Browser Magazine

Brand overview and significance

Browser Magazine, often referred to as Browser Ski Magazine or simply Browser Mag, is a print-first freeski magazine backed by a tightly curated digital platform. Launched with Issue 01 in 2023, it set out to revive something that felt almost extinct in skiing: a thick, collectible magazine dedicated to the most creative corners of the sport. The project is driven by filmer and editor Owen Dahlberg and a close-knit crew of riders, photographers and writers who live inside the modern park, street and film scene.

On its website, Browser describes itself as a collective showcasing “untold stories and a side of skiing that does not usually get the limelight.” That mission shows up both in print and online. The magazine’s pages are heavy with photo-driven features, rider profiles, interviews and behind-the-scenes looks at street crews, film projects and underground events, while the website and YouTube channel host a handpicked catalog of full-length movies and standout edits. Browser becomes a bridge between the physical world of magazines and the fast-moving world of ski video premieres and digital releases.

Within the broader skipowd.tv ecosystem, Browser Magazine sits at the cultural core of park and street freeskiing. Where many big media outlets lean toward heli trips and big-budget backcountry, Browser spends its energy on handrails, parking-lot sessions, midwinter city trips, spring park shoots and the people who make those projects happen. If you are the kind of skier who knows film names as well as resort names, Browser is one of the brands quietly shaping what you watch and how you talk about skiing.

Product lines and key technologies

Browser’s main “product” is its print magazine series. Issue 01 arrived with 122 pages of ski content in a large 8.5×11-inch format on 118 gsm paper—closer to a coffee-table book than a throwaway catalog. It featured an interview with Ferdinand Dahl around the launch of Jib League, an origin story with the Vexed crew, and photography from projects like Forre, ON3P 6, Magma 3, Jib League and more. Issue 02 followed with 114 pages including rider profiles on Jed Waters and Reece Rule, an “Off the Leash” origins piece written by Phil Casabon, camera-talk interviews with Noah Woodford and a deep dive into the process of prominent freestyle projects.

Issue 03 stepped things up again to over 200 pages, including a Hazard crew article about filming for “Headache,” a detailed look at Sugarbush Parks, a Level 1 in Finland feature, an interview with Olympic medallist Devin Logan and a spot check on the now-iconic orange bridges in Finland. Issue 04, handed out at the 2025 Browser Video premiere, continued that trend with extensive photography and stories from riders and filmers deeply embedded in the scene. Each issue reads like a time capsule of a specific slice of modern skiing, with recurring names like Alex Hall, Hunter Hess, Max Moffatt, Cole Richardson and many more appearing through articles and photos.

Alongside print, Browser runs a curated digital library on its website. Rather than hosting everything, it selects standout projects and presents them in an organized, magazine-style layout: MAGMA 3, KEESH 3, KIMBO HEAVEN, “ash,” “Baker View,” ON3P 6 and 7, Surface Skis projects, Strictly movies, Wells brothers films and a long list of independent productions all sit under the Browser banner. Many films are badged as “Presented by” specific crews or brands, making the site a hub for full-length freeski cinema rather than short clips and algorithm-driven scroll. This combination of physical magazine and digital curation is the closest thing skiing currently has to a “Thrasher-style” reference point for film culture.

Ride feel: who it’s for (terrains & use-cases)

Browser Magazine does not sell skis, boots or bindings, but it has a very clear “ride feel” in terms of the skiing it celebrates. The brand lives where park laps, street missions and film projects overlap: multi-day rail trips in the Midwest, night-shoots at Brighton and other Wasatch parks, spring features at Mount Hood, Finnish street spots, and heavy park lines filmed across Europe and North America. If your skiing involves shovels, winches, bungees and tripod legs as often as lift tickets, Browser speaks directly to that reality.

For resort-focused skiers, Browser’s perspective lines up with park and side-hit culture: long days in the park, rails under floodlights, and crews who stack clips between work or study. For street skiers, the magazine reflects the feel of winter in real cities—industrial stair sets, low-snow urban missions and the creative re-use of architecture. Many of the projects featured in its pages and on its site involve riders balancing remote powder trips with nights in parking lots or under highway bridges, all with the same attention to line choice and style.

At the same time, Browser is not exclusively about metal and concrete. Plenty of the films it hosts mix backcountry jumps, inbounds powder and natural terrain with park and urban segments. For skiers who see freeskiing as one continuous spectrum—from early-season rope-tow laps to late-spring trips and everything in between—the magazine offers a view of the sport that feels more like everyday reality and less like a highlight reel of heli drops.

Team presence, competitions, and reputation

Browser’s “team” is best understood as a web of collaborators rather than a standard roster. Through its issues and film selections, the magazine repeatedly works with many of the most influential riders, filmers and crews in today’s freeski world. Names like Alex Hall, Hunter Hess, Colby Stevenson, Nico Porteous, the Wells brothers, Ferdinand Dahl, Taylor Lundquist, Max Moffatt and a long list of others show up as feature subjects, interview partners or central characters in Browser-backed projects.

On the filmer side, the magazine is knitted tightly into crews such as MAGMA, Hazard, Vexed, Strictly, Child Labor, KEESH and more. Articles in Issues 2 and 3 dig into the process behind projects like “Headache,” Level 1’s filming blocks in Finland, and long-running collectives that have shaped how park and street edits look. By giving filmers their own bylines and multi-page spreads, Browser elevates the craft behind the camera as much as the tricks in front of it.

