led culture and repeatable feel. Shop support from Québec institution D-Structure keeps his setups tuned and reliable. Outerwear and streetwear from Vulgus match a day-after-day filming and training rhythm, while Armada provides park-capable platforms with predictable swing weight and pop. For progressing skiers, the lesson is category fit over model names: symmetrical or near-symmetrical park skis mounted so presses feel natural without sacrificing takeoff stability; fast bases so cadence doesn’t depend on perfect weather; and edges sharp enough to hold on steel yet softened at contact points to avoid surprise bites on swaps.

Why fans and progressing skiers care

Jérémy Gagné matters because he turns the modern freeski syllabus into something most riders can study and copy. Domestic titles, credible World Cup finishes, and major-event reps show a ceiling still rising; the mechanics—early commitments, functional grabs, centered landings—make the skiing readable at full speed. For viewers, that means runs worth replaying. For skiers, it’s a checklist you can practice on your next lap: square the approach, use the grab to stabilize the axis, finish the trick with time to spare, and leave every feature with enough speed for the next move.