United States | Active: 2018-present public video record | Known for: Dicky Days, SuperUnknown XVIII, LINE Skis projects, park and creative ski films | Current: Independent creative freeski presence
The Utah trip started with sun, then the storm shut the canyon and changed the plan. LINE’s Chronic Crew did not switch into a powder-only film. They kept testing park skis through Alta, Snowbird and Woodward Park City, turning messy weather into “Canyon Closed.” Dicky Thomas appears in that 2023 crew alongside Mitchell Brower, Lisa Zimmerman, Robert Ruud, Thomas Trifonitchev, Ana Eyssimont, Pete Koukov, Simeon Glas and Jed Waters. That setting fits his public profile: part skier, part filmer, part comic narrator, part park-rat character moving through edits where personality is as visible as the tricks.
Thomas’ clearest individual archive is the “Dicky Days” series on Newschoolers. “Dicky Days #7: The Predickament” was published in October 2022 and framed itself as a chaotic freestyle-ski travel piece through Minnesota, Oregon, Utah and Kansas. The description names him as Dicky Martin Thomas, lists friends including Walker Shredzz, Alex Koford, Jed Waters, Tucker Fitzsimons, Sean Fitzsimons, Bennie Osnow and Chris Newett, and thanks LINE Skis, Full Tilt Boots and Pinewskis. The tone is deliberately absurd, but the ski-culture signal is real: Thomas uses skiing as the spine for a larger comic road-film format.
“Dicky Days #8: Unpredicktable,” published in February 2025, makes that creative direction even clearer. The Newschoolers description presents the film as a push against 10-to-60-second short-form content, name-checking ski-film storytelling and older movie influence rather than only trick clips. That matters because Thomas is not documented like a conventional contest skier. His archive is built around authored episodes, self-aware narration, friends, travel, humor, park skiing and the decision to make skiing feel like a story instead of a highlight reel. For skipowd.tv, that makes him a creative profile more than a results-table profile.
Thomas’ strongest contest-adjacent marker is SuperUnknown XVIII. Prime Skiing’s 2021 recap lists Dicky Thomas at #6 among the semifinalist videos, in a group that also included Skye Clarke, Mason Kennedy, Mathias Høgås, Drew Hooker, Bode Raffa, Chris Bechtold, Tanner Blakely, Finley Good, Christian Gander, Andreas Herranz, Nick Westland, Konnor Ralph and Isabella Tvede. SuperUnknown is not a standard FIS contest. It is a video-selection system where skiing must read through clips, style, trick choice and personality. Thomas’ semifinalist placement fits the same pattern as the Dicky Days work: footage first, score sheet second.
In December 2023, Thomas appeared in “Vulgus at PC,” a Newschoolers edit filmed and edited by Noah Woodford. The rider list places him with Durham Jones, Tommy Dejager, Campbell Burrows and Charlie Aber at Park City. That small roster is useful because it places Thomas inside the current park-and-rail crew lane around VULGUS365. It is not a full individual part, but it confirms that his public presence continued after SuperUnknown and Dicky Days, tied to riders who move between Futures Tour, street edits, AKamp sessions and short crew videos.
Thomas also appears in the Nick Schoess / Newschoolers Originals orbit. “The Magnificent Senders,” published in October 2023, lists Dicky Thomas both in additional filming and in the skiing order, alongside Atticus Parker, Jack Fritz, Cayden Wood, Jed Waters, Paul Marik, Nick Schoess, Alex Young, Sam Lobinsky, Mike Kennedy and Hans Wiener. That dual credit matters. It suggests Thomas is comfortable on both sides of the lens, which matches the Dicky Days identity. His skiing belongs to the same culture as Mt. Hood summers, Woodward Park City laps, Midwest rails and friends filming friends until the edit has enough personality to stand alone.
The verified public sources do not provide a clean official trick inventory, so the technical reading should stay conservative. Thomas is best described as a park and creative-video skier, with evidence pointing toward jumps, rails, summer laps, travel edits and comic film structure. “The Predickament” description repeatedly frames the crew around corking, park travel and freestyle chaos. “Canyon Closed” places him inside a Utah park-ski project built around the Chronic line. “Vulgus at PC” places him in a rail-and-park session. Those contexts support a profile based on feature skiing, jump comfort, crew timing and filmed personality rather than formal competition rankings.
No reliable public source found for this profile confirms a FIS record, national-team place, X Games start or Olympic pathway. The verified record is narrower but still useful: SuperUnknown XVIII semifinalist visibility, Dicky Days #7 and #8 as authored ski-film projects, a LINE Skis Chronic Crew credit, Vulgus at PC, and a Schoess / Newschoolers Originals appearance with both skiing and filming credit. That makes Dicky Thomas a legitimate creative freeski profile: not a medal-table athlete, but a skier-filmmaker figure whose value comes from park footage, humor, crew edits and long-form ski storytelling.