Competition coverage is indirect but important. Many of the skiers who appear in Browser’s pages are Olympic medallists, World Cup winners or X Games champions, yet the magazine focuses on their film work, style and creative process rather than just podium statistics. That editorial choice has earned Browser a reputation among core skiers as “for us, by us” media: content that respects competitive achievements but measures impact primarily in terms of culture, influence and repeat-watchable segments.

Geography and hubs (heritage, testing, venues)

Browser Magazine’s physical launch into the community has been strongly tied to Salt Lake City and the Wasatch scene. In October 2025, the Browser Video premiere took over a full cinema in Salt Lake City, Utah, with surround sound, theater seating and a full-length film structured to feel like flipping through a magazine. Attendees left the event not only with memories of the screening but with a copy of Issue 4 in hand, underscoring the brand’s commitment to connecting print and video in the same experience.

From that Utah hub, Browser’s content stretches widely. Its print pages and online library feature spot checks on Finnish street infrastructure, deep looks at parks like Sugarbush, behind-the-scenes stories from Level 1 trips to Scandinavia, and long-form pieces tracing the routes of North American film crews. Many Browser-presented projects are filmed across the United States, from Midwestern rope-tow hills to Colorado and the Pacific Northwest, then on to European capitals and glacier parks.

Because Browser functions as a curator, its “testing grounds” are the same mountains, parks and city streets that define the modern freeski map: Brighton and other Wasatch resorts, Finnish urban zones, Canadian interior hubs, European park strongholds and summer stints at Mount Hood. When a film appears under the Browser umbrella, it usually means that project has already proven itself in these real-world arenas—premiere tours, online releases and word-of-mouth among riders—before being granted a more permanent home in print and on the site.

Construction, durability, and sustainability

In a literal sense, Browser’s construction priorities are focused on the magazine itself. Issues are printed on relatively heavy 118 gsm paper, with page counts that often exceed 100 and have climbed beyond 200. The large 8.5×11-inch format gives photographers full-page canvases and allows text to breathe, making each issue a durable object meant to live on shelves and coffee tables rather than disappear into recycling after a single read. Small details—clean typography, subtle layout, careful color grading and full-bleed images—reflect the same attention to craft that Browser looks for in the films it features.

There is also a “durability” aspect to the digital curation. By collecting full-length movies in one place and framing them with titles, thumbnails and simple descriptions, the Browser site resists the constant churn of social media. A film like “MAGMA 3,” “KEESH 3,” “ash” or “Rendition” does not just flash past in a feed; it sits in a recognizable slot, easy to find months or years later. That archival mindset helps preserve projects that might otherwise get buried by the next wave of content.

On sustainability, Browser operates at a scale where the biggest levers are cultural. It encourages skiers to value depth and craft—spending time with a 200-page magazine or a 20-minute film—over disposable clips. Print runs are limited, and each issue is designed to be kept, traded and revisited, reducing the need for constant reprints. By reinvesting energy into stories, process pieces and behind-the-scenes reporting, the magazine also supports crews that are already trying to make filming and travel more thoughtful rather than simply bigger.

How to choose within the lineup

For skipowd.tv users looking to dive into Browser, the obvious starting point is choosing an issue. If you are drawn to the emergence of the project and the early articulation of its mission, Issue 01 functions as the origin story: an interview with Ferdinand Dahl around Jib League, the Vexed narrative, and photography tied to projects like Forre and ON3P 6. It reads like a manifesto for a new kind of ski magazine that wants to put street, park and independent films back at the center of the conversation.

If you are more interested in rider profiles and long-running film collectives, Issue 02 is a strong pick, with articles on Jed Waters and Reece Rule, Phil Casabon’s writing on “Off the Leash” and camera-focused pieces that pull back the curtain on the people behind the lens. Issue 03 leans deeper into process: articles on Hazard’s “Headache,” Sugarbush Parks, Level 1 in Finland and an interview with Devin Logan make it a great choice if you like to understand how projects are designed, funded, filmed and edited rather than just seeing the final export.

On the digital side, the Browser website organizes films by title and presenting crew. A practical approach is to start with names you already know—MAGMA, Strictly, KEESH, Line, Surface—or with riders you follow, then branch out into unfamiliar projects that share a similar energy. Because Browser’s selection is deliberately limited, you can treat everything on the platform as pre-vetted: if it is on there, it is worth a proper watch, not just a background play.

Why riders care

Riders care about Browser Magazine because it gives freeskiing a physical, permanent home again. At a time when most skiing lives in short clips and disappearing stories, holding a heavy, well-printed magazine that documents a season’s worth of work feels special. The combination of long-form writing, high-end photography and carefully chosen films sends a clear message: the tricks and trips that shape park and street skiing deserve the same level of respect as any big-budget mountain project.

For the skipowd.tv community, Browser functions as a cultural counterpart to a video library. Skipowd.tv helps you discover and organize ski films; Browser helps you understand the people, scenes and decisions that created them. Together they map out the present and near future of freeskiing—from Salt Lake City premieres and Finnish bridge spots to rope-tow nights and spring park shoots. If you are invested in that world, Browser Magazine is not just another brand; it is one of the places where your version of skiing is being recorded, celebrated and archived for the long term.