Haruki Van Veenendaal
Canada | Active public archive: 2021-present | Known for: Grouse Mountain clips, Seymour filming, 21 Gun Salute, CHEF sessions | Current: skier-filmer and visual creator
Grouse Fog With A Camera In The Rotation
The park at Grouse can disappear into fog fast: wet snow under the skis, city lights below, and a rail line that has to work before the visibility changes. Haruki Van Veenendaal’s public ski archive belongs to that kind of North Shore session, where the skier and the filmer are often the same person.
His profile is not built around FIS results, X Games starts, or Olympic qualification. The available record points instead toward a creative Canadian park and street skier who works through crew videos, camera credits, local edits, and visual projects. The most useful angle is simple: Haruki Van Veenendaal is part of a Vancouver-area ski-video ecosystem where Grouse Mountain, Seymour, CHEF, and independent filming carry more weight than competition bibs.
21 Gun Salute And The First Clear Archive
21 Gun Salute, published on Newschoolers in June 2021, is the strongest early public marker. The listing credits Haruki van Veenendaal as one of the filmers alongside Evan Friesen, Thomas Kok, and Simon Burns. It also lists him among the skiers, with Lochlan Wilson, Chris Grillman, Bryce Menning, Evan Friesen, Simon Burns, Ryder Bartlet, Marcus Vanheyst, Joel Macnair, Thomas Cok, Ronan Hoey, and other riders.
The location line matters as much as the names. 21 Gun Salute was tied to Grouse Mountain and Seymour Provincial Park, with special thanks to Grouse parks, Seymour Provincial Park, and Lines Apparel. That gives Van Veenendaal’s page a precise foundation: North Shore park skiing, local crew production, rails, street tags, jumps, backcountry touches, and a 12-minute video built from a shared group rather than a single athlete spotlight.
Grouse Mountain As A Working Studio
Grouse Mountain functions like a studio in this archive. It is not only a resort name. It is where local riders can repeat a rail line, adjust speed, trade filming duties, and turn limited conditions into usable footage. That kind of hill rewards adaptability: short approaches, wet snow, low light, fast weather shifts, and features that may feel different every hour.
Van Veenendaal’s repeated connection to Grouse makes sense inside the broader CHEF and North Vancouver scene. The mountain has appeared in multiple crew-video contexts, from spring park edits to last-days-of-season sessions. For a skier-filmer, that environment is valuable because the hill is close enough to return often, small enough to know well, and flexible enough to build a visual language around repetition.
Seymour And The North Shore Range
Seymour Provincial Park gives the archive a second North Shore anchor. In 21 Gun Salute, the location pairing of Grouse and Seymour suggests a mixed local season rather than a single-resort recap. Seymour brings a different texture: trees, sidecountry access, changing coastal snow, short backcountry approaches, and a less polished feel than a purpose-built terrain park lane.
That combination is useful for reading Van Veenendaal’s skiing. A pure park skier can stay inside shaped features. A North Shore creative skier often has to move between park rails, rough snow, quick natural hits, roadside ideas, and crew-built transitions. The footage record suggests that Haruki’s identity is not limited to one discipline label. It sits between park, street, filming, and local terrain interpretation.
The Browns And The CHEF Connection
CHEF’s the browns, published in April 2026, gives Van Veenendaal a more recent crew-video marker. The Newschoolers listing describes it as “Last days of Grouse” and names Will Penrose, Stephen Siska, Haruki Van Veenendaal, Alex Thucydides, Finian SL, Jarl Whist, Travis Reid, and Finn Case. Filming credits go to Nick, Josh Nicholson, and Will.
That appearance is important because it places him near an active Canadian crew network rather than leaving him as a one-video name from 2021. CHEF’s recent archive has leaned into Grouse, North Vancouver, hand-tow sessions, street-adjacent edits, and tight group projects. In that setting, Van Veenendaal fits as a skier connected to a living scene, not only an older upload.
Skier, Filmer, And Visual Worker
The skier-filmer overlap is central to this profile. Van Veenendaal’s own portfolio presents him as a visual creator, with work categories that include ski-related projects such as Surface Grind Series - Ski and Chef Sessions. That does not make every project a ski part, but it does show that his public creative identity extends beyond appearing in front of the camera.
This matters for skipowd.tv because many modern freeski profiles are no longer built only from athlete results. A skier who films, edits, shoots, or contributes to event visuals can shape the culture from multiple angles. Van Veenendaal’s archive should therefore be written as a hybrid profile: part rider, part filmer, part creative contributor around the North Shore scene.
Low-Tide Problematic, Leap Of Faith, And Small Upload Signals
His Newschoolers account also lists smaller projects beyond 21 Gun Salute. The archive includes Leap of Faith from 2022, Low-tide Problematic from 2024, and THERE'S A BEAR OUT THE DOOR RN from 2024. These titles do not provide detailed competitive context, but they do show continued activity around self-published ski and crew footage.
The low-tide title is especially fitting for coastal skiing. A low-snow winter changes what can be filmed: smaller rails, patchy landings, hiking instead of lapping, features that look half-ready, and tricks chosen around survival rather than perfection. That is the practical side of creative skiing in British Columbia. The edit does not need a perfect park to say something about the skier’s eye.
How Haruki’s Skiing Reads From The Available Record
Because the public archive is video-led, the safest technical reading is broad rather than over-specific. Van Veenendaal belongs around park and street vocabulary: rail entries, switch movement, short-feature speed control, press balance, wall or side-hit timing, and the ability to make a clip work inside tight terrain. The evidence does not support claims about specific contest tricks or elite slopestyle rankings.
The filming side adds another layer. A skier who also works behind the lens usually reads a spot differently. He thinks about where the camera can stand, how the feature fits the frame, whether the light will hold, and how many attempts the crew can realistically take. That awareness often changes the skiing itself. The line becomes visual before it becomes technical.
Where He Fits In The Vancouver Ski-Video Map
Van Veenendaal’s best placement is within the Vancouver and North Shore creative ski map. The key markers are Grouse Mountain, Seymour Provincial Park, CHEF, 21 Gun Salute, the browns, Harukivanv uploads, and ski-related portfolio work. His record is narrower than a sponsored contest athlete, but it is coherent enough for a creative freeski biography.
That map also explains why the profile should stay grounded. There is no need to invent a national-team path, a sponsor list, or a full filmography that the sources do not show. The value is in the local specificity: wet coastal snow, friends filming friends, Grouse park laps, Seymour sessions, and a skier whose archive sits as much in camera work as in tricks.
The Current Archive To Track
The current public endpoint is clear: 21 Gun Salute in 2021, smaller Harukivanv uploads in 2022 and 2024, CHEF’s the browns in 2026, and portfolio work connected to ski visuals and CHEF sessions. That makes Haruki Van Veenendaal a low-profile but real creative freeski subject.
Future updates should track new CHEF appearances, any Surface-related ski project, additional Grouse or Seymour edits, and whether his own portfolio expands the ski-film archive. For now, the strongest description is accurate and compact: Canadian skier-filmer, North Shore park and street context, and a creative presence around Grouse, Seymour, and CHEF.
