Chase Mohrman

Profile and significance

Chase Mohrman is an American freeski rider whose career traces the modern arc from internet-era park edits to respected street segments and live-format showcases. Embedded in the Mt. Hood and Salt Lake City scenes, he has built a reputation for rail fluency, readable jump axes, and a film-first mindset that still holds up on judged, head-to-head features. Early attention arrived through finalist appearances at Level 1’s SuperUnknown and a pair of SLVSH games that displayed his calm shoulders and deliberate edge changes. In recent seasons he’s been a consistent presence in ON3P’s street and summer outputs and in Arsenic Anywhere’s rider-driven projects, making him a reliable name for fans who follow the culture through films as much as through World Cup results.

The headline with Mohrman isn’t medals; it’s influence and longevity across the places and crews that matter. His “Global Warming Vol. 3” summer part from Mt. Hood, ongoing appearances in ON3P team cuts, and contributions to Arsenic’s gritty street movies cement him as one of the skiers who keep the North American jib tradition vibrant. For viewers who value style, line choice, and repeatable execution, he’s a clear reference.

Competitive arc and key venues

Mohrman’s pathway runs through high-volume parks and street-heavy calendars rather than federation podiums. The rhythm begins on Oregon’s South Side, where glacier laps at Timberline and spring sessions at Mt. Hood Meadows let him stack repetitions when the rest of the continent is mowing grass. Those reps translate directly to the Wasatch, where winters spent at Brighton and Park City Mountain add speed, rail variety, and the quick decision-making that modern slopestyle and street filming both demand.

On the film side, he features prominently in ON3P’s output and rider edits, including the Mt. Hood–centric “Global Warming Vol. 3,” and appears in Arsenic Anywhere’s street slate—proof that his skiing reads on camera when the landings are imperfect and the run-ins are short. Community-facing efforts have included helping pull together spring sessions like Lawson’s Finest “Super Sessions” at Sugarbush, where the emphasis is on creative features and good, repeatable skiing rather than pure amplitude. Earlier contest-facing milestones—SuperUnknown finals at Sierra-at-Tahoe and SLVSH battles at Brighton and in Tahoe—round out a résumé built on composure more than hardware. The pattern is consistent: learn it in long park lines, prove it on unusual features, then make it readable enough to score in front of a crowd.

How they ski: what to watch for

Mohrman’s skiing is defined by economy. On rails he favors a centered stance, quiet upper body, and approach angles that keep edges decisive without looking frantic. Spin-ons and pretzel exits arrive as a logical end to the line rather than a coin flip, and he links features in a way that preserves glide into the ender—an underrated skill that judges and editors both reward. His lock-ins through kinks and gaps look committed but measured; the trick is chosen to survive speed changes and light chop, exactly the conditions that street and night finals often produce.

On jumps he plays to clarity. Expect early, full-hand grab placement, clean axis separation, and landings that finish as neat as the takeoff. He’ll scale rotation when the speed is perfect, but he’s more likely to score by holding the grab and keeping the axis readable than by forcing a last-second cork. The result is a line that “travels” from salted morning parks to crusty inruns on a handrail, which is why his skiing cuts well in both live and edited formats.

Resilience, filming, and influence

Mohrman’s influence lives in the edits that skiers rewatch. ON3P’s street projects and summer recaps show a rider who treats filming days as progression labs: test the speed, adjust the angle, and only move on when the make looks inevitable. Arsenic Anywhere’s projects lean into the same ethic—creative spots, compact builds, and tricks selected for how they read on camera. That approach clarifies his value in the current ecosystem. He’s a connective tissue skier, the kind whose consistency elevates a crew film and whose decisions on a course help fans understand why a run works.

The community piece matters, too. Mohrman’s presence at Mt. Hood summers has long intersected with Windells and the broader coaching-and-camps culture that keeps young riders in the snow and around good habits. Whether he’s in front of the lens or lapping with a crew, the habits repeat: grab early, stay stacked, conserve speed, and make each hit build toward something.

Geography that built the toolkit

Oregon and Utah do most of the heavy lifting. Timberline’s summer lane at Timberline supplies volume—hundreds of hits under consistent light and speed—while Mt. Hood Meadows adds midwinter variety and night-lap grit. Winters along the Wasatch at Brighton and Park City Mountain sharpen timing on bigger, faster lines. Trips to Sierra-at-Tahoe for finals weeks and street strikes expand the speed window and test how tricks hold up when the snow is firm and the build time is short. Occasional East Coast spring missions to Sugarbush emphasize creativity over size, reinforcing the idea that line choice and momentum management travel better than one-off hero shots.

Equipment and partners: practical takeaways

Mohrman rides with ON3P Skis, a Portland-based builder known for durable, true-twin shapes that balance swing weight for both-way spins and long rail slides. In street-oriented seasons he has aligned with the apparel sensibility of Arsenic Anywhere, whose projects and gear live squarely inside the jib culture he represents. For skiers trying to reverse-engineer his feel, the brand logos are less important than the principles they enable: a near-center mount that supports a neutral stance, a consistent tune with thoughtful detune at contact points to reduce rail hang-ups, and boots set for progressive forward flex and firm heel hold so landings finish stacked. Build a setup you can trust from the first test hit to the make, and your style will survive speed and snow changes.

Why fans and progressing skiers care

Chase Mohrman matters because he turns fundamentals into footage that lasts. He shows how clean axes, full-duration grabs, and momentum-saving rail choices can anchor a film part, win a SLVSH letter exchange, or carry a head-to-head street feature without relying on circus tricks. For fans, he’s a dependable watch whenever ON3P drops a team week or Arsenic premieres a new street cut. For developing skiers, he’s a blueprint: learn to read lines so speed survives, keep tricks reproducible across different courses, and let measured decisions—not last-second Hail Marys—build scores and clips you’ll still be proud of in a decade.